FULLY SERVICED & CALIBRATED
BACKED BY WARRANTY*
STEREO CASSETTE 
TAPE DECKS / RECORDERS / PLAYERS
VINTAGE AND RESTORED
 

 

A FEW OF OUR CASSETTE DECKS WAITING FOR A SPOT ON THE RESTORATION BENCHES...
(YES, WE HAVE OUR WORK 'CUT OUT FOR US')


  
OUR SERVICED / RESTORED CASSETTE TAPE DECKS:
 

     

FINALLY, A FEW MORE BACK IN STOCK
(Click on above thumbnails to enlarge photos)
MINIATURE / MINI REEL TO REEL
CASSETTE TAPES TAPE
for sale
We just bought a very limited quantity of these "mini-reel to reel" cassette tapes. Follow this link to order...Click Here 
 

 

Did you know?
3-Heads vs 2-Heads; 'Normal / 2-head' decks have an erase head and a 'combination' playback / record head that serves 'double duty' depending on whether it was being sent a 'record signal' or receiving a 'playback signal', thus the "2-heads". Most 'higher end' cassette tape decks / recorders offered '3-Heads' for superior 'recording' performance. The 'Third-head' was a separate playback head, positioned immediately after the record head to allow 'almost instantaneous' (about a third second behind, as a cassette shell only has 'so many openings') monitoring of the actual recorded signal on the tape, as opposed to simply monitoring the 'input' signal to the deck. However, the '3rd-head' 'generally' does nothing for playback of already recorded tapes. There's some credence to the argument that playback heads can have a closer 'gap' designed into them than record heads, so if you get a '3-head' deck that has a playback head with a closer gap, then it would (could) offer better playback performance. Possibly, if you check the specs (if available) and find that is the case, the heads aren't worn and the balance of the deck is of substantial quality. Many better 2-head decks offered playback heads in the 18-20kHz.
I get a lot of folks that are shopping for cassette decks, with only the purpose of 'playing back' their old tapes, but thinking they want a 'Three-Head Cassette Tape Deck' because they've been 'told' that it would be better quality. Since the third head does 'little to potentially nothing' for playback (except it does make doing final audio adjustments / fine biasing adjustments when servicing MUCH easier), there's minimal reason to hold out for that feature, nor to pay extra for it…unless you just want it, or you ARE going to be 'recording' or it's coming along on a deck that has other features you wish. Now if you are going to be 'recording' then I 'HIGHLY' recommend a deck with 'Tape Monitoring' via the third head, thus "3-Heads"!

    

    

             NEW LISTING 12/20/2020
(Click on above thumbnails to enlarge photos)
warranty
FULLY SERVICED / REFURBISHED
PRE-OWNED /
PIONEER MULTI-PLAY CASSETTE TAPE DECK
PIONEER CT-M6R
DOES HAVE A FEW 'BATTLE SCARS', BUT MAKES UP FOR THAT IN PERFORMANCE!
MULTI-PLAY, 6 TAPE CHANGER!
HX PRO deck with DOLBY B & C
"QUICK" AUTO-REVERSE
"RELAY" PLAY / RECORD (means will continuously record thru BOTH sides of ALL 6 tapes!!!)
#...2441
Circa 1990-1991
MIJ
SOLD 1/29/2021
SHIPPING TO SCOTT IN CALIFORNIA

ü Our technician has completely and EXTENSIVELY gone through and 'Certified' this unit cleaning inside and out, tape transport mechanism removed, cleaning and re-lubricating internal mechanisms and the balance of efforts listed below. (this was already a VERY CLEAN & LIKE NEW deck inside before we started our service work)

ü AC voltage set for 'North American' use, and Internal DC power supply tested to correct Voltages before any work commenced

ü Heads inspected for excessive wear (obviously we do this 'early on' as 'excessive' wear will usually negate any further restoration work).

ü Head rotating gears on both wells inspected with a jewelers loop prior to starting any restoration work, and found to be 'hairline' crack free.

ü Main Drive and Counter belts inspected and are in 'like new' cond.

ü Rubber pinch rollers have been reconditioned

ü One VERY important note about this deck. The spindles are 'gear driven' which means that it should WAY OUTLAST most other decks that utilize standard, rubber 'idler tires' for reel activation (everyone thinks that 'belts' are all you need to replace to make a cassette deck work.  While belts are important, it's almost always the 'idler tire' that is the "Achilles Heel"  of cassette decks and causes the VAST majority of cassette deck problems).

ü Both spindles in perfect alignment.

ü Heads have been cleaned and de-magnetized as well as the entire transport.

ü Head alignment and azimuth at 125Hz, 1kHz and 10kHz adjusted for BOTH directions on both decks for 'peak performance' with O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output.

ü All internal pots, switches and controls cleaned and tested for noise-free function.

ü Front panel removed and disassembled to allow cleaning of the Record and Balance potentiometers.

ü All LED's and fluorescent displays functioning well, with low current draw

ü FF, REW, & Play transport functions all test perfectly and controls tested for 'positive / accurate' responsive.

ü 'Mechanized' Eject door operates smoothly.

ü Tape Counter Function tested

ü Dolby NR circuits / function tested

ü 'Memory / Zero Return' function tested

ü Meters adjusted to even zero with symmetric with Volt meter, O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output.

ü Both Internal playback amplifier channels adjusted with Volt meter, O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output.

ü Meters adjusted to even zero with symmetric input with Volt meter, O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output.

ü Both Internal Record amplifier channels adjusted with Volt meter, O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output.
ü Pinch roller and heads all in GREAT condition!!!

ü Overall floor noise measured at >-60dB.

ü Speed adjusted internally to 100% accuracy BOTH directions, with 1kHz factory calibration tape and frequency counter (meaning 1kHz calibration tape plays back at 1000Hz +/- 1Hz)

ü Plays great and after full service and adjustment, records AMAZINGLY well w/ following results;

1kHz recorded @ 0dB with Dolby C engaged on Maxell XL-II (High bias) tapes plays back @ -2 dB L&R.

Full Bandwidth 'White Noise' recorded @ 0dB w/o NR engaged on Maxell XL-II (High bias) tapes plays back @ -3dB L&R

Full Bandwidth 'White Noise' recorded @ 0dB with Dolby C engaged on Maxell XL-II (High bias) tapes plays back @ 0dB L&R, which equals ZERO dB loss!!

"Real World" test, 'DDD' CD recorded at 0dB +/- 3dB with Dolby C engaged, on Maxell UDXL-II / High Bias tapes sounds great

Bottom line is this deck sounds amazing for playback or recording (always make sure you're playing back 'good quality' tape recordings)

ü Again, Cosmetically, the deck has a few 'battle scars' and isn't going to win any 'beauty contests', but makes up for it in performance.
Total technician time to restore 4+ HOURS!
____________________________
 
This Pioneer CT-M6R is a well built and designed deck and is a BLAST TO USE! (I personally used it extensively following it's refurb / service). It's super quality in design and build, and it's loaded. It's a 'Double Auto-Reverse', with 'Bi-Directional' Recording, AND it's a 6 tape changer that can record up to 9 HOURS CONTINUOUSLY!
 This is an incredible deck for performance and IT'S LOADED! It would be at home in any audio system.

Pioneer CT-M6R Features include:
  
- HX-PRO (Extended Head-Room Recording) (One of the BEST features of 'modern / recent' cassette decks)
- 6 Cassette Tape Changer
- Dolby B & C Noise Reduction built-in
- Relay Recording. This means that you can record all 6 tapes on both sides for 9 hours of continuous recording time w' standard 90 minute tapes
- IC Logic "touch-control" tape transport on both decks
- Super-quality tape heads- "MS" Music Search" cuing
- OTR (One Touch Recording and Pause)
- Auto-Selector for Normal, CrO2 & Metal Tape Type
- Full fluorescent readout screen
- Dual fluorescent signal level meters
- Multi-Mode, Digital tape counter for either tape well. Gives "Standard" count or "Real Time" and Time Remaining
- "All Rewind" (this ends up being a VERY handy feature. If you have a bunch of tapes that were stopped in random spots, just put them all in, and press "All Rewind". It will automatically go thru each and re-wind either Side A or B, depending on how you load the tapes)
- Record Level control
- Record Mute function
- Timer Play / Record / Off selector
- 1/4" Stereo Headphone jack
 - Wireless Remote Control (INCLUDED)
 - "CD Synchro" for other Pioneer compatible gear
- AND LIKELY MORE THAT WE DIDN'T LIST
  
Pioneer CT-M6R Specs:
 
 Track format: 4 track / 2 channel
Heads: Super-Hard, Permalloy for Recording and Playback head.
Ferrite for Erase head
Motors: 4 total. "DC Servo" motor for capstan and standard DC motors for Reels, Loading, and well door.
Wow & Flutter (WRMS): 0.055%
Freq Response: (-20dB) - 20-19,000 Hz, Metal Tape
- 20-18,000 Hz, Chrome Tape
- 20-17,000 Hz, Norm tape
S/N ratio: >58dB NR Off, @ 3% THD
NR reduction: Dolby B = >10dB@ 5kHz
Dolby C = >19dB@ 5kHz
THD: 1.0% @ 0dB
Line in: 63mV, 50k Ohms
Line Out: 0.316 V @ 5.8KOhms
 
This Pioneer CT-M6R is an incredible deck and a rare one too. Only the forth cassette changer we've had  since I sold an Aiwa changer when new around 1984. You would likely be the only 'kid on the block' with one of these.
Also great for transferring your tape collection to CD, Hard-drive or MP3.  As it can do up to 9 hours of continuous recording, think of the possibilities. Built very well! Looks like new and sounds great. Deck includes a copy of original owners manual. Measures  16.5" wide x 14.5" deep x 5.5" tall and weighs 19 lbs unpacked. Comes with our 90 day limited warranty.
Cond. 8
 PIONEER CT-M6R
SOLD 1/29/2021
SHIPPING TO SCOTT IN CALIFORNIA

W/ original Wireless Remote Control


(tape shown in photos not included. We do ship our decks with a  a 'pre-recorded' tape for playback, made on this 'specific' deck, and a tape to 'practice record' on.) 

(Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)

 

 

     


 
            NEW LISTING 12/15/2020
 (Click on above thumbnails to enlarge photos)
  warranty
VINTAGE AND FULLY SERVICED W/ WARRANTY
TEAC CASSETTE TAPE DECK
HUGE
TEAC A-510 / A510
(same as TEAC A-500)
#...9261
With DOLBY NR and IC LOGIC TRANSPORT
MADE IN JAPAN!
Circa 1978-80
for sale

ü Our technician has completely and EXTENSIVELY gone through and 'Certified' this unit which involves complete removal and disassembly of the entire transport (not an easy task on this deck), cleaning inside and out, DISASSEMBLING, cleaning and re-lubricating all internal mechanisms and the balance of efforts listed below.

ü Heads inspected for excessive wear (obviously we do this 'early on' as 'excessive' wear will usually negate any further restoration work).

ü Capstan motor spindle bushing re-lubed

ü Capstan burnished

ü NEW, 'reel drive' tire installed for trouble-free service. (These are actually much more important to replace on this deck (and most) than the belts. Without these, the deck won't fast wind very well, and will likely 'eat tapes' as the 'take-up' reel won't turn properly)

ü All three Main Drive and Counter belts replaced for trouble-free service.

ü Rubber pinch rollers have been reconditioned

ü Flywheel 'belt surfaces' solvent cleaned

ü Bronze Flywheel bushings solvent cleaned

ü Entire flywheel assemblies re-lubed upon re-assembly

ü Interconnects on 'transport circuit board' repaired

ü All internal pots, switches and controls cleaned and tested for noise-free function.

ü Heads have been cleaned and de-magnetized as well as the entire transport.

ü Head alignment and azimuth at 125Hz, 1kHz and 10kHz adjusted for BOTH directions for 'peak performance' with O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output.

ü FF, REW, & Play transport functions all test perfectly and controls tested for 'positive / accurate' responsive w/ new idler tire installed.

ü 'Silicone Damped' Eject door operates smoothly.

ü Tape Counter 'Reset' button fabricated & tested

ü Tape Counter Function tested

ü Dolby NR circuits / function tested

ü 'Memory / Zero Return' function tested

ü Meters adjusted to even zero with symmetric with Volt meter, O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output.

ü Both Internal playback amplifier channels adjusted with Volt meter, O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output.

ü Meters adjusted to even zero with symmetric input with Volt meter, O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output.

ü Both Internal Record amplifier channels adjusted with Volt meter, O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes.

ü Pinch roller and heads all in GREAT condition!!!

ü Overall floor noise measured at >-60dB.

üSpeed adjusted internally to 100% accuracy BOTH directions, with 1kHz factory calibration tape and frequency counter (meaning 1kHz calibration tape plays back at 1000Hz +/- 1Hz)

ü Cosmetically, there are some 'whiteish spots" that we weren't able to affect. 409, Alcohol, nor Naptha seemed to have any effect on them.

ü Plays great and after adjustment, records AMAZINGLY well w/ following results;

ü With White Noise recorded @ -0dB w/o Dolby engaged PB = -3dB & With White Noise recorded @ -10dB w/o Dolby engaged PB = 0dB

ü With White Noise recorded @ -10dB w/o Dolby engaged PB = -10dB & @ 10kHz w/o Dolby engaged PB = -10dB on Maxell UDXL-II / High Bias tape

ü With 1kHz recorded at 0dB with Dolby engaged on Maxell XL-II (high bias) tapes PB = -2dB

ü With 'ddd' CD recorded at 0dB with Dolby engaged; -3dB on Maxell UDXL-II / High Bias tape

Bottom line is this deck sounds great for playback or recording (always make sure you're playing back 'good quality' tape recordings)
Total technician time to restore 11+ HOURS!
____________________________

The Teac A-510 / A-500 with 'Dolby NR and IC Logic Transport', Stereo Cassette Tape Deck. Great deck for doing tape transfers if your tapes were recorded with no NR or with "Dolby B" or for making some awesome 'new' recordings or 'mix tapes' (hey, it's 'the thing' again). This deck is a pleasure to use, and has a great 'feel' due to it's size and transport function. As far as cosmetics, it's BEAUTIFUL. Was taken very good care of before it came to us, and is even more astounding now. Very impressive looking deck.

Teac A-510 Features include:
  
-  "Soft touch / IC LOGIC control" tape transport (allows you to switch between 'Fast Wind' or 'Play' modes without pressing 'Stop' w/ no fear of 'spilling / dumping tape')
- Selector for Normal (EX / I), CrO2 (SX / II) & Metal (ZX / IV) Tape Type
- 3-Position Selector for Tape Equalization for Normal (EX / I), CrO2 (SX / II) & Metal (ZX / IV) Tape Type on playback
- Dual Fluorescent VU Level Meters
- Analog Tape counter 
- Variable Output Level control (one of the most important features on a deck in our opinion)
- Dolby B NR
- Record Muting
- Real 'Potentiometer' Record level controls that are 'gear coupled' (meaning when you turn one, the other one responds as well. They can be turned independently for 'fine adjustment' as they're 'clutch coupled' as well)
- Memory Stop for counter
- Dual, Front mounted, 1/4", Microphone Jacks
- Front mounted, 1/4", Stereo Headphone jack
- RCA and DIN I/O's on rear panel
- Timer Play / Record function. (IMPORTANT NOTE ABOUT 'TIMER SWITCH' ON THIS DECK. If the 'Timer' switch is in any position other than "OFF", and the tape plays thru to 'Auto-Stop', then no other function on the deck will commence until the 'Timer' switch is turnted to "Off". That is what the 'sticker' on the top of the unit indicates (and we found to be the case))
- Multi-pin port on rear panel for optional wired remote, TEAC RC-90 (remote not included)

Teac A-510Specifications:
 
Track format: 4 track / 2 channel
Motors: 2x, 1x DC Coreless 'Reel', & 1x FG Servo Controlled DC 'Capstan'
Wow & Flutter (WRMS): 0.07% WRMS
Tape Speed: 1-7/8 ips
Speed Deviation: 0.015% (we did not find ANY speed deviation when bench testing following restoration and / or auditioning
Harmonic Distortion / THD: <2.0% @ 1kHz & 0dB (High Bias Tapes)
S/N ratio w/ CrO2 tape: >48db w/ Dolby dis-engaged (and Normal Bias Tapes)
>53db w/ Dolby-B engaged (over 10kHz and High Bias Tapes)
Bias Frequency: 100K
Channel Separation: min 30dB @ 1K
Adjacent Track Cross-talk: min 40dB @ 125Hz
Fast Wind Time: ~90 Seconds for C-60 tape
  
Again, we have completely cleaned, refurbished / serviced and thoroughly tested this Teac A-510 cassette tape deck.
Great for transferring your no NR or Dolby B NR encoded tape collection to CD, Hard-drive or MP3 especially with the 'Tape EQ' selector for 'fine tuning' older tapes. Built very well! Again, not going to win any beauty contests, but performs decently. Due to it's size, overall feel, the 'input controls' and the 'transport control' this deck really is a blast to use. Comes with an 'e-copy / pdf download' of the TEAC A-510 / A-500 cassette tape deck service manual if the purchaser desires. Measures 18.6" wide x 13.5" deep x 7.25" tall and weighs a VERY HEAVY 24 lbs unpacked. Just in-case you 'too casually' read past that last little bit,
IT'S A TWENTY-FOUR POUND CASSETTE DECK!
Includes our standard 90 day limited warranty. 
TEAC A-510
Cond. 7.5+
$589.

(tape shown in photos not included. We do ship our decks with a  a 'pre-recorded' tape for playback, made on this 'specific' deck, and a tape to 'practice record' on.) 

(Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)

 

 

UPDATED LIST 1/13/2021
Cassette Tape Decks Coming Soon to this page

Akai GXC-730D  (Signed off on. Waiting photos / text)
Nakamichi BX-1 (Signed off on. Waiting photos / text)



(While we have many dozens more decks in stock, awaiting bench / tech time, MANY WON'T MAKE IT thru our stringent process)

- NOTES ON PURCHASING A VINTAGE CASSETTE DECK -

I own and have owned ‘hundreds’ of cassette decks. I started selling them ‘new’ in the early 1980’s.
Very few of the decks that we have on our ‘incoming’ shelves will function to any degree of ‘practical usability’, if at all, in their ‘as found’ condition. So it amazes me at all the articles out there on “How to Buy a Used / Vintage Cassette Deck”, and no one seems to mention how the ‘clock needs to be rolled back’ 30-40 years on one to get to a level of ‘practical usefulness’. They all want to mention to make sure it’s got the right ‘features’ for what you need,  that it’s in “good condition” (typically referring to its often purported, “minty” looks),  that the shipping is “reasonable”,  the methods of payment work for you,  and that the ‘sellers feedback rating’ is adequate….
WHAT ABOUT IT’S INTERNAL CONDITION????? IT’S GOT 20-40 YEARS UNDER THE HOOD!!!
      There’s lots of ‘rubber’ and ‘lubricated parts’ inside a cassette deck. ‘Time’ is NOT a friend to either. Rubber can do a few things. It can crack, stretch, break, glaze over (think about how a ‘pencil eraser’ gets after about a year in a drawer), or turn back to its original form, which is a ‘gooey / tar’ substance. Oil and grease ‘gel up’ and stop being lubes, and start becoming ‘glues’ (think the grease caked under an old / vintage car / tractor. It has to be ‘chipped’ away with a putty knife).  Both of those aspects and others affect a tape deck’s (or turntable, or VCR or camcorder, or CD / DVD player, or film projector, or just about anything that is powered by electricity and has moving parts (AND THERE’S A LOT OF MOVING PARTS IN A CASSETTE DECK) performance. Most folks assume that if you simply 'change the belt(s), then the deck is 'good to go'. "Not even close". Most cassette decks also utilize an 'idler tire' to drive the tape reels, not only for 'Fast Wind' functions, but also for 'Take-up' reel function. This tire becomes 'glazed', cracked, deformed and / or disintegrated, and a deck WILL NOT function correctly with 'tire' issues. The 'kicker' is that the 'idler tire' is almost always 'buried' deep within the transport mechanism which typically requires a near complete disassembly of the entire tape transport to even asses if a replacement tire can be found, an available one modified, or if one can be fabricated.
Thus following is a list of questions to ask about any tape deck…

