DUAL 1242

 

       

       

NEW LISTING 12/28/19
(Click on above thumbnails to enlarge photos)
warranty
FULLY SERVICED / REFURBISHED
CLASSIC / SEMI-PRO TEAC MULTI-TRACK REEL TO REEL TAPE DECK
TASCAM SERIES
TEAC / TASCAM 40-4 4-TRACK TAPE DECK
4-TRACK / 4-CHANNEL STEREO / *QUADRAPHONIC / MONO
3-HEAD / 2-SPEED / 3-MOTOR
10.5", 7" REELS AND / OR **SMALLER
'SIMUL-SYNC'
MULTITRACK 1/4" TAPE DECK
#....7241
MIJ
Circa 1978-81
for sale

ü Our technician has completely gone through and 'Certified' this unit.

ü We have completely gone through the mechanicals and electronics of this unit.

ü All Power supply outputs tested and verified at spec.

ü Transport mechanisms disassembled, cleaned, lubed w/ 'SuperLube', silicone based gel and light machine oil as necessary and reassembled including PR Pivot Arm mechanism.



ü Tape Tension arms disassembled, cleaned and re-lubed, and had fresh 300,000 grade silicone lube gel applied

ü Replaced both reel tables / spindles

ü Tape Left Tension arm had extra spring tension added for better performance on tape handling

ü Capstan flywheel removed, cleaned bushings and axels cleaned and re-lubed w/ 80-90W gear oil. Flywheel surface burnished.

ü Capstan Motor re-lubed (has 'oil tubes')

ü Capstan cleaned and burnished in drill press while removed

ü Pinch-roller mechanism completely disassembled, cleaned and re-lubed.

ü Rubber pinch roller removed, re-surfaced, conditioned and re-installed with fresh lubricant.

ü Impedance roller had both it’s end bearings removed and new ones (#626) pressed in for ‘silent’ tape transportation.

ü 'Main' / Capstan belt reconditioned.

ü Fresh, new counter belt (#049) installed.

ü Heads have been cleaned and de-magnetized as well as the entire transport.

ü Brakes adjusted on fast wind modes also (optimized for 7" & 10.5" tape.)

ü Back tension checked / adjusted on both reel motors.

ü All three motors test perfectly. Following above adjustments, Reel Start and Stop tested at beginning, middle and end of 7" & 10.5" tapes (VERY QUICK 'FAST WIND' ON THIS ONE)

ü Both spindles in perfect alignment w/ no 'run-out' at any speed.

ü Both spindle-locks hold tightly.

ü We also adjusted the reel table heights.

ü Heads in great shape as well, with lots of performance left in them

ü Removed and burnished COMMONLY INTERMITTENT contacts on channel Circuit Boards and re-seated. Adjusted pin contacts for better connections. Was discovered that these connectors was the source of channel intermittence.

ü All meter lamps replaced #25-455

ü Both 'Counter' lamps replaced #A403

ü All 'internal' / PC mounted pots, switches and controls cleaned and tested for noise-free function

ü All 'User' pots, switches and controls cleaned and tested for noise-free function


ü Playback and Record Head alignment / azimuth was adjusted for peak performance with factory test tone tape and oscilloscope.

ü We adjusted the VU meters mechanically for correct 'resting position' and electronically w/ factory test tone tapes, as well as the internal playback, Monitor levels, and record levels utilizing “STL” test / alignment tapes.

    

ü We adjusted the Bias for great sound with Ampex GM-456 tape.

ü Speed tested to 99.9% accuracy following refurb (meaning that our 'verified' 1000Hz accuracy using a 1000 Hz “STL” test tape.  (test tape now plays back at 999Hz when ‘warmed up’).


 
ü Adjusted to record AMAZINGLY WELL at 0dB both with full bandwidth Pink-Noise, then 1kHz test and in 'Real World' use w/ 'mixed DDD CD' signals. (Tested with Maxell UDXL Tape and Ampex GM-456 (best results with Ampex GM-456).

ü Floor noise measured at >-60dBm w/ blank tape, L&R

ü Following refurb / service mechanicals tested for 'play torque' at beginning and end of largest size reels, as well as 'Fast wind torque' and 'braking tension' in both FF and REW, at beginning, middle and end of tapes. In other words, every combination of transport function was tested and passed.

ü This TEAC / TASCAM 40-4 functions, plays, and records VERY WELL (and we really put them through the paces, testing both with well mixed, recently recorded CD material and CD recorded / factory test tones looking for correct head Azimuth and speed accuracy).  (Total time investment in refurb / testing ~ 24 hours).

ü This deck had been rack-mounted so it arrive with NO side panels. We sourced a pair later (took about a year of looking / waiting)

This is an amazing deck for both recording or playback, again of Multi-Track / Four-Track / Four-Channel / Stereo / **Quadraphonic / Mono' tapes for speeds of 7.5ips or 15ips. Following refurbishment, the deck looks and works great and sounds amazing!!! 

The encore to the TEAC / A-3440, the TEAC / TASCAM 40-4 Multi-Track / Four-Track / Four-Channel / Stereo / Quadraphonic / Mono (Yep, that pretty much covers everything but 'half-track') Reel to Reel tape deck. Ready to GO! We've had this deck in our warehouse for years, waiting for a 'senior tech' who was qualified to the task of bringing such a deck back to life CORRECTLY. One of a recent few, we've had make it through satisfactorily in 24+ years of dealing in vintage audio.

