DUAL 1242

 

      

NEW LISTING 2/26/2020
REFURBISHED / SERVICED
VINTAGE PIONEER CASSETTE TAPE DECK
PIONEER CT-F600
'BLUE METER' SERIES
CIRCA 1979-80
MIJ
"WORLD AC POWER" ™
for sale

ü We have gone through this unit quite some time ago for ourselves to use, and just ran it through the shop again which involves disassembly of the transport, cleaning inside and out, DISASSEMBLING, cleaning and re-lubricating all internal mechanisms and the balance of efforts listed below (difficult on this deck!!!).

ü Heads inspected for excessive wear (obviously we do this 'early on' as 'excessive' wear will usually negate any further restoration work).

ü Main Capstan / Flywheel belts replaced during original service

ü Counter belts replaced during original service

ü Idler tires replaced during original service

ü Idler tires reconditioned during this most recent service

ü All internal trim pots, switches and controls tested for noise-free function.

ü All meter lAmps and LED indicators working fine.

ü Both hub spindles in perfect alignment.

ü FF, REW, & Play transport functions all test and controls tested for 'positive / accurate' responsive is what we normally like to say, but due to the internal design of this one, we were not able to get it to perform 100%, EVERY time. Occasionally the 'STOP' button will have to be pressed a time or two, or another button will need to be pressed to then be able to engage 'STOP'. Other buttons sometimes 'hang up' temporarily, but usually selecting another transport function will 're-set' them as they're 'self cancelling / mechanical' with an internal mechanism that was unusually difficult to service and get to the current 'usable' state.

ü Heads in great shape as well, with many years of performance left in them

ü Heads have been cleaned and de-magnetized as well as the entire transport.

ü Head alignment and azimuth at 125Hz, 1kHz and 10kHz adjusted for BOTH directions for 'peak performance' with O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output for PLAYBACK..

ü Both Internal playback amplifier channels adjusted with Volt meter, O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output for PLAYBACK..

ü Meters adjusted to even zero with symmetric input with Volt meter, O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output for PLAYBACK.

ü Both Internal Record amplifier channels adjusted with Volt meter, O-Scope and sine-wave generators and 'pink / white noise sources', however we were not able to get great recordings. The left channel is often 'low / and distorted' on 'Recording' (sounds fine as a 'PLAYBACK' deck).

ü Pinch roller and heads all in GREAT condition!!!

ü Speed adjusted to 100% accuracy BOTH directions, with with TEAC MTT-257H 1kHz factory calibration tape (meaning 1kHz calibration tape plays back at 1000Hz +/- 1 Hz)

ü Pinch roller re-surfaced, and in GREAT condition!!!

ü Tape Counter works well

ü Speed adjusted internally to 100% accuracy with 1kHz factory test tape (meaning 1kHz calibration tape plays back at 1000Hz +/- 1Hz) (utilized TEAC MTT-257H)

ü Floor noise measured at -60dBm

So again, this deck was ultimately passed as a 'Playback' deck.

Total technician time to restore ~19++ HOURS! (YES, OUCH!)
  ____________________________
  
This deck is the commensurate deck for other Marantz components such as the Marantz Escotec SC-7, SC-8, SC-9, SC-500 SC-2000 Pre-Amps, the SM-8, SM-500DC, SM-2000 Power Amps, EQ-20 Graphic Equalizer, PM-8, PM-450 or PM-730 Integrated Amps, ST-500 Tuner and many others. I sold all of those components when they were new for a Marantz dealer. If you're building that system (or already have most of that system) and need the matching cassette deck (for Playback), then here you go. This one is probably as good as it's going to get, as I don't know of any tech's who would be willing to bring one any further to completion

Marantz SD-3510 Features include:
  
- Retractable, Drawer Tape transport
- Adjustable Fine Bias Control for Recording***
- 'Soft Touch', mechanical transport
- Dolby-B noise reduction built-in for recording*** and playback
- Beautiful, Back-Lit VU signal level Indicators
- Manual Record Level with Separate L&R control
- Record 'Mute' function
- Front mounted, 1/4" Stereo Headphone jack
- Dual, Front mounted, 1/4" Microphone jacks
- 4-Position, Tape Type Selector for Normal, CrO2, Ferro-Chrome & Metal tape
- Tape Counter
  - True “WORLD AC POWER"™
   as it will work on both 50 or 60 Hz AC and voltages from 110-240 Volts AC
*** again, at this point a moot point as its best for Playback purposes

Marantz SD-3510 Specifications:

Style: Slim / Top Load
Track format: 4 track / 2 channel
Motor: DC Servo
Heads: Super-Hard, Alloy Play / Record head & Double-Gap, Ferrite Erase head
Freq Response w/ Dolby OFF: w/ Metal; 30-17,500 Hz +/- 3dB
w/ Chrome / CrO2; 30-16,000 Hz +/- 3dB @
w/ 'Normal'; 35-15,000 Hz +/- 3dB
Wow & Flutter (WRMS): 0.10% WRMS
S/N:
>65dB w/ Dolby B
>56dB w/ Dolby Off
Line Input Sensitivity: 50mV +/- 3dB
Output Level / Impedance for 'Normal' levels: 500mV +/- 3dB & 8.5k Ohms
Headphone Output Level / Impedance for 'Normal' levels: 50mV +/- 3dB & 60 Ohms
Fast Wind time (C-60): 90 sec.

Again, we have service and thoroughly tested this deck and offering it for 'PLAYBACK' purposes.
Cosmetically, it's in decent condition with a scratch on the right side of the face & some scuffs on the top of the face panel (see photos above).
Great deck for just about any system. Also great for transferring your tape collection to CD, Hard-drive or MP3 for just playing your tapes. Includes an 'e-copy / pdf download' of the Marantz SD-3510 owners manual.
Measures 17.3" wide x 12" deep x 4.5" tall and weighs a ~12 lbs unpacked.
REFURBISHED / SERVICED for PLAYBACK MARANTZ SD-3510
Cond. 8
$299. as-is

(tape shown in photos not included. We do ship our decks with a  a 'pre-recorded' tape for playback, made on this 'specific' deck, and a tape to 'practice record' on.) 

(Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)

          NEW ADDITION 12/23/09
  (Click on above thumbnails to enlarge photos)
  warranty
BENCHED, BURNED-IN & WARRANTED
SONIC HOLOGRAPHY, STEREO PRE- AMPLIFIER
CARVER C-1 / C1 PRE-AMP / CONTROL AMP
#...8261
(same pre-amp we have used for the last decade+ here at Oak Tree Vintage on our 'Audition Room System')
Circa 1981-89
MADE IN AMERICA
for sale

We have completely gone through this unit, cleaning inside and out including all contacts, switches and controls. This is difficult to do on these as it necessitates the removal of the face and associated circuit boards. All I/O internal er points, "re-flowed" for trouble-free performance. Unit looks great! All functions tested for perfect operation. All inputs tested and both side produces clean and even sine waves! Checked with O-Scope. No power supply hum of any kind. It's dead silent!
   
Carver C-1 Features include:
   
- Carver's "SONIC HOLOGRAPHY" built-in!
- FULLY PARAMETRIC 2-Band EQ / Tone Controls. Bass centers variable from 31.5Hz to 800Hz and treble variable from 800KHz to 20kHz. "Q" variable wide to narrow. Amplitude variable ± 12 dB cut / boost (most tone controls only range ± 10 dB)
 - Absolute "Tone Bypass" for purest signal route
- Variable Loudness. A mainstay trademark of Yamaha Pre-Amps and Receivers. Allows for continuously adjustable loudness contour.
- Infrasonic (Subsonic ) Filter for reducing turntable rumble / feedBack, direct drive turntable motor noise etc.
 - Instant -20 dB Audio Level Muting
- Dual tape monitors (Tape Monitors can also be used for Tape / Video / CD / DVD / VCR / DAT / MP3 / iPod® / iPhone® / iTouch® / iGadget / MP3 / XM® / SIRUS® etc. etc. as well as for CDR)
 (note; tape monitors combined with source selection, thus any external signal processors are relegated to the Pre's "Output" to Power Amp "Input" signal chain)
 
  - Bi-Directional dubbing
 
- AUX Input (can be used for Video / CD / DVD / VCR / DAT / MP3 / Video / iPod® / iPhone® / iTouch® / iGadget / MP3 / XM® / SIRUS® etc. etc.)
 