          How is its overall ‘Speed’? Inaccurate speed is one of the first ‘tell-tale’ sign of a decks overall heath. You won’t likely be able to tell without an accurate ‘speed / test tone / calibration’ tape and a frequency counter. If you’re not a musician, not ‘musically inclined’, or are ‘tone deaf’ maybe you won’t notice, but most folks will notice ‘something is not quite right’ when listening to a slow (or occasionally fast) running tape. Just throwing on a new belt, doesn’t address speed accuracy. Most mechanisms will need to be disassembled, cleaned and re-lubed before any speed adjustments can be attempted.

          How ‘Steady’ is the speed? This refers to ‘WOW & Flutter’. This generally won’t be noticed until you put on a tape with a ‘steady tone’ or a musical piece with sustained piano notes. Then ‘Flutter’ issues will drive you nuts. Also can be noticed with sustained string instruments. Just wait till there’s violin with vibrato, then added on top is ‘out of time’ vibrato caused from excessive ‘Flutter’ of the tape transport. If someone just throws any selection of music in, or a 'spoken word' tape, they'll likely not notice the 'Flutter' issue.  ‘WOW’ is less of an issue in cassette decks, but can occasionally be caused by ill-fitting / wrong belts being installed.

          Does the deck ‘fast wind’ at ANY AND ALL positions on the tape, and will fast wind, BOTH WAYS throughout an entire tape,...repeatedly...Every time? While playing does the ‘take up’ pulley / reel run correctly, or is it ‘jerky’. Is ‘fast wind’ (in either or both directions) smooth, or jerky. It will typically be jerky and intermittent if it functions at all. If it doesn't turn correctly / sufficiently in 'Playback' mode, that will cause the deck to 'eat tapes'!
This is caused by a ‘glazed’ / cracked ‘idler tire’, and about 99.999999% of decks are going to have a glazed or cracked or otherwise deteriorated idler tire’. It's 'decades' old rubber.  It almost HAS to be compromised.  You usually can't 'dodge physics'.  AND those things are not easy to address. The idler tire will almost always be ‘buried’ a few layer inside the transport. Then once you get there you go on the hunt for a replacement, only to find that there were dozens or hundreds of rubber, idler tires made, only a few of which are still available, and none of which will fit correctly. So now you have to make the choice (at least of you want to move forward with a decks restoration) as to whether you substitute an ‘O-ring’ (often works as a sub) or you take a tire that is close to fitting, and modify it to function correctly.

     How is the condition of the heads, regarding 'head wear'? It takes and 'experienced eye' to 'visually' estimate the condition of tape heads. Excessively worn heads, will never sound the way they should, with any amount of adjustment, and you can't just go into your local 7-11 and pick up a new set. Replacement heads for a specific deck, will likely need to come from another of the same (or darn close) specific deck. Having the heads 'lapped' was once a sometimes viable possibility, but that is, for the most part, a 'long, lost art'.  Even if you manage to acquire replacement heads, they have to be installed correctly. That will require alignment tapes and test gear (O-scope and / or milli-Volt meters) and a lot of patience.

     If the deck is ‘auto-reverse’, how’s the condition of the gear in the mechanism that ‘spins the head’? They are commonly, slightly ‘cracked’. There is note a practical fix for that. The head will go part way and ‘lock up’. If you can get it to go ‘back’ to its original position, just leave it, and accept that the deck is not ‘auto-reverse’.

     When the tape gets to the end of it's travel in play and fast wind modes, does the decks 'auto-stop' mechanism work? Every time?

     Does the tape counter work, and spin smoothly throughout the entire length of the tape? Every time?

        How’s the ‘azimuth’. Yes, I know it’s not a word that you use every day, but it’s vitally important on a tape deck. When the azimuth is out of alignment, a tape will sound ‘muffled’ (loss of treble) and / or ‘out of phase’ (not much bass). While you can use a ‘pre-recorded’ tape and get it close, it’s really only adjusted correctly and COMPLETELY by utilizing a ‘calibrated alignment’ tape and an O’Scope or at least a ‘milli-Volt’ meter.

          How many ‘dB’ down does the deck playback from its recording level? If you record a signal at “0dB”, how far does playback deviate from that? You should usually expect 3-6dB if the deck is in ‘reasonable’ condition. If it’s down 10 or 12dB (or more) you’re not likely going to be very happy with its recording quality. Unless it’s simply due to dirty heads, addressing this is fairly complicated for all but the technically qualified.

           Is playback even out of both channels and via both meters? You can’t just put on your favorite tape of ‘Death-Polka Favorites’ (or some other 'recorded program material' and listen to it to make an accurate determination. You would need a calibrated test tape (with 'constant' test tones), and an O’scope, or at least a millivolt meter to first make sure the playback head is in alignment, then the internal playback amplifiers are producing an ‘even amplitude’ and then that the meters are both ‘mechanically’ adjusted correctly and that their ‘voltage feed’ is evenly adjusted. Don’t know what any of that means? Then I wouldn’t be ‘messing with it’.

Do you hear any 'crinkling / scrunching' noises with your ear right up next to the transport, and / or when you pull out a tape that has been played on it, is there evidence of 'crinkling / wrinkles / creasing' on the tape section that just went past the pinch roller?

          Is there a loud, obnoxious ‘motor boating’ sound that and or your meter(s) are cyclically ‘pegging’? No. How about after the third time of putting the deck into record mode? Or the 6^th time or the 20^th time? Then the there’s a problem with the internal record switch (or it needs to be flooded / cleaned). (this issue is usually only a potential problem on a deck with a ‘mechanical internal record switch’, and not more ‘modern decks’ that use ‘electronics’ to switch the deck in and out of record)
  
    Does the deck make any extraneous noises when in play / record, such as squeaks, growls, scrapes, grinds etc? if not immediately, how about after 15 minutes, a half hour, an hour or a day? In all modes?

    Are the ‘Recording Level’ control pots ‘quiet’ or do they need to be cleaned?

    Do the “Source / Monitor” or “Tape EQ” switches quiet or do they make noise and need to be cleaned?

    If the deck has ‘Auto-Tape-Type’ sensing, is it triggering correctly? If not, that could mean an issue with the mechanism trigger tab, or a dirty / compromised micro switch.

    If the deck is equipped with any type of noise reduction ie; Dolby B, C, dbx etc, is if functioning properly? We don’t see issues with that often, but it does happen.

       Is the deck quiet when playing back a ‘blank tape’ or better yet, a cassette ‘shell’ with no tape in it? (some decks will not allow this test easily, as it’s ‘auto-stop’ mechanism is triggered by the tape counter, which is typically tied to the ‘supply’ reel and if that reel is not moving then the deck will go into ‘auto-stop’ mode.) This is ‘floor noise’ and is not to be confused simply with ‘tape hiss’, which is why we want to hear the transport moving without tape passing the playback head.

     How is the 'quality' of the recording and playback? Bad, distorted recordings can also be due to Bias issues (besides the above mentioned "worn heads", azimuth alignment errors and dirty controls and switches.

    Are all of the indicators and lights working? These aren’t typically ‘functional deal breakers’, but can definitely increase or decrease ‘curb appeal’.

If 'analog', do the meters settle at their left most index line? Do they both respond quickly? Do they 'stick' at any point in their travel? If 'really pegged' do the get stuck at the top?

    Does the ‘well door’ close and latch, EVERY TIME and correctly, REPEATEDLY?

Those would be most of the ‘high points’ regarding the functionality of a tape deck.   Once you, or someone technically qualified has addressed AT LEAST ALL of the above, then we can talk about how ‘minty-fresh’ it’s cosmetics are.

      I get the question of, “what’s the best brand / model” of tape deck out there. Well, 25-50 years ago, when you could go to a few ‘real audio shops’ and take your pick of a dozen or two NEW tape decks, that question held much validity. Now my opinion of the "which is the best deck", is the “one that has been properly refurbished / restored / fully service to a level of ‘proper utility’, recently, by someone qualified to do so”.

A QUESTION:
    Most folks know the difference, without too much thought, between a Chevrolet ‘Corvette’ and a Chevrolet ‘Chevette’. If I ask most folks "which is a better car, a ‘Corvette’ or a ‘Chevette’", most folks will answer "the Corvette” (barring all the arguments based on other personal opinions)…Now, I’ll give you the rest of the story. The Corvette has been sitting in a barn for the past 25 years, and hasn’t been started since it was parked there originally. Or it was in a flood. Or it’s had a dog living it, or a rat has built a home in the dashboard, or the engine was blown by the 'now deceased owner’s son', or, or, or…
     Now the Chevette has just been thru a qualified auto repair shop, and had the engine compression checked (and was within spec), new plugs / wires / dist cap, timing adjusted, new starter, alternator checked for charging, new battery, the coolant flushed, the clutch replaced, the brake system flushed, new calipers, drums and shoes, new belts, carb rebuilt and properly jetted, vacuum lines checked for leaks and replaced, air conditioner serviced, new seat covers, new tires, new wiper blades, windshield cleaner system replaced, cracked windshield replaced, all lights tested / replaced, horn checked, wiper motor / mechanism checked / lubed, and thoroughly test driven around town, starting and stopping, on the highway at all speeds. It was started in the cold weather, and once warm, started again. Repeatedly. It is pretty much doing what it did when new.  And you need to take a trip across the country tomorrow.  Now I ask again,  "which is the better car?"