This is the deck that most folks want for their home studio to record 'raw tracks' on. For examples; you could lay down bass and drums on one track, then rhythm guitar on the next track, lead guitar on track 3 and vocals on track 4. Or you can lay down tracks 2-4, then bounce them to track 1 and have 2, 3 & 4 free again. Or you can records 'heads-up' (all four tracks at once), then mix those down later. Of course, you can record 'normal stereo' tapes, or you can record 4 separate mono tracks if you're trying to conserve tape. Or, Or, Or...

 Following our extensive refurb / bench time it's now an AMAZING performer (Check the 'recording test results' above and the 'specs' in text below). If you're looking for a reel to reel deck to "actually use" here you go. Only about 25% of the used Reel decks out there can be "practically" restored to working order. This one made it through with flying colors after about 24 hours of bench time.

From the original TEAC / TASCAM 40-4 brochure: “They are ideal for a wide spectrum of uses: tracks for a record album, making commercial spots, or doing production work in radio, TV or Film. You can make superior recordings with these easy to operate recorders, and you get the quality and reliability for which TEAC is known.” (of course as it does all of those ‘professional tasks’, it can certainly do anything you need at home).

The deck tests great! Cosmetically it's in good condition. Cosmetic issues worth mentioning would be a veneer chip to the lower, left side panel, some scuffs / striations to the rear edges of the side panels, a note-worthy ding to the upper right side panel corner, a small 'dent' in the faceplate near the right tension arm. As we stated earlier, the deck had been rack-mounted so it arrived with NO side panels or rear sheet metal. We sourced all of it later from another deck we purchased. (see photos above). Functions and sounds great ! Will play up to 10.5" reels.

TEAC / TASCAM 40-4 Features include:

- Multi-Track / 4-Track / 4-Channel Stereo / Mono head stack / tape format
**(Can also play 'Quadraphonic' tapes as long as your tapes are 7.5 or 15 ips. Of course you can record 'Quadraphonic' tapes as well if you have the supporting resources)
- 3 Heads for instant monitoring of tape levels while recording
- 10.5" Max Reel Capacity (The BIG Reels!) (*but could play down to 3", however the torque and brakes are optimized for 10.5" reels)
- Punch In / Punch Out Function
- 3 Motors (means less 'Rube Goldberg' mechanisms inside like many R2R's)
- IC logic tape transport for "Touch" control
- Dual speeds at 15ips / 38cms & 7.5 ips / 19cms
- Multi-Track / Sound-on-Sound / Sound-with-Sound / Duet recording capable
- Cue Lever with 'variable pressure' for lifting tape away from head in Fast Wind modes or for moving tape close enough to head to monitor fast wind progress
- Output selector for ‘Input’, ‘Norm’ or ‘Monitor’ (this feature will require an understanding of the 'user manual')
- Play / Pause control lets you manually ‘rock’ the reels back / forth while you listen to pinpoint an exact point for editing. (also if you’re the ‘DJ’ type, you can also use this feature to “scratch-n-sniff” just like on your records. Can you say, “Yipeeee!” ?... Oh sorry, I mean, “Yo Dog”)
- Reel Size selector for proper tape 'back tension' and braking.
- Variable Input level control for each channel
- Analog VU level meter for each channel
- Analog Tape Counter
- Spring loaded reel spindles (no need for 'rubber stoppers / reel clamps')
- RCA Line I/O's for all channels
- Accessory connectors for optional TEAC Remote control (not included, nor currently available)
- Multi-pin logic connector for external dbx unit (not included, nor currently available)

TEAC / TASCAM 40-4 Specs / Specifications:

Track / Head / Head-stack Format: 3 heads, inline (4-track / 4-channel, stereo/monaural system) Ferrite Erase and 'Permalloy' Record and Playback heads
Motors: 3X. Capstan motor: 4/8 pole, large size Hysteresis synchronous. Reel motors: 6-pole, eddy current
Reel Size: Acceptable 7” & 10.5" (3" & 5” reels may not ‘brake’ correctly as deck is optimized for 7”-10.5" reels)
Tape Speeds: 15 ips / 38cms & 7.5 ips / 19cms
Tape Speed accuracy: 0.5%
Frequency Response in ‘Sync’ mode:
40-20,000 Hz @ 15ips. ±3dB
25-15,000 Hz @ 7 1/2ips. ±3dB
Wow and Flutter: 0.04% @ 15ips & 0.06% @ 7.5ips (NAB)
S/N ratio: >65Db @ 15ips / Wtd
Crosstalk; >50dB down adjacent track @ 1kHz
Erasure Depth; >65 @ 1kHz +10dB
THD: <1% @ 0VU & @ 1kHz. 3% @ +9VU & @ 1kHz
VU Meters; approx; -25dB to +5dB VU range
Bias Frequency; 100kHz
Line Input (AUX input): -10dB (0.3V) nominal /  Impedance 20kΩ
Record Level Calibration: 0 VU reference is 250 nWb/m tape flux level; adjustable LED’s preset to turn On at signal level of +10 VU.
Line Output: -10dB (0.3V) nominal & -+18dB (8.0V) nominal /  Impedance 10kΩ unbalanced
Fast Wind Time: Approx 120 Seconds for 10.5" reel / 2400' & approx 140 seconds for 1800'
Start Time (stop to full motion play): .05 sec @ 15ips & .04 sec @ 7.5 ips