- DAD Input (can be used for Video / CD / DVD / VCR / DAT / MP3 / Video / iPod® / iPhone® / iTouch® / iGadget / MP3 / XM® / SIRUS® etc. etc.)
 
- Tuner input (can be used for Video / CD / DVD / VCR / DAT / MP3 / Video / iPod® / iPhone® / iTouch® / iGadget / MP3 / XM® / SIRUS® etc. etc.)
- Phono / Turntable input with rear located selectable gain @ either 0 or -10dB
 - Phono / Turntable input with selector for either MM (Moving Magnet cartridge) or MC (Moving Coil Cartridge) (this feature alone could be worth hundreds of $$ if you are going to utilize a Moving Coil turntable cartridge)
 - Cartridge capacitance selector on the MM side for 220 pf / 2/47kΩ, 330pf / 47k , 220pf / 47kΩ, 100Ω, or on the MC side 1kΩ or 100Ω
  - Record Out selector with bi-directional tape dubbing controls. (Separate "Record Out" allows recording from one source while you listen to another)
 - Global Stereo / Mono selector
 - 24 Karat Gold plated I/O jacks on the Phono, DAD and Main Outputs to remain corrosion free, thus insuring the best audio signal transfer.
- 6 AC outlets ( 5 switched, 1 un-switched) for a total capacity of 600 Watts
 - True "WORLD AC POWER"™ allows unit to be operated on 50 or 60 Hz AC and will select voltages from 110v, 120v, 220v and 240 Volts AC input.
   
Carver C-1 Original Specs:
   
Design type: 2 Channels, Analog operation
Frequency Response: 3Hz-80kHz / -3dB
Total gain: 25.0 dB
S/N on any 'non-phono' input; 96dB IHF weighted w/ 2V input level
Input impedance: 100k Ohms
Output impedance: 600 Ohms
THD; >0.05% at full rated power
Infrasonic Filter (subsonic filter); 18dB/Oct below 20Hz

PHONO SECTION SPECS:
Freq Response: deviation of ±0.25dB from RIAA 'Extended Curve'
Phono MM Maximum Input Level: 100mV
Phono MC Maximum Input Level: 15mV
S/N on Phono MM w/ 5mV signal: 83dB
S/N on Phono MC w/ 5uv signal: 77dB
Phono Capacitance: Selectable on rear panel 0pf / 180pf / 390pf
 
   This is a very high quality control / pre-amplifier for most any system. If you need high level sonics, the Yamaha C-80 is the ticket. Will work with most any power amplifier, tube or solid state. After bench work the unit looks, performs and sounds great! Besides the fact that it's a Yamaha, this unit stands in a class by itself due the the "fully parametric" EQ and it's versatile "phono" section. Again, great where you need power amp control, with super pure tone routing. Unit measures 17" wide x 3.25" tall x 14.5" deep and weighs 7 lbs unpacked. Includes our standard 90 day limited  warranty.
CARVER C-1
Condition 9++++++++
$649.

Design type: 2 Channels, Analog operation
Frequency Response (non-phono input): 1-250kHz +0 / -3dB
Maximum Output Level: 5V
THD Tuner, AUX and Tape, 20-20,000Hz: 0.004% @ 1V output
Signal / Noise Ratio: 108dB!!! @ Tuner, Aux, Tape A/B inputs
Input Sensitivity AUX / Tape @ RCA's: 150mV @ 47k Ω @ 1kHz for rated output
Output AUX / Tape @ RCA's: 150mV @ 47k Ω
Subsonic Filter: >-3dB @ 30Hz, 6 dB/Oct
Loudness Control: 0-+9dB continuously variable (-30dB Vol Level)

PHONO SECTION SPECS:
Freq Response: RIAA Standard curve 30Hz-20kHz w/ RIAA deviation of ±0.3dB
S/N: >87dB MM, >70dB MC
THD Phono MM or MC, 20-20,000Hz: 0.005% @ 1V output
Input Sensitivity (nominal) MM: 2.5mV @ 47kΩ
Input Sensitivity (nominal) MC: .25mV @ 100Ω
Phono Overload for MM: 200mV yields THD 0.005% @ 1kHz
Phono Overload for MC: 15mV yields THD 0.005% @ 1kHz

    

 

dod 680

   

 

BEHRINGER HA4700

  

   



YAMAHA RX-120

  

  

PROTEUS 1-XR

   

    

HARMAN KARDON HK710
TUNER

CARVER TDR-1550


 

         

PIONEER SX-980

         

YAMAHA CR-2040

    

 

WESTERN ELECTRIC 'ROLL TOP DECK' PHONE

 

BUTCHER BLOCK 

REALISTIC STA-65C PARTS UNIT

(note: Vol caps NOT interchangeable with STA-120. The fader levers are too wide. Modification would be difficult)


 

       

DENON AVR-1709

  

PIONEER F-99X

    

MARANTZ SR6200-U2B

    

SONY STR-DH700

       

Sony STR-DE875

 

     

YAMAHA TX-70
MAY HAVE ALREADY BEEN ???

  

KEN-TECH T-2018 CLOCK

- 

(Click on above thumbnails to enlarge photos) 
PRE-OWNED
BUFFET CLARINET
MODEL B12
INTERMEDIATE STUDENT Bb CLARINET
for sale
This clarinet is modeled after the Famous Buffet Grenadilla wood clarinets from the 'old day's'. When I worked for a 'full-line' music store thru the 1990's, we would periodically have a 'vintage' Buffet come thru and they never hung around long once serviced for re-sale. It is what most clarinet players asked for. That and Yamaha's.  This is a Buffet B12 clarinet, again, designed after the 'vintage' horns for the student / beginner and into the intermediate market. The Buffet B12 clarinets are made from ABS resin with an appearance and sound similar to that of genuine Grenadilla wood. These models are lightweight, strong and easy to clean perfect for even very young players. The Buffet B12 model has a very attractive and traditional design with nickel-plated body rings, straight key work and a traditional bell ring. The body is buffed to give the appearance of wood. The nickel silver key work is cold forged and induction ered, providing greater stability, precision and quality. The B12 model is mounted with double fish skin pads which ensure excellent sealing.

 Features:
- Nickel plated keys, body rings & plated bell rings
- 65mm barrel
- 14.65mm poly-cylindrical bore
- Arched key cups (same as R-13 model)
- Staggered trill keys (same as R-13 model)
- Blue Needle Springs
- Adjustable 3-position thumb rest
- Ergonomic key design: Improved playing comfort like that of a professional clarinet
- Pointed needle springs for quality key action
- Undercut tone holes for improved tone quality and faster response
- High quality Double fish skin pads enables air tightness and are long lasting
- Blow-molded, hard shell case

Mouthpiece Assembly with Ligature, Cap and Mouthpiece

-           Cork Grease

-           Cleaning Swab

This clarinet retails for $925.00 (US).

    



GEMINI XL-100

INFINITY ENTRA SUB TWO

  

Speaker Stack for restaurant

 

    

ADVENT MINI II INDOOR / OUTDOOR

     

NEW LISTING 10/23/12
 (click on above thumbnails to enlarge photos)
  warranty
 PRE-APPRECIATED
 INFINITY
 STEREO SPEAKERS
 STUDIO MONITORS SM-152 / SM152 

     

REALISTIC OPTIMUS-7
       NEW LISTING 2/4/17
(click on above thumbnails to enlarge photos) 
  warranty
RESTORED / REFURBISHED / FULLY SERVICED
VINTAGE
OPTIMUS STEREO SPEAKERS
REALISTIC OPTIMUS-7 HOME AUDIO
THEIR 'FLAGSHIP' SPEAKERS FOR '73 & '74
FLOOR SPEAKERS
MIJ
Circa 1973-74
 for sale
For 1972 & 1974, this was the 'Flagship' speaker model from Realistic. So many of us know the Realistic Mach-One speakers, and a few of us have been fortunate enough to hear them (I've had 6 pairs). Some are better than others, but depending on what has been done to them, they can all be made to sound pretty great. These were the predecessors to the "Mach" series. We've had these speakers for a 'long time' (as in 7-9 years) waiting to be restored. For some reason, I had been putting it off. I recently had our speaker tech get going on them. Today was 'audition day' for them (and me). I normally can complete most of my critical listening and make initial notes on a speakers performance in 10-20 minutes. As soon as I heard the first cut, I knew I was in for what would be probably a 2 hour ordeal. I was completely amazed all around by these speakers. And yes, I realize it's 'Realistics' I'm talking about. More on my impressions after the following...