 

 

Click here to see what we do to our cassette decks to make sure you get a
"usable" deck that should be good for years of trouble free service.

 

    

    

          NEW LISTING 2/26/2020
EXTENSIVE REFURBISH / SERVICE***
VINTAGE MARANTZ CASSETTE TAPE DECK
MARANTZ SD-3510
THE ONE WITH THE "DRAWER TRANSPORT"
SO IT'S LOW PROFILE
GOLD / CHAMPAIGN FINISH
CIRCA 1981-84
MIJ
"WORLD AC POWER" ™
for sale

ü Our technician has completely and EXTENSIVELY gone through and 'Certified' this unit which involves total disassembly of the transport, cleaning inside and out, COMPLETELY DISASSEMBLING, cleaning and re-lubricating all internal mechanisms and the balance of efforts listed below (incredibly difficult on this deck!!!).

ü Heads inspected for excessive wear (obviously we do this 'early on' as 'excessive' wear will usually negate any further restoration work).

ü Main Capstan / Flywheel belts replaced w/ #42-450 & #42-980.

ü Counter belts replaced w/ #42-260 & #42-1060.

ü Rubber pinch roller mechanism bushings & axles cleaned of old lube, reconditioned and re-lubed.

ü Capstans motor had it's bronze bushings lubed w/ 30wt

ü Capstans cleaned / burnished

ü All internal trim pots, switches and controls cleaned and tested for noise-free function.

ü All meter lamps and LED indicators working fine.

ü Both hub spindles in perfect alignment.

ü "FF, REW, & Play transport functions all test and controls tested for 'positive / accurate' responsive" is what we normally like to say, but due to the internal design of this one, we were not able to get it to perform 100%, EVERY time. Occasionally the 'STOP' button will have to be pressed a time or two, or another button will need to be pressed to then be able to engage 'STOP'. Other buttons sometimes 'hang up' temporarily, but usually selecting another transport function will 're-set' them as they're 'self cancelling / mechanical' with an internal mechanism that was unusually difficult to service and get to the current 'usable' state.

ü Heads in great shape as well, with many years of performance left in them

ü Heads have been cleaned and de-magnetized as well as the entire transport.

ü Head alignment and azimuth at 125Hz, 1kHz and 10kHz adjusted for BOTH directions for 'peak performance' with O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output for PLAYBACK..

ü Both Internal playback amplifier channels adjusted with Volt meter, O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output for PLAYBACK..

ü Meters adjusted to even zero with symmetric input with Volt meter, O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output for PLAYBACK.

ü Both Internal Record amplifier channels adjusted with Volt meter, O-Scope and sine-wave generators and 'pink / white noise sources', however we were not able to get great recordings. The left channel is often 'low / and distorted' on 'Recording' (sounds fine as a 'PLAYBACK' deck).

ü Pinch roller and heads all in GREAT condition!!!

ü Speed adjusted to 100% accuracy BOTH directions, with with TEAC MTT-257H 1kHz factory calibration tape (meaning 1kHz calibration tape plays back at 1000Hz +/- 1 Hz)

ü Pinch roller re-surfaced, and in GREAT condition!!!

ü Tape Counter works well

ü Speed adjusted internally to 100% accuracy with 1kHz factory test tape (meaning 1kHz calibration tape plays back at 1000Hz +/- 1Hz) (utilized TEAC MTT-257H)

ü Floor noise measured at -60dBm

So again, this deck was ultimately passed as a 'Playback' deck.

Total technician time to restore ~22++ HOURS! (YES, OUCH!)
  ____________________________
  
This deck is the commensurate deck for other Marantz components such as the Marantz Escotec SC-7, SC-8, SC-9, SC-500 SC-2000 Pre-Amps, the SM-8, SM-500DC, SM-2000 Power Amps, EQ-20 Graphic Equalizer, PM-8, PM-450 or PM-730 Integrated amps, ST-500 Tuner and many others. I sold all of those components when they were new for a Marantz dealer. If you're building that system (or already have most of that system) and need the matching cassette deck (for Playback), then here you go. This one is probably as good as it's going to get, as I don't know of any tech's who would be willing to bring one any further to completion

Marantz SD-3510 Features include:
  
- Retractable, Drawer Tape transport
- Adjustable Fine Bias Control for Recording***
- 'Soft Touch', mechanical transport
- Dolby-B noise reduction built-in for recording*** and playback
- Beautiful, Back-Lit VU signal level Indicators
- Manual Record Level with Separate L&R control
- Record 'Mute' function
- Front mounted, 1/4" Stereo Headphone jack
- Dual, Front mounted, 1/4" Microphone jacks
- 4-Position, Tape Type Selector for Normal, CrO2, Ferro-Chrome & Metal tape
- Tape Counter
  - True “WORLD AC POWER"™
   as it will work on both 50 or 60 Hz AC and voltages from 110-240 Volts AC
*** again, at this point a moot point as its best for Playback purposes

Marantz SD-3510 Specifications:

Style: Slim / Top Load
Track format: 4 track / 2 channel
Motor: DC Servo
Heads: Super-Hard, Alloy Play / Record head & Double-Gap, Ferrite Erase head
Freq Response w/ Dolby OFF: w/ Metal; 30-17,500 Hz +/- 3dB
w/ Chrome / CrO2; 30-16,000 Hz +/- 3dB @
w/ 'Normal'; 35-15,000 Hz +/- 3dB
Wow & Flutter (WRMS): 0.10% WRMS
S/N:
>65dB w/ Dolby B
>56dB w/ Dolby Off
Line Input Sensitivity: 50mV +/- 3dB
Output Level / Impedance for 'Normal' levels: 500mV +/- 3dB & 8.5k Ohms
Headphone Output Level / Impedance for 'Normal' levels: 50mV +/- 3dB & 60 Ohms
Fast Wind time (C-60): 90 sec.

Again, we have service and thoroughly tested this deck and offering it for 'PLAYBACK' purposes.
Cosmetically, it's in decent condition with a scratch on the right side of the face & some scuffs on the top of the face panel (see photos above).
Great deck for just about any system. Also great for transferring your tape collection to CD, Hard-drive or MP3 for just playing your tapes. Includes an 'e-copy / pdf download' of the Marantz SD-3510 owners manual.
Measures 17.3" wide x 12" deep x 4.5" tall and weighs a ~12 lbs unpacked.
REFURBISHED / SERVICED for PLAYBACK MARANTZ SD-3510
Cond. 8
$299. as-is for Playback only
with one of our mini, GOLD R2R tapes shown in the photos included

(tape shown in photos not included. We do ship our decks with a  a 'pre-recorded' tape for playback, made on this 'specific' deck, and a tape to 'practice record' on.) 

(Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)

 

    

           NEW LISTING 2/26/2020
VINTAGE PIONEER CT-F750 CASSETTE TAPE DECK
AUTO-REVERSE
CIRCA 1979
MIJ
RESTORATION PROJECT / REFURB CANDIDATE / AS-IS
for sale

Fixer-Upper Pioneer CT-F750 stereo cassette tape deck / player / recorder.
Another one we are clearing out in 'as-found' condition. We just simply aren't going to have time to restore them all so it's for sale 'as-is'.
What we know:
- Powers-Up
- Motor Runs
- Has some Fast Forward and Re-Wind function
- Both capstans turn
- Pinch roller did not engage so no Play function observed (likely varnished lubes impeding movement)
- All LED's, cassette well illumination, Direction indicators, Reverse mode indicators and Blue-Fluorescent meters / display work
- Pinch rollers appear serviceable
- Heads appear to be in great condition (at least cosmetically)
- Clean cosmetics (may be dusty / dirty etc.)
-

Pioneer CT-F750 Features:
- Auto-Reverse
- Variable Output Level control (one of the most important features on a deck in our opinion. Allows you to match volume level of other sources, allows adjustment for 'best' pre-amp input to avoid distortion, allows you to change the volume of the deck if you have it located remotely from the pre-amp / receiver as I do, and many other applications)
- Dolby
- Piano Key operation
- Blue Fluorescent Meters with 'Peak' or 'Avg'
- Tape Type Selection
- Record Mute
 

Missing Power toggle cap
Great restoration projects if you have the skill sets or are versed in restoring Pioneer CT-F tape transports.
$189. As-Is, entire Unit*
 

~$689. If Restored to our normal level depending on record quality and tech time (theoretical only, as we're not restoring it due to current tech time resource constraints).

 

 

 

     *Ok, so here's the deal on our 'As-Is' / 'As-Found' / 'For Restoration' units. The prices are firm and are more based from their 'pre-processed parts value'.  We are offering these “As-Is” units simply because they’re below our threshold of time-vs-effort-ROI at the time of posting. Any less than our published price and we'll go ahead and process them as "parts" and remove from sale or re-slate for future restoration by us as time allows.  At these values / prices, no more photos or testing will be done by us.

     Most or all of the following applies to us as well, EVERYTIME we start the refurb / service process on a unit. While we may sometimes (usually) state what functions / condition we observed at the time of testing, it is in no way a declaration of warranty (meaning; “we may have missed some $%#*”).  The existing condition we observed and documented is also no guarantee of ultimate viability following further service efforts.  It is only offered 'As-Is', without our normal *warranty and we won't have the time resources to 'improve' it in anyway.  The existing condition we observed and documented is also not necessarily indicative of the entire cosmetic / operational condition associated with a unit (there’s probably issues we didn’t or couldn’t see at the time).