As stated earlier we have EXTENSIVELY gone through it cleaning heads and all else, lubing, adjusting, reconditioning pinch rollers and other rubber parts, demagnetizing heads and entire transport and testing everything. Tape speed tested and resulted in 99.9% accuracy using a 1000 Hz “STL” test tape. Plays and records Exceptionally well (and we really put them through the paces, testing both with well mixed CD material and CD test tones looking for correct head Azimuth, tape speed accuracy and making test recordings. Again, check the 'test results' listed above). Pinch rollers and heads all in GREAT condition!!! As stated earlier, cosmetic issues worth mentioning would be some light scuffs on the face panel, between the reel tables and a few, typical nicks to the wood grain side panes, and a small nick to the head cover (see photos above).

This is a highly sought after deck and now, following the extensive service, with UNBELIEVABLE PERFORMANCE.
This was not only a GREAT 'Musicians' deck, as a performer could 're-visit' their old band tapes to transfer to computer, DAW, or 'Stereo Mix Down', but since it also does standard 'Stereo' playback, Mono and even Quadraphonic (Quadriphonic) playback, it's about as versatile as you can get. Also would be a great deck for a 'media transfer house / business' that has clients with old 'band tapes' that they want to get mixed down to stereo.
All of our restored / refurbished reel to reel decks come with a 7", plastic take-up reel, a 'known good' 7" tape for initial testing of playback, and a 7" tape you can record onto, all to assist you in becoming familiar with the operation / function of your new reel to reel tape deck.
Comes with an 'e-copy' / pdf download of the TEAC / TASCAM 40-4 owners / operations manual. Measures 21" tall (with skids installed) x 17.3" wide (w/ wood side panels installed) x 21.5" tall x 12" (from tip of back feet-tip of hubs) deep and weighs a VERY HEAVY 72+ lbs unpacked. Includes our standard 90 day limited warranty. (Reels, tape and any NAB hubs shown in photos not included. All are sometimes available separately if you need them. We do ship our decks with a plastic take-up reel, a tape to 'practice record' on and a 'pre-recorded' tape for playback.) 
TEAC / TASCAM 40-4 MULTI-TRACK / STEREO / MONO REEL TO REEL TAPE DECK
Cond. 8.5
$1899.

(Reels, tape and any NAB hubs shown in photos are not included, but we sometimes / occasionally have them for sale. Inquire at time of order.
However, all of our decks will come with 2x tapes for testing 'Playback' and 'Recording' as well as a 7" 'take-up' reel, and RCA patch cables for connection to your system)

This deck, coupled with the Fostex shown below would make a complete, analog recording system for your project studio. 4 track to 2-Track stereo mixdown.

  (Above text property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)

(Due to it's size and weight, it runs a bit more for shipping relative to other (consumer) reel to reel machines)

 

(Click on above thumbnails to enlarge photos)
SANSUI Z-9000 / Z9000 STEREO RECEIVER / COMPU-RECEIVER PARTS / SPARES
- PARTING OUT -

Many of the parts such as Switches, pots, controls and knobs MAY* also fit the Sansui Z-5000, Z-7000 / Z-7000X & Z-9000 / Z-9000X models. Unit sounded strong and great, but had an issue with the tuner readout being locked on one frequency.
- PARTING OUT -




 Panel, Front / Face panel (Decent with some minor striations on top edge, bottom beveled edge, and smoked plexi window should be buffed. At this point, includes all the 'spring loaded' control buttons on left end for 'Volume', 'Function', 'Muting', 'Tape' and 'Power / Standby' - $85. 

 Panel, Display / readout panel (behind smoked window on face plate). Has all the 'silk-screening' graphics - $45. 



Case / Bonnet / Cover, Vinyl, wood grained wrap. (Fits G-6700 and G-7700) - SOLD / MIA (just FYI, 'pack / ship' on items such as large panels, Speaker Grills, Empty speaker / component cabinets, etc. will likely be 'expensive', relative to the cost of the part, due to the amount of packing it takes for safe delivery, and depending on location shipped to.)

Knobs / Caps / Buttons / Covers / Covers, EQ Slide knob / cap pt #07930100 (fits Sansui Z-7000 / Z-7000X & Z-9000 / Z-9000X) - $25. ea.

Knobs / Caps / Buttons / Covers / Covers, Small round knobs 'Balance', 'Reverb Depth' and 'Mic Level' pt #07964000 (fits Sansui Z-7000 / Z-7000X & Z-9000 / Z-9000X) - $25. each

Knobs / Caps / Buttons / Covers / Covers, 'Timer' knob pt #07964100 - $30.