REALISTIC OPTIMUS-7 FEATURES INCLUDE:

- 3-way, 3-Driver, Infinite Baffle cabinet design for 'tight bass'
- 12" Low Frequency Driver (woofer), with Hi-Compliance, Non-deteriorating, Reverse Rolled, Coated Cloth surround.
- 6.5" Midrange, with Non-deteriorating, Coated Cloth, Accordion surround.
- 2.5" Tweeter, with Non-deteriorating, Accordion surround.
- Internally braced cabinets to reduce unwanted resonances and 'ballooning' effects
- Real Walnut veneer cabinet
- Dual Attenuators

REALISTIC OPTIMUS-7 ORIGINAL SPECIFICATIONS / SPECS:

System design: 3-Way, 3-Driver, Infinite Baffle
Frequency Response: 20-25,000Hz
Nominal / Minimum Impedance: 8Ω
Sensitivity; ~96dB 1W@ 1m
Cross-over type / frequencies: 850Hz & 5kHz
Recommended Power amplifier rating: Likely 20 to 150 WPC (I would not consider utilizing these speakers with less than something rated at least 40 Watts of 'Old School' type power)
Max Power rating: Probably around 100 Watts of 'Music Power'. There's no rating in the original Realistic catalogs, and we tested them with our Hafler 250x250 Watt amp at about 10-11:00 (probably 60-80 Watts) much of the time and saw no sign of fatigue with any of the mixes we played through them.

Our speaker tech has completely gone through and 'Certified' these. All drivers removed and independently swept. Attenuators cleaned. Input fasteners replaced. Fresh gasketing installed under drivers. He completely tested them with both recorded material, PN @ 20-20k and swept them with our AF generator from 5Hz-4kHz and feeding them with the output from our Hafler DH-500 Pro Power Amp, looking for any irregular vibrations / anomalies in either the drivers, driver mounting, crossovers or cabinet structure integrity. We then further auditioned with a myriad of our difficult to reproduce 'test' CD's (this is where I come in).
These were among some of the most impressive speakers I've auditioned (for a list of what we've had, you can look at our 'Sold' archive. I've also auditioned plenty of 'high-end' speakers and studio monitors over the past 4 decades from $10k+ to, if memory serves me correctly, a couple pair that were north of $260k and many in the $15k to $50k region. Not implying these are on par with those caliber of speakers, but merely to illustrate the past sonic travels I come at these speakers from.
I spent an inordinate amount of time auditioning these speakers. I tried about every genre of music, including many of the selections listed on our 'Demo Cuts' page but here are some notes I made on their post restoration 'check sheet'. Auditioning was done with my Carver C1 preamp, and Halfer DH500 power amp and almost all of the following was done without any external EQ and the tone controls on the Carver set 'Flat' (I make notes where EQ was added); Donald Fagens, "I.G.Y." from the album "Night Fly" "Was as near perfect as any speaker could do. Good power and 'snap' & great balance",
'24K Gold Edition of Jennifer Waren's "Famous Blue Raincoat' allowed her vocals to sound as though she was in the room with me on a 'live sound system', Allison Kraus and Union Station's Baby, Now That I've Found You" '"was very natural and open. These speakers were also able to separate the bass guitar, acoustic guitar and here vocals VERY well", Don Williams' DDD version of 'Country Boy' 'Was VERY LIVE', Trapt's 'Headstrong', Most of Van Halen’s “1984” and Michael Jackson’s “BAD” all sounded great, but have a limit at about 116dB / 1m. Beyond that you’ll get ‘woofer snap’ (by the way, 116dB is pretty damn loud). Calvin Hampton's, "The Wedding March" from "Digital Pipes, The Splendor of the Organ" a digital recording of a cathedral pipe organ, was "BIG AND OPEN" without any external processing, and a few others, all digitally recorded and some 'DDD'.
Decent power handling characteristics. They are able to handle "power" better than your average speaker. Not simply referring to their wattage rating, but just the way they perform at higher power / volume levels without "falling apart" sonically (at least up to about 116dB with some fairly 'strenuous' material). We 'stood' on them to a reasonable degree with our test Hafler 485 Watt power amp.

The Black Oak, 'wood grained', satin finish cabinets in good shape as are the grills and grill frames. Only cosmetic issues to speak of would be a repaired 'ding' on the rear edge of one cabinet, minor grill cloth snags and some minor 'dimpling' in one of the tweeter domes (cosmetics only).
Great speaker for up to mid-high volume levels. Again, these are more "detail" oriented speakers NOT "Power Pounding Party" speakers. If that's what you're looking for then don't buy these.
Great for most Jazz, and percussive jazz, brass / horn section, 'punch, well mixed modern music (think 'YAZ'), 'percussion heavy' selections / music. Very accurate, detailed & 'refined' sound! Comes with an e-copy / pdf of the original Paradigm 7SE MKIII / SE series brochure. Cabinets measure 27.5" H x 24" W x 15.75" D and weigh a heavy 60lbs each. Includes our standard 90 day limited warranty (excluding problems due to under / over powering).
REALISTIC OPTIMUS-7 HOME AUDIO SPEAKERS
Condition 8.5
$749. pr. with grills
(Cons.) R.R.

  (Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)

 

    

ADVENT LAURETE

             

PSB 1000




 

      

(click on above thumbnails to enlarge photos) 
warranty
VINTAGE  
JENSEN
STEREO SPEAKERS
SYSTEM 300
Circa 1981-'85
Made in USA
CURRENTLY HELD FROM SALE
for sale
A bit short in the looks department, but long on sound.
We have completely tested them with both recorded material, PN 20-20k and swept them with our AF generator. These Jensen "System 300" speakers are very accurate and impressive sounding.  Features:

- 9" woofer
- 1" cloth soft dome tweeter
- Acoustic Suspension cabinet design
- 8 Ω

Foam surround on 9" woofer in fine shape with years life left in it before it will need to be replaced. Medium-dark Oak wood grain vinyl wrap finish in decent shape with a few normal scuffs and dings. Nothing too  distracting from overall appearance (see photos). Original brown grills in fair shape as well with normal amount of snags for 15 years old and unfortunately the small plastic Jensen badges are missing. Grills also have minor, light colored staining on lower 1/3 of each. Speakers test and sound great. Each measures 23" high x 13" wide x 10" deep and weighs a 23 lbs unpacked. Includes our standard speaker warranty ( excluding problems due to under / over powering).
JENSEN SYSTEM 300
Condition 7.5
$239. pair
CURRENTLY HELD FROM SALE

  (Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)

 

   

     

 

 

(OK, do I really need to say it?... No, the laptop shown in the photos is NOT included.)
 

         NEW LISTING 9/4/12
(Click on above thumbnails to enlarge photos)
  warranty
NEW
AUDIO-TECHINCA
PROFESSIONAL / DJ / SOUND SYSTEM / CLUB STEREO TURNTABLE
AT-LP1240USB
DIRECT DRIVE
QUARTZ LOCKED OR MANUAL SPEED CONTROL
FULLY MANUAL
W/ 'REVERSE' PLAY
AND WHEN PURCHASED FROM OAK TREE VINTAGE WITH A NEW, DIAMOND CARTRIDGE NOW INCLUDED
NEW
for sale
Professional DJ / Club table. Quality tool for the 'long haul'! The Audio-Technica AT-LP1240-USB DJ turntable. Similar in design to some of the vintage turntable models, such as the Kenwood KD-550 'concrete base', the Sony PS-T1, and the Technics SL-1500, SL-1700MK2 or SL-D2 turntable models. This professional stereo turntable features a super high-torque, direct-drive motor for quick start-ups yet is perfectly quiet. Classic 'S' shaped tone arm with 'universal' head-shell that allows mounting of most any 'quality', 1/2' cartridge, either MM (moving magnet) or MC (moving coil). Tone-arm mounted in high quality 4-point, Gimbol bearing.