     Restoring / refurbishing 'vintage / used' units properly is typically not an 'easy' process and if you are 'not' a technician or will be disappointed if a unit does not come all the way through to fruition, then you should probably purchase a unit that has already been restored to 'working' condition.  If you are not a technician and do not understand the potential dangers of working with electronic / electrical units, then DO NOT ATTEMPT repair / restoration / further service or even open a unit up. The voltages inside these unit can kill you and it will hurt the entire time you are dying!!!  Units should probably not be ‘powered up’ or used until, at least, a cursory check by qualified personnel has been done.

     Parts to restore / refurbish / service or 'further improve' the unit may or may not be readily available (most parts can be sourced).  Parts / units may or may not respond positively to further repairs (you might blow something up). Units may or may not have original parts. They may have missing, damaged, modified, dangerous / outdated parts etc. (most will not). Units may have evidence of past ‘non-factory’, incorrect, uncompleted, shoddy or dangerous repairs (most will not).

     These units are NOT intended for someone looking for a 'working' unit or thinks you can simply 'install a new belt', spray in some contact cleaner or change a light bulb and have a working component.  It typically requires 4-18 hours to bring most units / vintage components back to a decent level of function and utility for the 'long haul'.

     The pack / ship will be the same as for our 'fully restored' components so the reduced price of the "As-Is" unit has NO BEARING on the cost to pack and ship (which is typically somewhere between $45-$85 but can vary up or down from that range). shipped to most of the lower 48 states. Extreme Southern, North Eastern, or North Western locales will be slightly more.

     Bottom line; If you’re not up for the challenge either due to ‘lacking skill sets’ or ‘lacking funds’ to hire the work done, and need a unit to be more than a ‘shelf display’, then I would pursue a unit / component that has already been PROPERLY restored / refurbished / service with a ‘clean bill of health’. This goes for most of the units that are for sale on on-line Auctions and Classified ads. Occasionally there will be a unit ‘up for auction’ or on a classified ad that really has been service properly, but they’re generally a ‘single digit percentage’ of what’s out there available for sale.
 

    

          NEW LISTING 2/22/2020
 (Click on above thumbnails to enlarge photos)   warranty
VINTAGE AND FULLY SERVICED W/ WARRANTY
LUXMAN CASSETTE TAPE DECK
LUXMAN KX-106
WITH HX-PRO, DOLBY B, C & *dbx with IC LOGIC TRANSPORT
& AUTO-REVERSE & 'FINE BIAS' ADJUSTMENT
GEAR DRIVEN SPINDLES - NO IDLER TIRES!!!
#...747A
Circa early 1986-88
Made in Japan
SOLD 4/22/20
SHIPPING TO SHADRACH IN CANADA

ü Our technician has completely and EXTENSIVELY gone through and 'Certified' this unit which involves total disassembly of the transport, cleaning inside and out, COMPLETELY DISASSEMBLING, cleaning and re-lubricating all internal mechanisms and the balance of efforts listed below.

ü Heads inspected for excessive wear (obviously we do this 'early on' as 'excessive' wear will usually negate any further restoration work).

ü Spindles are GEAR DRIVEN which means NO idler tires / wheels to glaze over, crack and mis-behave with none of the typically associated ills.

ü Counter belt - NO counter belt. It's GEAR DRIVEN!!!

ü Main Capstan / Flywheel belt reconditioned.

ü Rubber pinch roller mechanism bushings & axles cleaned of old lube, reconditioned and re-lubed.

ü Capstans cleaned / burnished

ü All internal pots, switches and controls cleaned and tested for noise-free function.

ü All Fluorescent displays and LED's working fine.

ü Both hub spindles in perfect alignment and end locks intact and staying put.

ü FF, REW, & Play transport functions all test perfectly and controls tested for 'positive / accurate' responsive.

ü Heads in great shape as well, with many years of performance left in them

ü Heads have been cleaned and de-magnetized as well as the entire transport.

ü Head alignment and azimuth at 125Hz, 1kHz and 10kHz adjusted for BOTH directions for 'peak performance' with O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output.

ü Both Internal playback amplifier channels adjusted with Volt meter, O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output.

ü Meters adjusted to even zero with symmetric input with Volt meter, O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output.

ü Both Internal Record amplifier channels adjusted with Volt meter, O-Scope and sine-wave generators and 'pink / white noise sources'. Both channels now even output.

ü Pinch roller and heads all in GREAT condition!!!

ü Speed adjusted to 100% accuracy BOTH directions, with with TEAC MTT-257H 1kHz factory calibration tape (meaning 1kHz calibration tape plays back at 1000Hz +/- 1 Hz)

ü Pinch roller re-surfaced, and in GREAT condition!!!

ü Playback meters zero with factory test tone tape.

ü Tape Counter and 'Memory' Function tested

ü White Noise recorded @ 0dB w/ Dolby-C engaged = PB @ -2dB on Maxell UDXL-II / High Bias tapes

ü 1kHz Sine-wave recorded @ 0dB w/ Dolby-C engaged = PB @ -1.5dB on Maxell UDXL-II / High Bias tapes

ü 'ddd' CD recorded recorded @ 0dB w/ Dolby-C engaged = PB @ ~ -1dB on Maxell UDXL-II / High Bias tapes


ü 1kHz Sine-wave recorded @ 0dB w/ *dbx engaged = PB @ -1.5dB on Maxell UDXL-II / High Bias tapes.

ü 'ddd' CD recorded recorded @ +3dB w/ *dbx engaged = PB @ ~ -6dB on Maxell UDXL-II / High Bias tapes
So this is the one aspect of the deck that we were not able to 'practically' rectify. It's record and playback capability with dbx NR engaged is about 9dB down. It probably needs it's 'dbx chips' replaced, but beyond the scope of practicality for us and this deck.

ü Speed adjusted internally to 100% accuracy with 1kHz factory test tape (meaning 1kHz calibration tape plays back at 1000Hz +/- 1Hz) (utilized TEAC MTT-257H)

ü Floor noise measured at -60dBm

Total technician time to restore ~5 HOURS!
  ____________________________
  
This is one 'LOADED' cassette deck. The Luxman KX-106, Auto-Reverse Stereo Cassette Tape Deck w/ Sendust heads, IC logic, Fluorescent display, HX-Pro and Dolby B, C & *dbx NR & MORE!

Luxman KX-106 Features include:
  
- Super Hard, 'HEXALAM / Permalloy' PB / REC heads
- HX PRO capable
- Auto-Reverse
- Adjustable Fine Bias Control for Recording
- IC logic "touch-control" tape transport with motor driven 'cam control mechanism' (allows you to switch between 'Fast Wind' or 'Play' modes without pressing 'Stop' w/ no fear of 'spilling / dumping tape')
- Dolby-B, C & *dbx (see notes above re; dbx) noise reduction built-in for recording and playback
- Auto-Tape Bias Type / EQ selector for Normal, CrO2 & Metal tape
- LED VU signal level Indicators
- Manual Record Level with L&R balance control
- Record 'Mute / Auto-Space' function
- Front mounted Stereo Headphone jack
- Digital LED Tape Counter
- Selectable 'Memory' point
- Music Search feature (looks for a blank space between songs if sufficiently long)
- Intro Scan
- Blank Search
- Blank Skip
- Rear mounted, 8-pin port for optional Luxman 'wired' remote control (not available from us)

Luxman KX-106 Specifications:

Track format: 4 track / 2 channel
Heads: HEXALAM Play / Record head & Double-Gap, Ferrite Erase head
Freq Response w/ Dolby OFF: w/ Metal; 20-18,000 Hz +/- 3dB
w/ Chrome / CrO2; 30-16,000 Hz +/- 3dB @
w/ 'Normal'; 30-15,000 Hz +/- 3dB
Wow & Flutter (WRMS): 0.09% WRMS
S/N ratio w/ CrO2 / Metal tape:
>90db w/ *dbx
>65db w/ Dolby C
>59dB w/ Dolby B
>54dB w/ Dolby Off
Stereo Separation:  >35dB
Harmonic Distortion (THD):  <3% @ 0dB
Line Input Sensitivity: 150mV +/- 3dB
Output Level / Impedance for 'Normal' levels: 550mV +/- 3dB & 47k Ohms
Headphone Output Level / Impedance for 'Normal' levels: 65mV +/- 3dB & 8 Ohms
Fast Wind time (C-60): 120 sec.

Again, we have completely refurbished and thoroughly tested this deck. From a 'feature' standpoint, IT'S LOADED!!!
Again, though as mentioned earlier, it's "dbx" function is less than typical. It is about 9dB down. It's still usable, but you'll need to increase your volume substantially to play tapes encoded with dbx.
Cosmetically, it's in fabulous condition with really nothing to mention.
Great deck for just about any system. Also great for transferring your tape collection to CD, Hard-drive or MP3. Includes an 'e-copy / pdf download' of the Luxman K-109 owners manual which is similar enough to be fairly useful.
Measures 17.3" wide x 12" deep x 4.5" tall and weighs a ~12 lbs unpacked.
Comes with our 90 day limited warranty.
RESTORED / REFURBISHED / SERVICED LUXMAN KX-106
Cond. 8.5
SOLD 4/22/20
SHIPPING TO SHADRACH IN CANADA


(tape shown in photos not included. We do ship our decks with a  a 'pre-recorded' tape for playback, made on this 'specific' deck, and a tape to 'practice record' on.) 

(Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)

archived

 

 

    



NEW LISTING 12/15/2020
(Click on above thumbnails to enlarge photos)
  warranty
VINTAGE, FULLY SERVICED / REFURBISHED / RESTORED
TASCAM 'PROFESSIONAL SERIES' CASSETTE TAPE DECK
TASCAM 133
2-SPEED / 3-CHANNEL
#...0097
With DOLBY NR
MADE IN JAPAN!
Circa 1986-93
SOLD 12/16/2020
SHIPPING TO MICHAEL IN CALIFORNIA

ü Our technician has completely and EXTENSIVELY gone through and 'Certified' this unit which involves complete removal and disassembly of the entire transport, cleaning inside and out, DISASSEMBLING, cleaning and re-lubricating all internal mechanisms and the balance of efforts listed below.

ü Heads inspected for excessive wear (obviously we do this 'early on' as 'excessive' wear will usually negate any further restoration work). These have virtually NO visible wear to them.

ü Capstan motor spindle bushing re-lubed

ü Capstan burnished

ü Internal DC power supply tested

ü 'Reel drive' tires reconditioned installed for trouble-free service. (These are actually much more important to replace on this deck (and most) than the belts. Without these, the deck won't fast wind very well, and will likely 'eat tapes' as the 'take-up' reel won't turn properly)

ü New internal Drive (#42-340) and Counter (#42-470) belts installed for trouble-free service.

ü Rubber pinch rollers have been reconditioned

ü Both Flywheel 'belt surfaces' solvent cleaned

ü Bronze Flywheel bushings solvent cleaned

ü Both Flywheel thrust pads cleaned

ü Both Brake pads replaced

ü Entire flywheel assemblies re-lubed upon re-assembly

ü Heads have been cleaned and de-magnetized as well as the entire transport.

ü All original illumination working well

ü Head alignments and azimuth at 125Hz, 1kHz and 10kHz adjusted for 'peak performance' with O-Scope and original TEAC alignment tape

ü All internal pots, switches and controls cleaned and tested. Performing well now, with a bit of residual noise on one of the 'output' pots (fortunately, once 'output' pots on tape decks are 'set', they're usually not moved).

ü Both spindles in perfect alignment.

ü FF, REW, & Play transport functions all test perfectly and controls tested for 'positive / accurate' responsive.

ü 'Silicone Damped' Eject door operates smoothly following disassembly and re-lubing w/ silicone gel (must 'hold' down "Eject" button on this series until door releases)

ü Tape Counter Function tested

ü Dolby NR circuits / function tested

ü 'Memory / Zero Return' function tested

ü Heads are in great condition

ü Internal playback levels adjusted for even playback w/ alignment tape, Oscilloscope, and mVAC meter

ü Playback meters adjusted for 'playback' zero'd with factory test tone tape.

ü Internal Record amplifier channels adjusted for 'even output'

ü Pinch roller and heads all in GREAT condition!!!

ü Overall floor noise measured at >-60dB.

ü Speed adjusted internally to 100% accuracy BOTH directions, with 1kHz factory calibration tape and frequency counter (meaning 1kHz calibration tape plays back at 1000Hz +/- 1Hz)

ü Plays great and after adjustment, records AMAZINGLY well w/ following results;
With 1kHz recorded at 0dB / 1 7/8ips / w/o Dolby engaged; -1.25dB on Maxell UDXL-II / High Bias tapes
With DDD CD recorded at 0dB / 1 7/8ips / w & w/o Dolby engaged; -1 to -2 dB on Maxell UDXL-II / High Bias tapes

Bottom line is this deck sounds amazing for playback or recording (always make sure you're playing back 'good quality' tape recordings)
Total technician time to restore 8+ HOURS!

(Tech note: This model deck is "VERY SERVICEABLE" since it's in their 'Pro-Line'.
(Only remaining issues would be that REW is a bit noisy when nearing completion on most brands of tapes and Right output pot still a bit noisy when manipulated)
____________________________

The Tascam 133, Pro-Series, 2-SPEED, Stereo Cassette Tape Deck. Great deck for a 'project recording studio' as a 'mastering deck' (utilizing the 'High Speed'). With an original MSRP of over $1500, this was one of Tascams most expensive cassette decks ever. Of course also makes an incredible 'home system' deck and of also a great deck for doing your tape transfers if your tapes were recorded with no NR or with "Dolby B". Think of making some awesome 'new' recordings or 'mix tapes' (hey, it's 'the thing' again). This deck is a pleasure to use, and has a great 'feel' due to it's size and transport function. As this was made for 'video / radio' production it limits frequency response to 15k (per FCC limits), but makes up for it in robust build quality.

TASCAM 133 Features include:

- Two Speeds; 1 7/8 ips (normal) and 3.75 ips (HIGH Speed for best recording quality)
- Dolby B NR
- Rear I/O RCA jacks for connecting external dbx (or other NR) unit
- Heavy duty transport featuring 'oversized' capstan motor, and large flywheel
- "Soft touch / IC Logic control" tape transport
- Triple Analog VU Level Meters
- Digital Tape counter 
- Variable Output Level control (one of the most important features on a deck in our opinion. Allows you to match volume level of other sources, allows adjustment for 'best' pre-amp input to avoid distortion, allows you to change the volume of the deck if you have it located remotely from the pre-amp / receiver as I do, and many other applications)
- Real 'Potentiometer' Record level controls
- Memory Stop / Repeat Play and for 'Rewind' for counter
- Dual, Front mounted, 1/4", Microphone Jacks
- Front mounted, 1/4", Stereo Headphone jack w/ Level / volume control
- Multi-pin port on rear panel for any optional dbx NR unit (not included)
- Multi-pin port on rear panel for optional wired remote, (Tascam RC-133 remote not included)

TASCAM 133 Specifications:
 
Track format: 4 track / 3 channel
Motors: 2x 1x DC 'Reel', & 1x FG Servo Controlled DC 'Capstan'
Freq Response w/ Philips tape; 30Hz to 15kHz +/- 3dB @ 'High Speed'
Wow & Flutter (WRMS): as low as; 0.06% @ 'High Speed' & 0.04% @ Normal Speed
Tape Speeds: 1-7/8 ips & 3.75 ips
Harmonic Distortion / THD: <1.5% @ 1kHz & 0dB (High Bias Tapes)
Speed Accuracy: <+/-0.5% deviation either speed
Preset Bias frequency: 60kHz
Erasure: >65dB @ 1kHz
S/N ratio: >55db w/ Dolby dis-engaged (and High Bias Tapes @ either speed)
Adjacent Track Crosstalk: >45dB @ 1kHz (one of the best we've seen)
Fast Wind time: <90sec on C-60 Tapes)
  
Again, we have completely cleaned, refurbished / serviced and thoroughly tested this Tascam 133, 'PRO' cassette tape deck.
Makes fabulous recordings. Also great for transferring your no NR or Dolby B NR encoded tape collection to CD, Hard-drive or MP3 especially with the 'Tape EQ' selector for 'fine tuning' older tapes. Built very well! Due to it's size, overall feel, the 'input controls' and the 'transport control' this deck really is a blast to use. Would make a great '2-Track' deck to match your Tascam 234 'Multi-Track' if you have one. Sorry, but we did not get the rack ears so no covering over face plate ends on the sides. Comes with an e-copy / pdf download of the Tascam 133 owners / user / instruction manual and the service manual if the purchaser desires.
Measures 19" wide x 13.5" deep x 5.75" tall and weighs a heavy 20 lbs unpacked.
Includes our standard 90 day limited warranty. 
TASCAM 133
Cond. 8.5
SOLD 12/16/2020
SHIPPING TO MICHAEL IN CALIFORNIA

(tape shown in photos not included. We do ship our decks with a  a 'pre-recorded' tape for playback, made on this 'specific' deck, and a tape to 'practice record' on.) 

(Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)

 

 

         

NEW LISTING 2/26/2020
 (Click on above thumbnails to enlarge photos)
  warranty
PRE-APPRECIATED
SERVICED & FULLY TESTED
JVC CASSETTE DECK
JVC TD-R431
AUTO-REVERSE
STEREO CASSETTE TAPE DECK
With DOLBY B & C
WITH HX PRO & FINE BIAS
Circa 1991
Made in Japan
SOLD 3/6/2020
SHIPPING TO NANCY IN VERMONT

ü Our technician has adjusted, EXTENSIVELY tested and 'Certified' this unit

ü Heads inspected for excessive wear (obviously we do this 'early on' as 'excessive' wear will usually negate any further restoration work).

ü GEAR DRIVE reel tables, so none of the typical 'cassette deck' worries about sluggish Fast Wind or Tape Eating = trouble-free service.

ü Rubber pinch roller has been reconditioned

ü Capstans cleaned

ü Heads have been cleaned and de-magnetized as well as the entire transport.

ü Head alignments and azimuth at both 1kHz and 10kHz adjusted for BOTH directions (averaged) for 'peak performance' with O-Scope

ü Heads are in great condition

ü Playback meters adjusted for 'playback' zero'd with factory test tone tape.

ü Head alignment and azimuth at 125Hz, 1kHz and 10kHz adjusted for BOTH directions for 'peak performance' with O-Scope and w/ SONY A100 and TEAC MTT-257H calibration / alignment tapes. Both channels now even output.

ü Both Internal playback amplifier channels adjusted with Volt meter, O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output.

ü Meters adjusted to even zero with symmetric input with Volt meter, O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output.

ü Both Internal Record amplifier channels adjusted with Volt meter, O-Scope and sine-wave generators and 'pink / white noise sources'. Both channels now even output.

ü Speed adjusted to 100% accuracy BOTH directions, with with TEAC MTT-257H 1kHz factory calibration tape (meaning 1kHz calibration tape plays back at 1000Hz +/- 1 Hz)

ü Pinch roller and heads all in GREAT condition!!!

ü Speed adjusted to 100% accuracy BOTH directions, with 1kHz factory calibration tape (meaning 1kHz calibration tape plays back at 1000Hz +/- 2Hz)

ü FF, REW, & Play transport functions all test perfectly and controls tested for 'positive / accurate' responsive.

ü Eject door operates smoothly.