Knobs / Caps / Buttons / Covers / Covers, Push Switch caps, Square ends. Speakers A, B, C, FM IF Band, Graphic Equalizer Defeat, High Filter, Subsonic Filter, Tuning Mode, Cartridge, Reverb On/Off / Mode. pt #07977500 (fits Sansui z-5000, Z-7000 / Z-7000X & Z-9000 / Z-9000X) - $15. ea.

Control Potentiometer, Balance Pot & Mic Mixing Pots as a pair. - $45. as a pair.

Control Potentiometer, Reverb Depth potentiometer / control #46362700 (6 legs) - $40.

Control Potentiometer, EQ Linear Fader / potentiometer / control #46360500 (JVR51 thru JVR57) 50k Ohms x2 - $25. ea.

Switches / Selectors, 'Timer' / Wafer switch - $35.

SANSUI Z-9000 / Z9000 STEREO RECEIVER PARTS / SPARES

Transformer, Power supply Transformer, Stamped on transformer; R2030XX / 31-8 (part number from service manual; #15008511? or 15013501?) (World Power Version 120V / 220V / 240V) - $95.

Capacitors*, Power supply filter caps. Original, Nichicon Electrolytic Capacitor,  #46223000 from service manual (10,000 MFD / 80V). (Would also work in the Z-7000 as it requires 'LESS' voltage @ 71V) - $25. ea.

* So just be aware that these are decades old, Electrolytic Capacitors and while they may be still functioning at some level, unless you really want to keep the amp original, I would replace them. As 'newer' capacitors are typically smaller (physically) for like values, you could use these as 'housings' for the new transplants. A bit of an effort, but common when restorations require 'period correct visuals'. Price is essentially for the original capacitor clamps and 'outside housings' (and the trouble to write all of the above)

Circuit Boards, Power Amp / Power Supply (MAIN) Circuit board F-3804 pt#00750901. Populated with 'Voltage Amplifier STK 3156 / STK3156 (aka Yamaha IG 04880)  (NOT CHINESE COPY!), IC chips; TA7317P, TA3718P, and transistors; 115, 603, 78N15, 2SA939, 2SA968B, 2SA970, 2SA1207, 2SB528, 2SC2003, 2SC2320, 2SC2071, 2SC2344, 2SC2238B, 2SC2375, 2SC2909, 2SD358, and the balance of bridge rectifiers, capacitors, diodes, emitter resistors, 0.33 Ohms, resistors, pc mounted 'Bias Current' & 'DC Offset' trim pots, connectors and Sansui Transformer 2030RXX-B, and Hitachi L24 'Reed Relay' (NOT CHINESE FAKE!). (less Filter Caps, LARGER Omron Relays and speaker output connectors which are all sold separately) - $135.

Circuit Boards, Tuner Circuit board F-3806. Populated with IC chips; Hitachi HA12412, Sanyo LA1245, LA3390, TA7302P and transistors; 115, 603, 2SC1674, 2SK192A, 2SC2320, 2SD1147, V100, and the balance of capacitors, diodes, resistors, tuning coils, transformers, pc mounted / trim pots. - $75.

Circuit Boards, EQ Amp. Circuit board F-3807 (the one with the 'spring reverb' tank, relays and I/O RCA jacks, none of which are included, but sold separately). Populated with IC chips; JRC 2459, Mitsubishi M5220L, Sanyo LC4066B, and transistors; 115, 603, 2SC2320,and the balance of capacitors, diodes, resistors. (less Spring Reverb Tank, Relays and RCA I/O jacks which are all sold separately) - $75.

Circuit Boards, Control & Selector Switch Circuit board F-3808 (Also has Power / Watt Meter readout Fluorescent tube section). Populated with IC chips; A103J / A104J, BA6125, JRC 2053, Hitachi HA12010, Mitsubishi M5220L, M51133P, and transistors; 2SA999, 2SC2320,and the balance of capacitors, diodes, LED's, Lamps, resistors, & 'locking push' switches. (less EQ Linear Faders / pots, 'Balance' Pot, 'Mic Mixing' Pot or 'Reverb Depth' pot) - $75.


Circuit Boards, Tone Control and Audio Indicator Circuit board F-3810 (Also has Tuner readout Fluorescent tube section) (board has serious, physical damage from the 'Timer' control being pushed in forcefully. Board could be repaired with considerable work) (does not include the 'Timer' control or the LED 'Digit' readout, but does include the tuner 'Fluorescent display tube').

Populated with IC chips; Mitsubishi M50601P, NEC UPA81C, B553AC, Toshiba TC4001BP, and MB74LS247 and transistors; 2SA999, 2SC2320, 2SD1111, 2SK163, L78N06 and the balance of capacitors, diodes, LED's, resistors, 'tactile push' switches and connectors. - $75.

Circuit Boards, 'Volume Control' Circuit board F-3962. Populated with IC Chips; JRC 2058D / (2037) and transistors; #603 and the balance of capacitors, pin connectors, diodes, resistors. (less RCA I/O jacks which are sold separately) - $55.

Relays, 221D024 Relay #11506200 (NOT CHINESE KNOCK-OFF!)- $20. ea.

Relays, Omron Relay #G2Z-222P (NOT CHINESE COPY!) - $20. ea.

Relays, Omron Relay #G4W-1112P-US-TV8 / 15A / 24VDC / 250VAC (NOT CHINESE FAKE!)  - $20. ea.