The AT-LP1240-USB plays back 33-1/3, 45 and 78 RPM records (78 is selected by pressing both 'speed' select buttons simultaneously). Its built-in phono preamp enables the turntable to be connected to a wide variety of music and home entertainment systems, powered speakers, and to A/V receivers that do not include a dedicated phono input (de-featable for 'old schooool' and 'REAL' receivers and integrated amplifiers that 'DO' have a built-in phono pre-amp. The turntable includes PC- and Mac-compatible Audacity® software that converts the audio on a record to MP3, WAV or other format digital audio files.

NEW UPDATE--- We're now including the Audio-Technica AT-95E, MM, Elliptically cut diamond cartridge with tables purchased from us at Oak Tree Vintage.

Table has great mass at almost 30 lbs!

Professional features for DJ use in nightclubs, touring & mobile applications:

- Direct drive high-torque motor
- Quartz Locked Speed Control System or 'Manual' Strobe Speed controls
*- Adjustable Braking Rate (0.2 – 6.0 seconds)
*- Adjustable Starting Rate (0.2 – 6.0 seconds)
*- Dual Platter / Motor 'Start' / 'Stop' controls
- Fully-Manual operation
- Selectable 33/45/78 RPM speeds (you will need to acquire a stylus / cartridge designed for playing '78 RPM' records to utilize that feature to it's fullest)
- Professional weight cast aluminum platter with slip mat (no PLASTIC platters here, unlike many of the NEW tables out there!)
- Classic 'S' style tone-arm
- High quality 4-point Gimbol bearing
- ½-inch mount universal head shell
- Strobe monitored, adjustable platter speed
- Fluid damped tone arm cuing
- Adjustable tone-arm counter weight
- Adjustable 'Anti-Skating' control
*- Adjustable Tone-Arm bearing height
*- 45 puck storage pin
- Internal Built-in Phono Pre-Amp of decent quality so if you MUST use this with some sort of 'home-theater-surround-sound-5.1, 7.2, or 8.BR549 receiver' that the manufacturer forgot to include the phono pre-amp on. If you have a 'REAL receiver', ie, an old-school, vintage, 2-channel receiver or integrated amp or pre-amp with a phono pre built-in, then you can flip a switch and bypass the 'built-in' phono preamp.
- USB output—connects directly to your computer for plug-&-play use
- Forward or reverse play (this is a DJ feature, and if you value your vinyl or cartridge, DON'T USE 'Reverse'! If you have a crappy cartridge and are playing 'Frisbees', then 'go for it' if you're so inclined!
- *Comes with Mac- and PC-compatible Audacity software and cables to digitize your LPs
If you appreciate the 'organic' sound of quality vinyl, then disregard the above stuff 'USB / SOFTWARE STUFF' and just 'LISTEN' to your vinyl the way it was meant.

SPECIFICATIONS:

Type: 3-speed, fully manual operation
Motor: High-Torque, 16-pole, 3-phase, brushless DC motor
Drive System: Direct drive
Speeds: 33-1/3, 45, & 78 RPM
Pitch Variation: +/-10%
Turntable Platter: 332mm, Die-cast aluminum
Starting Torque: >4.5 kgf-cm
Braking System: Electronic brake
Wow and Flutter: > 0.1% WRMS (JIS WTD) with 33 RPM
Tone-arm type: Static balanced, Classic 'S' shape, universal head shell
Effective Arm Length: 230mm
Overhang: 15mm
Height of tone arm adjustment range: 0-6 mm
Tracking Error: > 3 degrees
Applicable cartridge weight Without head shell: 3.5- 8.5 g
Anti-skating range: 0-3 g
Signal-to-Noise Ratio: >55 dB DIN-B
Output Level Pre-amp "PHONO": 2.5 mV nominal at 1 kHz, 5 cm/sec
Pre-amp "LINE": 150 mV nominal at 1 kHz, 5 cm/sec
Phono Pre-Amp Gain: 36 dB nominal, RIAA equalized
RIAA 20-20kHz, +1/-3dB (In: 1.5mV 1kHz)
 USB Function: A/D, D/A- 16 bit 44.1 kHz or 48 kHz USB selectable
Computer interface: USB function
A/D, D/A 16 bit 44.1 kHz or 48 kHz USB selectable
Computer interface USB 1.1 Compliant Windows XP or
above or MAC OSX or above
Power Supply Requirements: 115V AC, 60 Hz

Includes :

Software included: Mac- and PC-compatible Audacity software
Accessories Included: 'Universal' Head shell, Slip mat: dust cover: platter: 45 RPM adapter: counterweight: head shell: power cord: USB cable: dual RCA (female) to 1/8" (3.5 mm) mini-plug (male) stereo adapter cable: dual RCA (female) to 1/8" (3.5 mm) mini-plug (female) stereo adapter cable: dual RCA (male) cable with integrated ground wire: stylus target light: Audacity software (CD)
*System requirements (if you're planning on using the table to transfer and burn your LP's / albums, records to CD ROM or your computer hard drive or some other MP3 format):
PC or Mac with an available USB port (USB1.1 or higher), CD-R or CD-RW writer for burning CDs & installation.
Includes Audacity software for PC & Mac users
(Audacity requires Mac running OS X 10.1 or later or PC running Windows (98 and above))
(Refer to included software guide (also available online at www.audio-technica.com) before connecting the turntable to your computer.)
Comes with the Audio-Technicas' 1 Year limited warranty handled through the AT. See Audio-Technica AT-LP1240USB turntable owners manual or AT's web site for further details.
Dimensions w 17.72" x d 13.9" x 6.6" H and weighs a HEAVY 28 lbs.
AUDIO-TECHNICA AT-LP1240USB TURNTABLE
Cond.- NEW

$529.99
and when purchased from Oak Tree Vintage also includes *AT-95E CARTRIDGE!

*Turntable shipped directly from AT and the Cartridge will be shipped from us at Oak Tree Enterprises, LLC. Once products arrive, please call us for assistance with re-balancing tone arm and setting the 'Anti-Skate' adjustment.

* Denotes change / addition from previous model
 

    

NEW LISTING 11/9/18
(click on above thumbnails to enlarge photos) 
warranty
RESTORED / REFURBISHED / FULLY SERVICED
VINTAGE TECHNICS SPEAKERS
MCS / TECHNICS 8320
#...A506 / A545
Circa Late 1970's early 1980's
MIJ
SOLD 11/12/18
SHIPPING TO WILLIAM IN MARYLAND
These are from an upper-end line of speakers that Technics produced for MCS. The "Linear Motion" line used a Tri-Planer baffle board design to more correctly "time align" the 'top end' drivers with the woofer. The Midrange is on a 'spacer' to position it (time-wise) between the tweeter and woofer. This design was based on the Flagship (and very expensive) Technics SB-7070 speakers.
Our speaker tech has completely gone through and 'Certified' these. We have completely tested them with both recorded material, PN 20-20k and swept them with our AF generator.  
MCS 8320 Features include:

- 3-Way, Bass Reflex cabinet
- 'Time-Aligned' / Bi-planar baffle board
- 2" Pulp-cone tweeter
- 4" Pulp-cone Midrange
- 12" Ribbed, Pulp-Woofer with non-deteriorating Cloth surround
- 2.25" tuned port for extending low end
- External, resettable protection relays for all drivers
- 'Spring Clip' Speaker terminals

MCS 8320 Specifications / Specs:

Frequency Response: 32-22,000Hz +- 3dB
Efficiency: ~92dB 1W@ 1m
Nominal Impedance: 8Ω nominal
Recommended Minimum Power amplifier rating: 15 Watts minimum

Again, all drivers tested, work and sound fine! Tested for all frequencies with a sweep generator. Speakers cleaned inside and out. They have black cloth grills and the cabinets are a mixture of black and walnut grain vinyl wrapped. Cabinets and grills are in great shape. Grills still have all locating pins intact and frames are free of breaks / cracks etc. Each cabinet measures 24" tall x 13.5" wide x 12.25" deep and weighs 26 lbs unpacked. Includes our standard 90 day limited warranty ( & excluding problems due to under / over powering)
Technics
MCS 8320 Stereo Speakers
Condition 8.5++
with grills
(Cons.) R.R.
SOLD 11/12/18
SHIPPING TO WILLIAM IN MARYLAND

  (Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)


 

    

NEW LISTING 11/2018
 (click on above thumbnails to enlarge photos) 
warranty
 PRE-APPRECIATED
YAMAHA STEREO SPEAKERS / MONITORS
YAMAHA NS-A738 / NSA738 BIRCH FINISH
 #...4631 / 4632 (consecutive numbers)
Circa 1999-2000
Made in the USA (yes, really)
SOLD 12/26/18
SHIPPING TO JIM IN LOUISIANA
Great looking, performing and sounding Yamaha NS-A738 3-way speakers have a room filling, "tight" sound that ensures sonic accuracy. Great for home use or project studio monitors. If you can't afford the famous Yamaha NS-10's (now, currently north of $1000.00), then these may be an affordable alternative for your project recording studio (I used to be a dealer for NS-10's and have heard and sold many).


Our speaker tech has completely gone through and 'Certified' these.
We have completely tested them with both recorded material, PN 20-20k and swept them with our AF generator. Prior to testing with the sweep generator, we added gasket material under all the driver flanges in each cabinet to eliminate resonate vibrations. This is really a 'finishing touch' on this model of Yamaha's that should have been done at the factory, but is rarely done by most companies / manufacturers. We also added 'poly-spun' batting to the cabinet space to further tighten up the low-end, eliminate hollowness / cabinet ringing. Again, should have been done at the factory, instead of relying an 'empty cab' to allow 'boomy bass' which on the original sales floor, made the box appear sonically 'larger' than it is by making the box seem to be producing more bass. The 'bass' that an un-damped cabinet produces is 'hollow and flappy', and not what you'll want to listen to over the long haul. That would be come very fatiguing soon.
Handles power decently and reproduced the low-end in our most difficult test CD! If you've read some of our other 'audition notes', you'll know what is meant when I say that these speakers, "reproduced the "TLC 'Sub-Bass' note' VERY well" when situated on the floor.

 Yamaha NS-A738 Features include:
   
- 3-Way, Acoustic Suspension design for studio monitoring "tight bass"
- 8” High-Compliance, Cloth Surround, Polypropylene Coated, Long-Throw woofer, woofer w/ non-deteriorating cloth surround
- 4” mid non-deteriorating paper surround
- .75” Ferro-Fluid Cooled, Mylar, Dome tweeter
- Infinite baffle for exceptionally tight bass
  
Yamaha NS-A738 Specifications:
  
Frequency Response: 90-20,000Hz ± 3.5dB  
Efficiency: 91dB 1W @ 1m
Nominal Impedance: 8Ω each
Cross-over frequencies: at 4.2kHz & 13.5kHz (6dB / Octave)
Recommended Minimum Amp Size: 10 Watts
Maximum input power rating: 140 Watts
  
All drivers work and sound fine! Tested for all frequencies with a sweep generator and test CD's. Each finished in black, matte, vinyl wrap. Speakers look and sound GREAT! One of the best "all around" speakers we've heard in a long time at any size or price. Each measures 16" tall x 11" wide x 13" deep and weighs 14 lbs unpacked. Includes our standard 90 day limited warranty ( & excluding problems due to under / over powering)
YAMAHA NS-A738 STEREO SPEAKERS
Cond. 8.5+
SOLD 12/26/18
SHIPPING TO JIM IN LOUISIANA

   (Above text property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)
 

    

         NEW LISTING 11/2018
 (click on above thumbnails to enlarge photos) 
warranty
 PRE-APPRECIATED
YAMAHA STEREO SPEAKERS / MONITORS
YAMAHA NS-A738 / NSA738 BIRCH FINISH
#...2166 / 2167 (consecutive numbers)
Circa 1999-2000
Made in the USA (yes, really)
SOLD 2/20/19
SHIPPING TO TED IN ARKANSAS
Great looking, performing and sounding Yamaha NS-A738 3-way speakers have a room filling, "tight" sound that ensures sonic accuracy. Great for home use or project studio monitors. If you can't afford the famous Yamaha NS-10's (now, currently north of $1000.00), then these may be an affordable alternative for your project recording studio (I used to be a dealer for NS-10's and have heard and sold many).


Our speaker tech has completely gone through and 'Certified' these.
We have completely tested them with both recorded material, PN 20-20k and swept them with our AF generator. Prior to testing with the sweep generator, we added gasket material under all the driver flanges in each cabinet to eliminate resonate vibrations. This is really a 'finishing touch' on this model of Yamaha's that should have been done at the factory, but is rarely done by most companies / manufacturers. We also added 'poly-spun' batting to the cabinet space to further tighten up the low-end, eliminate hollowness / cabinet ringing. Again, should have been done at the factory, instead of relying an 'empty cab' to allow 'boomy bass' which on the original sales floor, made the box appear sonically 'larger' than it is by making the box seem to be producing more bass. The 'bass' that an un-damped cabinet produces is 'hollow and flappy', and not what you'll want to listen to over the long haul. That would be come very fatiguing soon.
Handles power decently and reproduced the low-end in our most difficult test CD! If you've read some of our other 'audition notes', you'll know what is meant when I say that these speakers, "reproduced the "TLC 'Sub-Bass' note' VERY well" when situated on the floor.

 Yamaha NS-A738 Features include:
   
- 3-Way, Acoustic Suspension design for studio monitoring "tight bass"
- 8” High-Compliance, Cloth Surround, Polypropylene Coated, Long-Throw woofer, woofer w/ non-deteriorating cloth surround
- 4” mid non-deteriorating paper surround
- .75” Ferro-Fluid Cooled, Mylar, Dome tweeter
- Infinite baffle for exceptionally tight bass
  
Yamaha NS-A738 Specifications:
  
Frequency Response: 90-20,000Hz ± 3.5dB  
Efficiency: 91dB 1W @ 1m
Nominal Impedance: 8Ω each
Cross-over frequencies: at 4.2kHz & 13.5kHz (6dB / Octave)
Recommended Minimum Amp Size: 10 Watts
Maximum input power rating: 140 Watts
  
All drivers work and sound fine! Tested for all frequencies with a sweep generator and test CD's. Each finished in black, matte, vinyl wrap. Speakers look and sound GREAT! One of the best "all around" speakers we've heard in a long time at any size or price. Each measures 16" tall x 11" wide x 13" deep and weighs 14 lbs unpacked. Includes our standard 90 day limited warranty ( & excluding problems due to under / over powering)
YAMAHA NS-A738 STEREO SPEAKERS
Cond. 8.5+
SOLD 2/20/19
SHIPPING TO TED IN ARKANSAS

  (Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)

    



NEW LISTING 1/1/19
(Click on above thumbnails to enlarge photos)
warranty
PRE-OWNED FULLY SERVICED W/ WARRANTY
TEAC 'DOUBLE' CASSETTE TAPE DECK
TEAC W-6000R
#...0266
DUAL-WELL
STEREO
CASSETTE TAPE DECK
With DOLBY B & C
& PARALLEL / DUAL-WELL RECORDING
& DUAL "QUICK" AUTO-REVERSE
& PITCH CONTROL
Circa 1991
for sale
SOLD 1/29/19
SHIPPING TO JACOB IN FLORIDA

ü Our technician has completely and EXTENSIVELY gone through and 'Certified' this unit cleaning inside and out, DISASSEMBLING, cleaning and re-lubricating internal mechanisms and the balance of efforts listed below.