ü ALL Tape Counter Functions tested

ü Dolby B & C NR circuits / function tested

ü Floor noise measured to -60dBm

ü Cosmetics are decent with a only few scuffs / scratches

ü Plays perfectly and after adjustment, records very well at -2dB = 0dB down on about any formulation of tape (as it's got 'fine bias'). We did 'test recordings' of Pink Noise and 'ddd' CD's on Maxell 'XL-II' High Bias. We found that they all performed VERY well on this particular deck (and most decks). We did however find that the deck likes to record at about -20dB on the meters, for 'smoother saturation' of tape (which is the industry standard, we just like to 'push them'). Again, we really didn't have a favorite, plus the deck has adjustable Bias (although we left it 'centered' for our tests).
Total technician time to restore 3+ hours.
  ____________________________

Great performing deck. The JVC TD-R431. Following the above mentioned service / refurb, it's now reliable for playing, recording or if you need to burn some tapes to CD. Looks and runs great! 

JVC TD-R431 Features:
 
- 'Quick' Auto-Reverse (changes direction quicker than some)
- HX Pro circuitry
- IC Logic Touch Tape Transport controls
- Tri-mode Auto-Reverse
- Auto tape type selector for Normal / Chrome & Metal tapes (we don't see any 'lighted indicators' so don't know if that's normal or not, but it is switching)
- Dolby B & C Noise Reduction
- Fine Bias adjustment
- Front-mounted 1/4" stereo headphone jack
- Record Mute
- 4-Digit, Fluorescent tape counter
- Dual, fluorescent level meters

JVC TD-R431 Specifications*:
 
Track format: 4 track / 2 channel
Heads: PB / REC; Fine Amorphous Erase; "Two-Gap Ferrite"
Freq Response; 20-80,000Hz w/ Metal Tape @ -20dB VU
20-17,000Hz w/ CrO2 Tape @ -20dB VU
20-17,000Hz w/ 'Normal' Tape @ -20dB VU
Wow & Flutter (WRMS): 0.05-0.08% WRMS
Tape Speed: 1-7/8 ips +/-0.5%
Crosstalk: 60dB & 1kHz
Channel Separation: 40dB & 1kHz
Harmonic Distortion / THD: >1.0% @ 1kHz & 0dB (High Bias Tapes)
S/N ratio w/ Metal tape: >58db w/ Dolby dis-engaged (and High Bias Tapes)
Bias Frequency: adjustable
Line Input 'Nominal': 80mV & >50K Ohms
Line Output 'Max': 300mV & >5K Ohms
Fast Wind Time: ~70 Seconds for C-60 tape
*Based on flanking, earlier JVC models
 
Again, as mentioned above, our tech has done the service and testing mentioned above. We completely adjusted all meter, PB and REC internal levels and tape head azimuth . Capstan motor speed adjusted here to exact spec! Tape speed re-adjusted to 100% accuracy, ie; 1 kHz = 1 kHz! Test records incredibly well and plays back at 0 dB down when recorded at -2dB!  Looks good with just a few 'battle scars' and sounds great! Great for transferring your tape collection to CD, Hard-drive or MP3. Test plays and Records extremely well. Practical and usable deck! Measures 17.25" w X 11" d X 4.5" h and unpacked weight is 10 lbs. Comes with our 90 day limited warranty.
JVC TD-R431
Cond. 8
SOLD 3/6/2020
SHIPPING TO NANCY IN VERMONT

(tape shown in photos not included. We do ship our decks with a  a 'pre-recorded' tape for playback, made on this 'specific' deck, and a tape to 'practice record' on.) 

(Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)

 

 

    

 

    

          NEW LISTING 12/18/18
 (Click on above thumbnails to enlarge photos) 
  warranty
VINTAGE AND FULLY SERVICED W/ WARRANTY
LUXMAN CASSETTE TAPE DECK
LUXMAN KX-101
WITH DOLBY B&C with IC LOGIC TRANSPORT
#...5944
Circa early 1982-84
Made in Japan
SOLD 10/4/19
SHIPPING TO MICHAEL IN ILLINOIS

ü Our technician has completely and EXTENSIVELY gone through and 'Certified' this unit which involves total disassembly of the transport, cleaning inside and out, COMPLETELY DISASSEMBLING, cleaning and re-lubricating all internal mechanisms and the balance of efforts listed below.

ü Heads inspected for excessive wear (obviously we do this 'early on' as 'excessive' wear will usually negate any further restoration work).

ü VERY DIFFICULT TO ACCESS, 'Reel Drive Tire' removed and replaced with a new one (#R-209). (These are actually much more important to replace on this deck (and most) than the belts. Without these, the deck won't fast wind very well, and will likely 'eat tapes' as the 'take-up' reel won't turn properly)

ü Reel drive belt replaced w/ #42-160.

ü Main Capstan / Flywheel belt reconditioned.

ü Rubber pinch roller mechanism bushing & axle cleaned of old, 'varnished lube', reconditioned and re-lubed.

ü Capstan burnished

ü All internal pots, switches and controls cleaned and tested for noise-free function.

ü 'Servo-Face' mechanism completely disassembled, overhauled and re-assembled. (actually worked fine prior to refurbishment, but we did 'proactive maintenance' so should be good for a long time to come)

ü Multiple solder joints re-flowed, primarily on the landing pads of the 'control pots / switches'.

ü All Fluorescent displays and LED's working fine.

ü Both hub spindles in perfect alignment.

ü  FF, REW, & Play transport functions all test perfectly and controls tested for 'positive / accurate' responsive.

ü Heads in great shape as well, with many years of performance left in them

ü Heads have been cleaned and de-magnetized as well as the entire transport.

ü Head alignment and azimuth at 125Hz, 1kHz and 10kHz adjusted for BOTH directions for 'peak performance' with O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output.

ü Meters adjusted to even zero with symmetric with Volt meter, O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output.

ü Both Internal playback amplifier channels adjusted with Volt meter, O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output.

ü Meters adjusted to even zero with symmetric input with Volt meter, O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output.

ü Both Internal Record amplifier channels adjusted with Volt meter, O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output.

ü Pinch roller and heads all in GREAT condition!!!

ü Speed adjusted to 100% accuracy BOTH directions, with 1kHz factory calibration tape (meaning 1kHz calibration tape plays back at 1000Hz +/- 1Hz)

ü Pinch roller re-surfaced, and in GREAT condition!!!

ü Playback meters zero with factory test tone tape.

ü Tape Counter and 'Memory' Function tested

ü White Noise recorded @ 0dB w/ Dolby-C engaged = PB @ -2dB on Maxell UDXL-II / High Bias tapes

ü 1kHz Sine-wave recorded @ 0dB w/ Dolby-C engaged = PB @ -1dB on Maxell UDXL-II / High Bias tapes

ü 'ddd' CD recorded recorded @ 0dB w/ Dolby-C engaged = PB @ ~ -2dB on Maxell UDXL-II / High Bias tapes

ü Speed adjusted internally to 100% accuracy with 1kHz factory test tape (meaning 1kHz calibration tape plays back at 1000Hz +/- 1Hz) (utilized TEAC MTT-257H)

ü Floor noise measured at -60dBm

 Total technician time to restore ~16 HOURS!
  ____________________________
  
This is a BEAUTIFUL, brushed Pewter face deck with complimenting brushed, Silver knobs and the very cool, 'Servo Face'. The Luxman KX-101, Stereo Cassette Tape Deck w/ Sendust heads, IC logic, Fluorescent display, and Dolby B & C NR.

Luxman KX-101 Features include:
  
- Super Hard, 'Sendust' PB / REC heads
- Adjustable Bias Control for Recording
- IC logic "touch-control" tape transport with motor driven 'cam control mechanism' (allows you to switch between 'Fast Wind' or 'Play' modes without pressing 'Stop' w/ no fear of 'spilling / dumping tape')
- Dolby-B & C noise reduction built-in for recording and playback
- 3-Position Tape Bias Type / EQ selector for Normal, CrO2 & Metal tape
- Very cool, Fluorescent display and VU signal level meters w/ Peak Level Indicators
- Manual Record Level with L&R balance control
- Variable Output Level control (one of the most important features on a deck in our opinion. Allows you to match volume level of other sources, allows adjustment for 'best' pre-amp input to avoid distortion, allows you to change the volume of the deck if you have it located remotely from the pre-amp / receiver as I do, and many other applications)
- Record 'Mute' function
- MPX Filter, for eliminating the 19kHz 'pilot' signal from FM broadcasts.
- Dual front mounted 1/4" mic input jacks
- Front mounted Stereo Headphone jack
- Digital Tape Counter
- Auto-Play or Auto-Rewind at the end of either 'Fast Wind' selection
- Selectable 'Memory' point
- Rear mounted, 8-pin port for optional Luxman 'wired' remote control (not available from us)

Luxman KX-101 Specifications:

Track format: 4 track / 2 channel
Heads: Sendust Play / Record head, Ferrite Erase head
Freq Response w/ Dolby OFF: w/ Metal; 20-12,000 Hz +/- 3dB
w/ Chrome / CrO2; 20-18,000 Hz +/- 3dB @
w/ 'Normal'; 20-17,000 Hz +/- 3dB
Wow & Flutter (WRMS): 0.04% WRMS
S/N ratio w/ CrO2 tape: >73db w/ Dolby C and High Bias Tapes
>65dB w/ Dolby B and High-bias' tape
>56dB w/ Dolby Off and High-bias' tape
Harmonic Distortion (THD):  >0.7% @ 0dB
Line Input Sensitivity: 80mV
Microphone Input Sensitivity: 0.3mV
Output Level for 'Normal': 580mV

Again, we have completely refurbished and thoroughly tested this deck, with multiple recording tests (as stated previously it took 16+ hours of tech time to do it proper justice). Cosmetically, it's in decent condition with light 'wear areas' to the corners of the face bezel, and scratches to the top sheet metal (see photos above).
Great deck for just about any system. Also great for transferring your tape collection to CD, Hard-drive or MP3.
Measures 18" wide x 14.5" deep x 5.75" tall and weighs a HEAVY 23+ lbs unpacked.
Comes with our 90 day limited warranty.
RESTORED / REFURBISHED / SERVICED LUXMAN KX-101
Cond. 8.5
SOLD 10/4/19
SHIPPING TO MICHAEL IN ILLINOIS

(tape shown in photos not included. We do ship our decks with a  a 'pre-recorded' tape for playback, made on this 'specific' deck, and a tape to 'practice record' on.) 

(Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)

 

 

    



NEW LISTING 2/22/2020
 (Click on above thumbnails to enlarge photos)
  warranty
VINTAGE AND FULLY SERVICED
TASCAM STUDIO CASSETTE TAPE DECK
TASCAM 112R
"Not going to win any 'Beauty Contests', but makes
up for that in 'Studio Mix-Down' performance"
 3 HEADS / 3 MOTORS
AUTO-REVERSE W/ 'BI-DIRECTIONAL RECORDING'
#...0195
With DOLBY B &C NR
MADE IN JAPAN!
Circa 1986-93
for sale
HOLD FOR BRETT W. 8/6/2020

ü Our technician has completely and EXTENSIVELY gone through and 'Certified' this unit which involves complete removal and disassembly of the transport (not an easy task on this deck), cleaning inside and out, DISASSEMBLING, cleaning and re-lubricating all internal mechanisms and the balance of efforts listed below.



ü Heads inspected for excessive wear (obviously we do this 'early on' as 'excessive' wear will usually negate any further restoration work).

ü Head rotating gear inspected with a jewelers loop prior to starting any restoration work, and found to be 'hairline' crack free.

ü 'reel drive' tire reconditioned for years of trouble-free service.

ü All new internal Drive and Counter belts replaced for years of trouble-free service.

*ü Following initial service, we determined there was audibly detectable Wow & Flutter, so we changed the capstan belt again, and eliminated it.

ü Rubber pinch roller has been reconditioned

ü Capstan burnished

ü Heads have been cleaned and de-magnetized as well as the entire transport.

ü Head alignments and azimuth at both 1kHz and 10kHz adjusted for BOTH directions for 'peak performance' with O-Scope

ü All internal pots, switches and controls cleaned and tested for noise-free function.

ü Both spindles in perfect alignment.

ü FF, REW, & Play transport functions all test perfectly and controls tested for 'positive / accurate' responsive.

ü Eject door operates smoothly following repairs.

ü Tape Counter Function tested

ü Dolby B & C NR circuits / function tested

ü 'Memory / Zero Return' function tested

ü Heads are in great condition

ü Internal playback levels adjusted for even playback w/ alignment tape, Oscilloscope, and mVAC meter

ü Internal Record amplifier channels adjusted for 'even output'

ü Meters adjusted to within 1.5dB with symmetric input.

ü Pinch roller and heads all in GREAT condition!!!

ü Both level meters playback even.

ü Speed adjusted to 100% accuracy BOTH directions, with 1kHz factory calibration tape (meaning 1kHz calibration tape plays back at 1000Hz +/- 1Hz) (VERY difficult to do on this deck by the way)

ü Cosmetically, it's definitely not going to "win any beauty contests" (see above 'horizontal' photo collage), but it makes up for it in performance.

ü Plays perfectly and after adjustment, records AMAZINGLY well at -1dB! on Maxell UDXL-II tapes and -.5dB on Maxell UR / Normal Bias tapes (but 'top end' will not be as good as on CrO2). (Following the extensive restoration, we did 'test recordings' of a 'ddd' CD on 6 tapes; Sony HF Normal Bias -3dB, Fuji Normal Bias -2.5dB, TDK Normal Bias -1.5dB, Maxell Normal Bias, TDK 'SA' High Bias -2dB (didn't saturate as well as the Maxell UDXL-II), and Maxell 'XL-II' High Bias. We found that for Normal and High Bias, of those tapes tested, both "Maxells" performed well on this particular deck. The Maxell's did however much 'outshine' the TDK's for being able to 'over saturate' on the levels. While doing the test recording's, it became apparent that the recorded sound was fairly remarkable.
Total technician time to restore 17.5 HOURS!
  ____________________________

The TASCAM 112R, 3-Head / 3-Motor, Auto-Reverse with 'Bi-Directional Recording', Rack-Mount, Studio Stereo Cassette Tape Deck. Again, cosmetically it's 'fair' (numerous scratches, scuffs and transport button silk-screening completely worn off {it was somewhat intact, but we removed all of it to improve overall cosmetics}), but works GREAT!!!
Perfect deck for doing your tape transfers if your tapes were recorded with no NR or with "Dolby B" or "Dolby C". Again, as stated above, records AMAZINGLY well!

TASCAM 112R Features include:
  
- 3 Heads (allows instantaneous monitoring of recordings for the best audio results)
- Auto-Reverse, with 'Bi-Directional' Recording (not just 'A' side recording!)
- Dual, Asymmetrical Flywheel drive
- IC logic "touch-control" tape transport with motor driven 'cam control mechanism'
- Auto Selector for Normal (EX / I), CrO2 (SX / II) & Metal (ZX / IV)Tape Type
- Dual 13-Segment, LED Level Meters
- Digital, 'Multi-Function' tape counter
- Dolby B &C NR
- Record Muting
- Record level control with L & R balance
- Memory Stop / Repeat for counter
- Dual, Front mounted, 1/4", Microphone Jacks
- Front mounted, 1/4", Stereo Headphone jack
- Timer Play / Record function.
- DIN on rear panel for optional wired remote, TEAC RC-205 (remote not included)
- Rack Mountable, with originally 'optional' rack ears, INCLUDED

TASCAM 112R Specifications:
 
Track format: 4 track / 2 channel
Motors: 3
Freq Response; 25-20,000Hz +/- 3db w/ Metal Tape @ -20dB
25-18,000Hz +/- 3db w/ CrO2 Tape @ -20dB
25-17,000Hz +/- 3db w/ 'Normal' Tape @ -20dB
Wow & Flutter (WRMS): 0.03% wtd
Tape Speed: 1-7/8 ips +/-0.5% (but as stated above, we have adjusted to 100% accuracy w/ 'Pitch Control' ''centered''!)
Harmonic Distortion / THD: >1.0% @ 1kHz & 0dB (High Bias Tapes)
S/N ratio w/ CrO2 tape: >60db w/ Dolby dis-engaged (and High Bias Tapes)
>70db w/ Dolby-B engaged (over 5kHz and High Bias Tapes)
>80db w/ Dolby-B engaged (over 1kHz and High Bias Tapes)
Bias Frequency: 100kHz
Pitch Control: +/- 15%
Erasure: >65dB below saturation level @ 1kHz / +10dB
Separation: >45dB @ 1kHz, 0dB
Recording Level: 200 nWb/m & 0dB
Line Input 'Nominal': -10dBV / 300mV & >40K Ohms
Line Input 'Maximum': -22dBV / 794mV & >40K Ohms
Line Output 'Nominal': -10dBV / 300mV & >3.5K Ohms
Line Output 'Maximum': -5 dBV / 560mV & >3.5K Ohms
Headphones Output: 2.5mW @ 8 Ohms
Fast Wind Time: ~70 Seconds for C-60 tape
  
Again, we have completely cleaned, refurbished / serviced and thoroughly tested this TASCAM 112R cassette tape deck.
It does have a few 'battle scars', so isn't going to 'win' any beauty contests (see above 'horizontal' photo collage), but will make up for it in performance, again check the -1dB recording results, and the 1kHz = 1kHz speed!
Great for transferring your no NR or Dolby B / C NR encoded tape collection to CD, Hard-drive or MP3. Built very well! Looks like new, works and sounds great. Measures 19.25" wide (w/ rack ears installed) x 11.5" deep x 4.6" tall and weighs 13 lbs unpacked. Includes our standard 90 day limited warranty. 
TASCAM 112R
Cond. 7.5
$549.
HOLD FOR BRETT W. 8/6/2020

(tape shown in photos not included. We do ship our decks with a  a 'pre-recorded' tape for playback, made on this 'specific' deck, and a tape to 'practice record' on.) 

(Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)

 

Did you know?
Technics; The name Technics was introduced as a brand name for premium loudspeakers marketed domestically by Matsushita in 1965. In 1969, they introduced the SP-10, the first direct-drive turntable model for the professional market, and in 1971 the SL-1100 for the consumer market. The SL-1200 has since it's inception been the 'standard' of the industry for DJ's around the world. Most of there turntables are of 'industry standard' quality, even on the 'low-end' of the price scale, for most of their model years.
Technics was the first to introduce 'auto-reverse' (1972) into cassette decks (some would say to the detriment of audio quality, but certainly 'handy' in many applications) and 3-heads in a cassette deck (1973).
      In the late 1970's, Technics introduced what are some of the currently most sought after reel to reel decks out there. The Technics 1500 and 1700 series. They are overall 'amazing'!
I am a HUGE fan of Technics gear, especially their cassette decks. I worked for a Technics dealer in the early 1980's and loved to sell Technics gear because, not only did I know it would perform splendidly for most applications, it rarely came back with an issue. In fact, I extend that opinion to today, now 30 years on, as if I have to place a 'blind bet' on an 'as-found' item either still functioning, or being not far from it, I will go with Technics almost every time. Yamaha would typically be my second choice followed by the other 'famous' manufacturers a ways down the list. That's not to say 'Technics can do no wrong', because like everyone, they built a few 'lemons', but overall they do MOSTLY right.

** "(actual as measured)" refers to original test results done by Hirsch-Houck Laboratories upon test release of product when new. Current "aged" specifications / performance may of course vary from that.