Reverb Spring Tank, Reverb pickup / output assembly - $55.

Antenna, AM antenna (stick only, less bracket) - $20. SOLD

Antenna, AM antenna bracket - $30.

Jacks / Connectors / Terminals, Speaker output jack strips A, B or C, pt#22902400 (fits Sansui Z-7000 / Z-7000X & Z-9000 / Z-9000X) - $45. ea. group of 4 (2 groups remaining in stock)

Jacks / Connectors / Terminals, Antenna Terminals / connectors assembly #46364500 (fits Sansui Z-7000 / Z-7000X & Z-9000 / Z-9000X) - $30.

Jacks / Connectors / Terminals, Headphone Jack  on circuit board #3809. Pt #46289200 (fits Sansui Z-7000 / Z-7000X & Z-9000 / Z-9000X) - $30.

Jacks / Connectors / Terminals, Mic / Microphone Jack on circuit board #3809. Pt #46133900 (fits Sansui Z-7000 / Z-7000X & Z-9000 / Z-9000X) - $30.

Jacks / Connectors / Terminals, RCA input / output jacks molded in pairs, Tape-1, Tape-2, AUX, Phono #46363800, set of 4 - $30. ea. set of 4

Jacks / Connectors / Terminals, AC Convenience Outlets #46360200, set of 3 (fits Sansui Z-7000 / Z-7000X & Z-9000 / Z-9000X) - $30.

Plate / Bottom Cover, rear sheet metal panel. (metal panel only. Components all sold separately) - $45.

Plate / Bottom Cover, bottom sheet metal plate. (Fits G-6700 and G-7700)  (just FYI, 'pack / ship' on items such as large panels, Speaker Grills, Empty speaker / component cabinets, etc. will likely be 'expensive', relative to the cost of the part, due to the amount of packing it takes for safe delivery, and depending on location shipped to.)  - SOLD / MIA

Feet set of 4 - $30. or $15. ea.

Call or Email for "SHOWN and NOT marked 'SOLD' " part you need.


Location: PB, West Side, 2nd set of cabs, 1st 'tan' cab, 2nd drawer. -                                     revised 3/18/19

          NEW ADDITION 12/23/09
  (Click on above thumbnails to enlarge photos)
  warranty
BENCHED, BURNED-IN & WARRANTED
SONIC HOLOGRAPHY, STEREO PRE- AMPLIFIER
CARVER C-1 / C1 PRE-AMP / CONTROL AMP
#...8261
(same pre-amp we have used for the last decade+ here at Oak Tree Vintage on our 'Audition Room System')
Circa 1981-89
MADE IN AMERICA
for sale

We have completely gone through this unit, cleaning inside and out including all contacts, switches and controls. This is difficult to do on these as it necessitates the removal of the face and associated circuit boards. All I/O internal er points, "re-flowed" for trouble-free performance. Unit looks great! All functions tested for perfect operation. All inputs tested and both side produces clean and even sine waves! Checked with O-Scope. No power supply hum of any kind. It's dead silent!
   
Carver C-1 Features include:
   
- Carver's "SONIC HOLOGRAPHY" built-in!
- FULLY PARAMETRIC 2-Band EQ / Tone Controls. Bass centers variable from 31.5Hz to 800Hz and treble variable from 800KHz to 20kHz. "Q" variable wide to narrow. Amplitude variable ± 12 dB cut / boost (most tone controls only range ± 10 dB)
 - Absolute "Tone Bypass" for purest signal route
   - Variable Loudness. A mainstay trademark of Yamaha Pre-Amps and Receivers. Allows for continuously adjustable loudness contour.
- Infrasonic (Subsonic ) Filter for reducing turntable rumble / feedback, direct drive turntable motor noise etc.
 - Instant -20 dB Audio Level Muting
   - Dual tape monitors (Tape Monitors can also be used for Tape / Video / CD / DVD / VCR / DAT / MP3 / iPod® / iPhone® / iTouch® / iGadget / MP3 / XM® / SIRUS® etc. etc. as well as for CDR)
 (note; tape monitors combined with source selection, thus any external signal processors are relegated to the Pre's "Output" to Power Amp "Input" signal chain)
 
  - Bi-Directional dubbing
 
   - AUX Input (can be used for Video / CD / DVD / VCR / DAT / MP3 / Video / iPod® / iPhone® / iTouch® / iGadget / MP3 / XM® / SIRUS® etc. etc.)
 
   - DAD Input (can be used for Video / CD / DVD / VCR / DAT / MP3 / Video / iPod® / iPhone® / iTouch® / iGadget / MP3 / XM® / SIRUS® etc. etc.)
 