ü Internal AC voltage set for 'North American' use, and Internal DC power supply tested to correct Voltages before any work commenced

ü Heads inspected for excessive wear (obviously we do this 'early on' as 'excessive' wear will usually negate any further restoration work).

ü Head rotating gears on both wells inspected with a jewelers loop prior to starting any restoration work, and found to be 'hairline' crack free.

ü Capstan motor spindle bushing re-lubed

ü Capstan burnished

ü Main Drive and Counter belts reconditioned or replaced w/ new as necessary throughout entire transport for trouble-free service.

ü All 4 Rubber pinch rollers have been reconditioned (Pinch roller assembly service alone took about 3 hours)

ü Flywheel 'belt surfaces' solvent cleaned

ü Entire flywheel assemblies re-lubed upon re-assembly

ü Replaced missing reel hub retainers

ü Heads have been cleaned and de-magnetized as well as the entire transport.

ü Head alignment and azimuth at 125Hz, 1kHz and 10kHz adjusted for BOTH directions on both decks for 'peak performance' with O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output.

ü All internal pots, switches and controls cleaned and tested for noise-free function.

ü All LED's and fluorescent displays functioning well, with low current draw

ü FF, REW, & Play transport functions all test perfectly and controls tested for 'positive / accurate' responsive.

ü 'Silicone Damped' Eject door operates smoothly.

ü Tape Counter Function tested

ü Dolby NR circuits / function tested

ü 'Memory / Zero Return' function tested

ü Meters adjusted to even zero with symmetric with Volt meter, O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output.

ü Both Internal playback amplifier channels adjusted with Volt meter, O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output.

ü Meters adjusted to even zero with symmetric input with Volt meter, O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output.

ü Both Internal Record amplifier channels adjusted with Volt meter, O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output.

ü Pinch rollers and heads all in GREAT condition!!!

ü Speed adjusted to 100% accuracy BOTH directions, with 1kHz factory calibration tape (meaning 1kHz calibration tape plays back at 1000Hz +/- 1Hz)

ü Pinch roller and heads all in GREAT condition!!!

ü Overall floor noise measured at >-60dB.

ü Speed adjusted internally to 100% accuracy BOTH directions, with 1kHz factory calibration tape and frequency counter (meaning 1kHz calibration tape plays back at 1000Hz +/- 1Hz)

ü Plays great and after adjustment, records AMAZINGLY well w/ following results;

Recording Results following refurb / service, DECK 1;
ü Side A: 1kHz recorded @ 0dB with Dolby C engaged on Maxell XL-II (High bias) tapes plays back @ avg of -1dB L & R
ü Side B: 1kHz recorded @ 0dB with Dolby C engaged on Maxell XL-II (High bias) tapes plays back @ avg of -2dB L & R

Recording Results following refurb / service, DECK 2;
ü Side A: 1kHz recorded @ 0dB with Dolby C engaged on Maxell XL-II (High bias) tapes plays back @ avg of 0dB L & R!
ü Side B: 1kHz recorded @ 0dB with Dolby C engaged on Maxell XL-II (High bias) tapes plays back @ avg of 0dB L & R!

10k was down 5dB or less across the board.
White noise was down ~ 5dB recorded at -5dB and -10dB on Deck 1
White noise was down ~ 2dB recorded at -5dB and -0dB recorded at -10 on Deck 2

ü 'DDD' CD recorded at 0dB with Dolby engaged; 0 to -2dB on Maxell UDXL-II / High Bias tapes

Bottom line is this deck sounds amazing for playback or recording (always make sure you're playing back 'good quality' tape recordings)

ü Cosmetically, the deck looks near new. Just a few scratches on the rear, sheet metal panel.
Total technician time to restore 8.5+ HOURS!
____________________________

Plays perfectly and after adjustment, records well at -0dB! (and we really put them through the paces, testing both with well mixed, recently recorded CD material and CD recorded / factory test tones looking for correct head Azimuth and speed accuracy). Pinch roller and heads all in GREAT condition!!! Both level meters playback even.  Speed adjusted to 100% accuracy with 1kHz factory test tape meaning that our 1kHz test tone tape, plays back at 1kHz* on BOTH WELLS and BOTH SPEEDS! Deck looks like NEW, works and sounds great! 
* 1kHz with pitch control centered!
____________________________

We commonly will not give a "dubbing" / dual well cassette deck a second look as there weren't many that were not simply two cheap decks in one box. I KNOW, as I have sold hundreds of them when new by just about every brand. I always tried to persuade anyone looking for a "real" deck, to generally avoid them and just get a good, single play deck or two single play decks. "Dubbing" decks, as a general rule just didn't have quality transports or decent specs. There were, however a handful of exceptions that combined the convenience of a dubbing deck, with quality and we have posted a few with our high quality single well decks! This Teac W-6000R is one of those few! It's super quality in design and build, and it's loaded.  This is an incredible deck for performance and IT'S LOADED! It would be at home in any audiophile system as well as pro / project studio. This was the top of the "W" series of Teac's and had an original MSRP of $750.00!

TEAC W-6000R Features Include:
 
- HX-PRO (Extended Head-Room Recording)
- GEAR DRIVEN reels (This is BIG on a cassette deck. Much of the issues with 'tape eating' and fast wind issues can be attributed to 'idler tire issues' on cassette decks, and most use them. This deck utilizes 'gears' so no tires to glaze, crack or otherwise deteriorate over time. Taking that off the table, means the deck will likely last many years / decades over other decks)
- Dual-well design with both decks being essentially identical internally and BOTH WELLS RECORD!
- Dolby B & C Noise Reduction built-in
- Pitch Control on deck well "A", allows adjusting to "pitch" for musicians +-12%
- A+B / Parallel Record. This means that both decks record. This allows you to make two "master" tapes at the same time. Only a small percentage of dubbing decks will do this!
- "CD Sync" allows continuous recording / playback through both decks
- IC Logic "touch-control" tape transport on both decks
- Super-quality tape heads
- Dual Well "Quick" Auto Reverse. ("Quick" Auto Reverse, meaning that it senses the beginning of the tape leader instead of switching at the end of the leader due to tension)
- Tri-Mode transports; One way stop, U-Turn Auto-Reverse, Infinite Loop Auto-Reverse
- CPS (Computomatic Program Search) Function. Allows selection and playback of any tune up to 15x ahead or back
- Both Normal and High (2X) speed dubbing
- Auto-Selector for Normal, CrO2 & Metal Tape Type
- Full fluorescent readout screen
- Dual fluorescent signal level meters with peak hold that are shared and can be utilized with either tape well.
- Dual Digital tape counters can be selected for either tape well, and can be independently memorized / reset for each well.
- "ARLS" Automatic Record Level Sensor for either tape well, 1 or 2
- "Tape Mix" control allows a "mix" of signals from any combination of the Tape in well "1", Microphones, and a Line-In signal to be recorded onto Tape well "2"
- Record Level controls for either tape well, 1 or 2
- Record Balance control for either tape well, 1 or 2
- Record Mute function on both wells
- Timer Play / Record / Off selector
- Dual 1/4" mic input jacks
- Independent L & R Microphone input level controls
 
TEAC W-6000R Specs / Specifications:

Track format -  4 track / 2 channel
Motors -  4 total (2 each well)
Wow & Flutter (WRMS) -   0.06%
Freq Response (-20dB) -   25-19,000 Hz, Metal Tape
-  25-18,000 Hz, Chrome Tape
-  25-17,000 Hz, Norm tape
S/N ratio -  59dB NR Off, @ 3% THD
-   69dB Dolby B On
-   79dB Dolby C On
Fast Wind Time C60 tape - ~110 secs
Line in -  87mV, 50k Ohms
Mic in -  0.35mV, 200 Ohms
Line Out -   0.46 V @ 50KOhms

 This TEAC W-6000R would be perfect for the project studio as a mastering deck or home audio system use. Especially for a "project studio" as the "Tape Mix" control practically turns it into an "all in one" studio. It allows a mix in any combination of a tape in well "1", the microphones and a Line-In signal to be recorded onto a tape in well "2". Also great for transferring your tape collection to CD, Hard-drive or MP3.  Built very well! Looks like new and sounds great. Deck includes a copy of original Teac W-6000R owners manual. Measures  17.25" wide x 13" deep x 6" tall and weighs 15 lbs unpacked. Comes with our 90 day limited warranty.
 Cond. 9++
TEAC W-6000R
SOLD 1/29/19
SHIPPING TO JACOB IN FLORIDA
 

(tape shown in photos not included. We do ship our decks with a  a 'pre-recorded' tape for playback, made on this 'specific' deck, and a tape to 'practice record' on.) 

(Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)

    

NEW LISTING 12/29/17
 (Click on above thumbnails to enlarge photos)
  warranty
VINTAGE AND FULLY SERVICED
TEAC CASSETTE TAPE DECK
HUGE
TEAC CX-650R
AUTO-REVERSE W/ 'BI-DIRECTIONAL RECORDING'
#...7598
With DOLBY NR
MADE IN JAPAN!
Circa 1980-82
 1/17/18
SHIPPING TO CALIFORNIA

ü Our technician has completely and EXTENSIVELY gone through and 'Certified' this unit which involves complete removal and disassembly of the entire transport (not an easy task on this deck), cleaning inside and out, DISASSEMBLING, cleaning and re-lubricating all internal mechanisms and the balance of efforts listed below.

ü Heads inspected for excessive wear (obviously we do this 'early on' as 'excessive' wear will usually negate any further restoration work).

ü Head rotating gear inspected with a jewelers loop prior to starting any restoration work, and found to be 'hairline' crack free.

ü Capstan motor spindle bushing re-lubed

ü Capstan burnished

ü Internal 23VDC power supply tested to 23.2Volts

ü 2X NEW, Custom made, 'reel drive' tires installed for years of trouble-free service. (These are actually much more important to replace on this deck (and most) than the belts. Without these, the deck won't fast wind very well, and will likely 'eat tapes' as the 'take-up' reel won't turn properly)

ü All new internal Drive and Counter belts installed for trouble-free service.

ü Rubber pinch rollers have been reconditioned

ü Both Flywheel 'belt surfaces' solvent cleaned

ü Bronze Flywheel bushings solvent cleaned

ü Both Flywheel thrust pads cleaned

ü Entire flywheel assemblies re-lubed upon re-assembly

ü Heads have been cleaned and de-magnetized as well as the entire transport.

ü Head alignments and azimuth at both 1kHz and 10kHz adjusted for BOTH directions for 'peak performance' with O-Scope

ü All internal pots, switches and controls cleaned and tested for noise-free function.

ü Both spindles in perfect alignment.

ü FF, REW, & Play transport functions all test perfectly and controls tested for 'positive / accurate' responsive.

ü 'Silicone Damped' Eject door operates smoothly.

ü Tape Counter Function tested

ü Dolby NR circuits / function tested

ü 'Memory / Zero Return' function tested

ü Heads are in great condition

ü Internal playback levels adjusted for even playback w/ alignment tape, Oscilloscope, and mVAC meter

ü Playback meters adjusted for 'playback' zero'd with factory test tone tape.

ü Internal Record amplifier channels adjusted for 'even output'

ü Pinch roller and heads all in GREAT condition!!!

ü Overall floor noise measured at >-60dB.

üSpeed adjusted internally to 100% accuracy BOTH directions, with 1kHz factory calibration tape and frequency counter (meaning 1kHz calibration tape plays back at 1000Hz +/- 1Hz)

ü Cosmetically, the deck and the 'wood grain wrapped' case / cabinet looks NEAR NEW!

ü Plays great and after adjustment, records AMAZINGLY well w/ following results;
With Pink Noise recorded at 0dB w/o Dolby engaged; -2dB on Maxell UDXL-II / High Bias tapes
With 1kHz recorded at 0dB with Dolby engaged; -0.3dB on Maxell UR (normal bias) tapes
With 'ddd' CD recorded at 0dB with Dolby engaged; -2dB on Maxell UDXL-II / High Bias tapes
With 'ddd' CD recorded at 0dB with Dolby engaged; -1.5dB on Maxell UR (normal bias) tapes
With 'ddd' CD recorded at 0dB w/oDolby engaged; -3dB on Maxell UR (normal bias) tapes

Bottom line is this deck sounds amazing for playback or recording (always make sure you're playing back 'good quality' tape recordings)
Total technician time to restore 10+ HOURS!
____________________________

The Teac CX-650R, Auto-Reverse with 'Bi-Directional Recording', Stereo Cassette Tape Deck. Great deck for doing your tape transfers if your tapes were recorded with no NR or with "Dolby B" or for making some awesome 'new' recordings or 'mix tapes' (hey, it's 'the thing' again). This deck is a pleasure to use, and has a great 'feel' due to it's size and transport function. As far as cosmetics, it's BEAUTIFUL. Was taken very good care of before it came to us, and is even more astounding now. The deck and the wood grain case could convince you that time had rolled back almost 40 years, and you were seeing it at the original store's retail display.

Teac CX-650R Features include:
  
- Heavy duty transport featuring 'oversized' capstan motor, and VERY large, 'asymmetrical' flywheels
- Triple-Mode Auto-Reverse, with 'Bi-Directional' Recording (not just 'A' side recording!)
-  "Soft touch-control" tape transport
- Selector for Normal (EX / I), CrO2 (SX / II) & Metal (ZX / IV) Tape Type
- 3-Position Selector for Tape Equalization for Normal (EX / I), CrO2 (SX / II) & Metal (ZX / IV) Tape Type on playback
- Dual Analog VU Level Meters
- Analog counter 
- Built-in MPX filter for killing the 19kHz pilot tone in FM transmissions
- Variable Output Level control (one of the most important features on a deck in our opinion)
- Dolby B NR
- Record Muting
- 'Auto-Space' records a 4-second space prior to 'stop' when engaged.
- Real 'Potentiometer' Record level controls that are 'gear coupled' (meaning when you turn one, the other one responds as well. They can be turned independently for 'fine adjustment' as they're 'clutch coupled' as well)
- Memory Stop / Repeat for counter
- Dual, Front mounted, 1/4", Microphone Jacks
- Front mounted, 1/4", Stereo Headphone jack
- Timer Play / Record function.
- Multi-pin port on rear panel for optional wired remote, TEAC RC-100 (remote not included)

Teac CX-650R Specifications:
 
Track format: 4 track / 2 channel
Motors: 2x 1x DC Coreless 'Reel', & 1x FG Servo Controlled DC 'Capstan'
Freq Response; 30-18,000Hz +/- 3dB w/ Metal Tape @ -20dB
30-18,000Hz +/- 3dB w/ CrO2 Tape @ -20dB
30-15,000Hz +/- 3dB w/ 'Normal' Tape @ -20dB
Wow & Flutter (WRMS): 0.06% wtd
Tape Speed: 1-7/8 ips
Harmonic Distortion / THD: >3.0% @ 1kHz & 0dB (High Bias Tapes)
S/N ratio w/ CrO2 tape: >56dB w/ Dolby dis-engaged (and Normal Bias Tapes)
>66dB w/ Dolby-B engaged (over 10kHz and High Bias Tapes)
Line Input 'Nominal': 60mV @ 50K Ohms
Line Output 'Nominal': 300mV for a load impedance of 50k Ohms
Headphones Output: 1.0mW @ 8 Ohms
Fast Wind Time: ~80 Seconds for C-60 tape
  
Again, we have completely cleaned, refurbished / serviced and thoroughly tested this Teac CX-650R cassette tape deck.
Great for transferring your no NR or Dolby B NR encoded tape collection to CD, Hard-drive or MP3 especially with the 'Tape EQ' selector for 'fine tuning' older tapes. Built very well! Looks like new, works perfectly and sounds fabulous. Due to it's size, overall feel, the 'input controls' and the 'transport control' this deck really is a blast to use. Comes with an 'e-copy / pdf download' of the TEAC CX-650R cassette tape deck owners / users / instruction manual. Measures 18.5" wide x 13.5" deep x 7" tall and weighs a VERY HEAVY 26 lbs unpacked. Just incase you 'too casually' read past that last little bit,
IT'S A TWENTY-SIX POUND CASSETTE DECK!
Includes our standard 90 day limited warranty. 
TEAC CX-650R
Cond. 8.5+
 1/17/18
SHIPPING TO CALIFORNIA

(tape shown in photos not included. We do ship our decks with a  a 'pre-recorded' tape for playback, made on this 'specific' deck, and a tape to 'practice record' on.) 

(Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)

BEST DEAL!
10 TAPES!

NEW LISTING 2/4/17
 10-Pack
 ONCE OR TWICE RECORDED
 REEL TO REEL TAPE
 REALISTIC / RADIO SHACK 'CONCERTape'
 1800 ft / 548.6m
 1.0 MIL
 'POLYESTER' TAPE
 IN THE 'WHITE' BOX
 7" x 1/4" Tape
 Cat # 44-1018A
 'Low Noise' / Normal Bias
for sale
Pre-Recorded, 1/4" X 7" (18cm), Realistic / Radio Shack, 'CONCERTape', 1800 ft reel to reel tape.
Great tape for general purpose recording.
These are 1800' / 548.6 meters and 1.0 MIL thick, and include individual, boxes with a plastic reel. More than enough length for most LP's at 7.5ips (fast, consumer speed) for 90 minutes combined sides (180 minutes at 3.75ips). According to an original catalog, "1-Mil base of heavy-duty Polyester resists breaking and stretching while giving you extra-wide response.""   Will work on any 'head format', meaning 'quarter track', 'half-track', 'full-track', '4-track / '8-track' / 'multi-track', stereo or mono tape recorders / decks. Reels are 'light gray' plastic. Leaderless tape.
We have actually found that 'Normal' bias tape works best on the older decks such as the pre 1980 Akai's, Concertone's, Craigs, Crowns, Grundigs, Kenwoods, Pioneers, Realistics, Sansui's, Sony TC's, TandBergs, Teacs, Telefunkens, etc. We have gotten some fine recordings using this tape, and due to the extreme 'retention' of high bias tape some times it is difficult to erase. These always seem to erase fine.
 Most are at least 1800 feet and some with leaders intact and may or may not include individual box (often do). Most have been used and will have recordings on them. Boxes and / or reels may have extraneous labels and / or marking on them. Reels may have blemishes / nicotine staining / dust etc. You will need to come up with your own labels as even if they are in the box, they likely aren't "sticky" anymore. Due to unpredictability of stocks we cannot "cherry pick" brands so they are always assorted. Plastic reels may be clear or black. Will work on any 'head format', meaning 'quarter track', 'half-track', 'full-track', '4-track / '8-track' / 'multi-track', stereo or mono tape recorders / decks. Use a bulk eraser or will simply erase when new recordings are made on your deck (assuming your 'erase' is functioning).
Used and likely recorded 10-pack-
$99.99 shipped*
NOW Includes A FREE Empty 'Take-Up' Reel

OR
We can also do a "Bulk erase" on your tapes for an additional $2.00 ea.
Used and Erased 10-Pack  $119.99 shipped*
NOW Includes A FREE Empty 'Take-Up' Reel

VERY LIMITED SUPPLY CURRENTLY IN STOCK

*Shipping within the United States is included in price.
For other shipping destinations, please call or email for shipping cost.

800-806-4231 ext 2 for sales, 10:00AM to 5:30PM MTN (Colorado, USA) time.

 

OUR MOST POPULAR PACKAGE
(photo of random reel to reel tape, and not necessarily representative of any brands / models included in 13 pack)
"BAKERS DOZEN"
13 + TAKE-UP
Reel-To-Reel Tape
Normal Bias
7" x 1/4" Tape
IN BOXES / STORAGE CASES
for sale
Pre-Recorded 1/4" X 7", Normal Bias / Regular Bias Reel-to-Reel tape. "Grab-bag" assortment of brands may, but not necessarily include Ampex, BASF, Irish, Kodak, Realistic, Scotch / 3M, Sony, Soundcraft, and others.
We have actually found that 'Normal' bias tape works best on the older decks such as the pre 1980 Akai's, Concertone's, Craigs, Crowns, Grundigs, Kenwoods, Pioneers, Realistics, Sansui's, Sony TC's, TandBergs, Teacs, Telefunkens, etc. We have gotten some fine recordings using this tape (also, due to the extreme 'retention' of high bias tape some times it is difficult to erase). Normal Bias tapes always seem to erase well.
 Most will be at least 1800 feet and some with leaders intact and will come in either a box or storage case. Most have been used and possibly have recordings on them. Boxes and / or reels may have extraneous labels and / or marking on them. Reels may have blemishes / nicotine staining / dust etc. You will need to come up with your own labels as even if they are in the box, they likely aren't "sticky" anymore. Leaders may or may not be intact, and even if they are, their splices may give way and need to be re-spliced.
Due to unpredictability of stocks we cannot "cherry pick" brands so they are always assorted. Plastic reels may be clear or black. Will work on any 'head format', meaning 'quarter track', 'half-track', 'full-track', '4-track / '8-track' / 'multi-track', stereo or mono tape recorders / decks. Use a bulk eraser or will simply erase when new recordings are made on your deck (assuming your 'erase' is functioning). We also will ensure that the reels you receive are 'crack / split free'.

Used and likely recorded 13-pack $119.99 shipped*
NOW Includes A FREE Empty 'Take-Up' Reel

OR
We can also do a "Bulk erase" on your tapes for an additional $2.00 ea.
Used and Erased 13-Pack  $145.99 shipped*
NOW Includes A FREE Empty 'Take-Up' Reel

*Shipping within the United States is included in price.
For other shipping destinations, please call or email for shipping cost.

Tape Option:

Bulk-Erased $145.99 USD Used $119.99 USD

800-806-4231 ext 2 for sales, 10:00AM to 5:30PM MTN (Colorado, USA) time.

 

ENOUGH FOR A FEW '10-PACKS' JUST BACK IN STOCK
(photo of random 'high bias' tape, and not necessarily representative of any brands / models included in 10 pack)
High Bias (Chrome)
7" Reel-to-Reel 1/4" Tape
10-Pack
Used 7", HIGH Bias / CHROME Reel-to-Reel tape. "Grab-bag" assortment of brands may include Ampex, BASF, Irish, Maxell, Realistic, Scotch / 3M, Sony, Soundcraft, TDK and others. Most are at least 1800 feet and some with leaders intact and may or may not include individual box (often do). Most have been used and will have recordings on them. Boxes and / or reels may have extraneous labels and / or marking on them. Reels may have blemishes / nicotine staining / dust etc. You will need to come up with your own labels as even if they are in the box, they likely aren't "sticky" anymore. Due to unpredictability of stocks we cannot "cherry pick" brands so they are always assorted. Plastic reels may be clear or black. Will work on any 'head format', meaning 'quarter track', 'half-track', 'full-track', '4-track / '8-track' / 'multi-track', stereo or mono tape recorders / decks. Use a bulk eraser or will simply erase when new recordings are made on your deck (assuming your 'erase' is functioning). Plastic reels may be clear or black.
Used and likely recorded 10-pack $99.50 shipped*
NOW Includes A FREE Empty 'Take-Up' Reel

OR
We can also do a "Bulk erase" on your tapes for an additional $2.00 ea.
Used and Erased 10-Pack  $119.50 shipped*
NOW Includes A FREE Empty 'Take-Up' Reel

VERY LIMITED SUPPLY CURRENTLY IN STOCK

*Shipping within the United States is included in price.
For other shipping destinations, please call or email for shipping cost.

Tape Option:

Bulk-Erased $109.99 USD Used $89.99 USD

800-806-4231 ext 2 for sales, 10:00AM to 5:30PM MTN (Colorado, USA) time.

  

HEY, WHY ALL THE 'X'd' OUT / OMITTED SPECS AND TEXT?