   - Tuner input (can be used for Video / CD / DVD / VCR / DAT / MP3 / Video / iPod® / iPhone® / iTouch® / iGadget / MP3 / XM® / SIRUS® etc. etc.)
   - Phono / Turntable input with rear located selectable gain @ either 0 or -10dB
 - Phono / Turntable input with selector for either MM (Moving Magnet cartridge) or MC (Moving Coil Cartridge) (this feature alone could be worth hundreds of $$ if you are going to utilize a Moving Coil turntable cartridge)
 - Cartridge capacitance selector on the MM side for 220 pf / 2/47kΩ, 330pf / 47k , 220pf / 47kΩ, 100Ω, or on the MC side 1kΩ or 100Ω
  - Record Out selector with bi-directional tape dubbing controls. (Separate "Record Out" allows recording from one source while you listen to another)
 - Global Stereo / Mono selector
 - 24 Karat Gold plated I/O jacks on the Phono, DAD and Main Outputs to remain corrosion free, thus insuring the best audio signal transfer.
   - 6 AC outlets ( 5 switched, 1 un-switched) for a total capacity of 600 watts
 - True "WORLD AC POWER"™ allows unit to be operated on 50 or 60 Hz AC and will select voltages from 110v, 120v, 220v and 240 volts AC input.
   
Carver C-1 Original Specs:
   
Design type: 2 Channels, Analog operation
Frequency Response: 3Hz-80kHz / -3dB
Total gain: 25.0 dB
S/N on any 'non-phono' input; 96dB IHF weighted w/ 2V input level
Input impedance: 100k Ohms
Output impedance: 600 Ohms
THD; <0.05% at full rated power
Infrasonic Filter (subsonic filter); 18dB/Oct below 20Hz

PHONO SECTION SPECS:
Freq Response: deviation of ±0.25dB from RIAA 'Extended Curve'
Phono MM Maximum Input Level: 100mV
Phono MC Maximum Input Level: 15mV
S/N on Phono MM w/ 5mv signal: 83dB
S/N on Phono MC w/ 5uv signal: 77dB
Phono Capacitance: Selectable on rear panel 0pf / 180pf / 390pf
 
   This is a very high quality control / pre-amplifier for most any system. If you need high level sonics, the Yamaha C-80 is the ticket. Will work with most any power amplifier, tube or solid state. After bench work the unit looks, performs and sounds great! Besides the fact that it's a Yamaha, this unit stands in a class by itself due the the "fully parametric" EQ and it's versatile "phono" section. Again, great where you need power amp control, with super pure tone routing. Unit measures 17" wide x 3.25" tall x 14.5" deep and weighs 7 lbs unpacked. Includes our standard 90 day limited  warranty.
CARVER C-1
Condition 9++++++++
$649.

Design type: 2 Channels, Analog operation
Frequency Response (non-phono input): 1-250kHz +0 / -3dB
Maximum Output Level: 5V
THD Tuner, AUX and Tape, 20-20,000Hz: 0.004% @ 1V output
Signal / Noise Ratio: 108dB!!! @ Tuner, Aux, Tape A/B inputs
Input Sensitivity AUX / Tape @ RCA's: 150mV @ 47k Ω @ 1kHz for rated output
Output AUX / Tape @ RCA's: 150mV @ 47k Ω
Subsonic Filter: >-3dB @ 30Hz, 6 dB/Oct
Loudness Control: 0-+9dB continuously variable (-30dB Vol Level)

PHONO SECTION SPECS:
Freq Response: RIAA Standard curve 30Hz-20kHz w/ RIAA deviation of ±0.3dB
S/N: >87dB MM, >70dB MC
THD Phono MM or MC, 20-20,000Hz: 0.005% @ 1V output
Input Sensitivity (nominal) MM: 2.5mV @ 47kΩ
Input Sensitivity (nominal) MC: .25mV @ 100Ω
Phono Overload for MM: 200mV yields THD 0.005% @ 1kHz
Phono Overload for MC: 15mV yields THD 0.005% @ 1kHz

    

 

dod 680

   

 

BEHRINGER HA4700

  

   



YAMAHA RX-120

  

  

PROTEUS 1-XR

   

    

HARMAN KARDON HK710
TUNER

CARVER TDR-1550


 

         

PIONEER SX-980

         

YAMAHA CR-2040

    

 

WESTERN ELECTRIC 'ROLL TOP DECK' PHONE

 

BUTCHER BLOCK 

REALISTIC STA-65C PARTS UNIT

(note: Vol caps NOT interchangeable with STA-120. The fader levers are too wide. Modification would be difficult)


 

       

DENON AVR-1709

  

PIONEER F-99X

    

MARANTZ SR6200-U2B

    

SONY STR-DH700

       

Sony STR-DE875

 

     

YAMAHA TX-70
MAY HAVE ALREADY BEEN ???

  

KEN-TECH T-2018 CLOCK

- 

(Click on above thumbnails to enlarge photos) 
PRE-OWNED
BUFFET CLARINET
MODEL B12
INTERMEDIATE STUDENT Bb CLARINET
for sale
This clarinet is modeled after the Famous Buffet Grenadilla wood clarinets from the 'old day's'. When I worked for a 'full-line' music store thru the 1990's, we would periodically have a 'vintage' Buffet come thru and they never hung around long once serviced for re-sale. It is what most clarinet players asked for. That and Yamaha's.  This is a Buffet B12 clarinet, again, designed after the 'vintage' horns for the student / beginner and into the intermediate market. The Buffet B12 clarinets are made from ABS resin with an appearance and sound similar to that of genuine Grenadilla wood. These models are lightweight, strong and easy to clean perfect for even very young players. The Buffet B12 model has a very attractive and traditional design with nickel-plated body rings, straight key work and a traditional bell ring. The body is buffed to give the appearance of wood. The nickel silver key work is cold forged and induction ered, providing greater stability, precision and quality. The B12 model is mounted with double fish skin pads which ensure excellent sealing.

 Features:
- Nickel plated keys, body rings & plated bell rings
- 65mm barrel
- 14.65mm poly-cylindrical bore
- Arched key cups (same as R-13 model)
- Staggered trill keys (same as R-13 model)
- Blue Needle Springs
- Adjustable 3-position thumb rest
- Ergonomic key design: Improved playing comfort like that of a professional clarinet
- Pointed needle springs for quality key action
- Undercut tone holes for improved tone quality and faster response
- High quality Double fish skin pads enables air tightness and are long lasting
- Blow-molded, hard shell case

Mouthpiece Assembly with Ligature, Cap and Mouthpiece

-           Cork Grease

-           Cleaning Swab

This clarinet retails for $925.00 (US).

    



GEMINI XL-100

INFINITY ENTRA SUB TWO

  

Speaker Stack for restaurant

 

    

ADVENT MINI II INDOOR / OUTDOOR

     

NEW LISTING 10/23/12
 (click on above thumbnails to enlarge photos)
  warranty
 PRE-APPRECIATED
 INFINITY
 STEREO SPEAKERS
 STUDIO MONITORS SM-152 / SM152 

     

REALISTIC OPTIMUS-7
 

    

ADVENT LAURETE

             

PSB 1000




 

        

HEATHKIT TS-1630

      

(click on above thumbnails to enlarge photos) 
warranty
VINTAGE  
JENSEN
STEREO SPEAKERS
SYSTEM 300
Circa 1981-'85
Made in USA
CURRENTLY HELD FROM SALE
for sale
A bit short in the looks department, but long on sound.
We have completely tested them with both recorded material, PN 20-20k and swept them with our AF generator. These Jensen "System 300" speakers are very accurate and impressive sounding.  Features:

- 9" woofer
- 1" cloth soft dome tweeter
- Acoustic Suspension cabinet design
- 8 Ω

Foam surround on 9" woofer in fine shape with years life left in it before it will need to be replaced. Medium-dark Oak wood grain vinyl wrap finish in decent shape with a few normal scuffs and dings. Nothing too  distracting from overall appearance (see photos). Original brown grills in fair shape as well with normal amount of snags for 15 years old and unfortunately the small plastic Jensen badges are missing. Grills also have minor, light colored staining on lower 1/3 of each. Speakers test and sound great. Each measures 23" high x 13" wide x 10" deep and weighs a 23 lbs unpacked. Includes our standard speaker warranty ( excluding problems due to under / over powering).
JENSEN SYSTEM 300
Condition 7.5
$239. pair
CURRENTLY HELD FROM SALE

  (Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)

 

   

     

 

 

(OK, do I really need to say it?... No, the laptop shown in the photos is NOT included.)
 

         NEW LISTING 9/4/12
(Click on above thumbnails to enlarge photos)
  warranty
NEW
AUDIO-TECHINCA
PROFESSIONAL / DJ / SOUND SYSTEM / CLUB STEREO TURNTABLE
AT-LP1240USB
DIRECT DRIVE
QUARTZ LOCKED OR MANUAL SPEED CONTROL
FULLY MANUAL
W/ 'REVERSE' PLAY
AND WHEN PURCHASED FROM OAK TREE VINTAGE WITH A NEW, DIAMOND CARTRIDGE NOW INCLUDED
NEW
for sale
Professional DJ / Club table. Quality tool for the 'long haul'! The Audio-Technica AT-LP1240-USB DJ turntable. Similar in design to some of the vintage turntable models, such as the Kenwood KD-550 'concrete base', the Sony PS-T1, and the Technics SL-1500, SL-1700MK2 or SL-D2 turntable models. This professional stereo turntable features a super high-torque, direct-drive motor for quick start-ups yet is perfectly quiet. Classic 'S' shaped tone arm with 'universal' head-shell that allows mounting of most any 'quality', 1/2' cartridge, either MM (moving magnet) or MC (moving coil). Tone-arm mounted in high quality 4-point, Gimbol bearing.

The AT-LP1240-USB plays back 33-1/3, 45 and 78 RPM records (78 is selected by pressing both 'speed' select buttons simultaneously). Its built-in phono preamp enables the turntable to be connected to a wide variety of music and home entertainment systems, powered speakers, and to A/V receivers that do not include a dedicated phono input (de-featable for 'old schooool' and 'REAL' receivers and integrated amplifiers that 'DO' have a built-in phono pre-amp. The turntable includes PC- and Mac-compatible Audacity® software that converts the audio on a record to MP3, WAV or other format digital audio files.

NEW UPDATE--- We're now including the Audio-Technica AT-95E, MM, Elliptically cut diamond cartridge with tables purchased from us at Oak Tree Vintage.

Table has great mass at almost 30 lbs!

Professional features for DJ use in nightclubs, touring & mobile applications:

- Direct drive high-torque motor
- Quartz Locked Speed Control System or 'Manual' Strobe Speed controls
*- Adjustable Braking Rate (0.2 – 6.0 seconds)
*- Adjustable Starting Rate (0.2 – 6.0 seconds)
*- Dual Platter / Motor 'Start' / 'Stop' controls
- Fully-Manual operation
- Selectable 33/45/78 RPM speeds (you will need to acquire a stylus / cartridge designed for playing '78 RPM' records to utilize that feature to it's fullest)
- Professional weight cast aluminum platter with slip mat (no PLASTIC platters here, unlike many of the NEW tables out there!)
- Classic 'S' style tone-arm
- High quality 4-point Gimbol bearing
- ½-inch mount universal head shell
- Strobe monitored, adjustable platter speed
- Fluid damped tone arm cuing
- Adjustable tone-arm counter weight
- Adjustable 'Anti-Skating' control
*- Adjustable Tone-Arm bearing height
*- 45 puck storage pin
- Internal Built-in Phono Pre-Amp of decent quality so if you MUST use this with some sort of 'home-theater-surround-sound-5.1, 7.2, or 8.BR549 receiver' that the manufacturer forgot to include the phono pre-amp on. If you have a 'REAL receiver', ie, an old-school, vintage, 2-channel receiver or integrated amp or pre-amp with a phono pre built-in, then you can flip a switch and bypass the 'built-in' phono preamp.
- USB output—connects directly to your computer for plug-&-play use
- Forward or reverse play (this is a DJ feature, and if you value your vinyl or cartridge, DON'T USE 'Reverse'! If you have a crappy cartridge and are playing 'Frisbees', then 'go for it' if you're so inclined!
- *Comes with Mac- and PC-compatible Audacity software and cables to digitize your LPs
If you appreciate the 'organic' sound of quality vinyl, then disregard the above stuff 'USB / SOFTWARE STUFF' and just 'LISTEN' to your vinyl the way it was meant.

SPECIFICATIONS:

Type: 3-speed, fully manual operation
Motor: High-Torque, 16-pole, 3-phase, brushless DC motor
Drive System: Direct drive
Speeds: 33-1/3, 45, & 78 RPM
Pitch Variation: +/-10%
Turntable Platter: 332mm, Die-cast aluminum
Starting Torque: >4.5 kgf-cm
Braking System: Electronic brake
Wow and Flutter: < 0.1% WRMS (JIS WTD) with 33 RPM
Tone-arm type: Static balanced, Classic 'S' shape, universal head shell
Effective Arm Length: 230mm
Overhang: 15mm
Height of tone arm adjustment range: 0-6 mm
Tracking Error: < 3 degrees
Applicable cartridge weight Without head shell: 3.5- 8.5 g
Anti-skating range: 0-3 g
Signal-to-Noise Ratio: >55 dB DIN-B
Output Level Pre-amp "PHONO": 2.5 mV nominal at 1 kHz, 5 cm/sec
Pre-amp "LINE": 150 mV nominal at 1 kHz, 5 cm/sec
Phono Pre-Amp Gain: 36 dB nominal, RIAA equalized
RIAA 20-20kHz, +1/-3dB (In: 1.5mV 1kHz)
 USB Function: A/D, D/A- 16 bit 44.1 kHz or 48 kHz USB selectable
Computer interface: USB function
A/D, D/A 16 bit 44.1 kHz or 48 kHz USB selectable
Computer interface USB 1.1 Compliant Windows XP or
above or MAC OSX or above
Power Supply Requirements: 115V AC, 60 Hz

Includes :

Software included: Mac- and PC-compatible Audacity software
Accessories Included: 'Universal' Head shell, Slip mat: dust cover: platter: 45 RPM adapter: counterweight: head shell: power cord: USB cable: dual RCA (female) to 1/8" (3.5 mm) mini-plug (male) stereo adapter cable: dual RCA (female) to 1/8" (3.5 mm) mini-plug (female) stereo adapter cable: dual RCA (male) cable with integrated ground wire: stylus target light: Audacity software (CD)
*System requirements (if you're planning on using the table to transfer and burn your LP's / albums, records to CD ROM or your computer hard drive or some other MP3 format):
PC or Mac with an available USB port (USB1.1 or higher), CD-R or CD-RW writer for burning CDs & installation.
Includes Audacity software for PC & Mac users
(Audacity requires Mac running OS X 10.1 or later or PC running Windows (98 and above))
(Refer to included software guide (also available online at www.audio-technica.com) before connecting the turntable to your computer.)
Comes with the Audio-Technicas' 1 Year limited warranty handled through the AT. See Audio-Technica AT-LP1240USB turntable owners manual or AT's web site for further details.
Dimensions w 17.72" x d 13.9" x 6.6" H and weighs a HEAVY 28 lbs.
AUDIO-TECHNICA AT-LP1240USB TURNTABLE
Cond.- NEW

$529.99
and when purchased from Oak Tree Vintage also includes *AT-95E CARTRIDGE!

*Turntable shipped directly from AT and the Cartridge will be shipped from us at Oak Tree Enterprises, LLC. Once products arrive, please call us for assistance with re-balancing tone arm and setting the 'Anti-Skate' adjustment.

* Denotes change / addition from previous model
 

    

NEW ADDITION 3/19/18
(Click on above thumbnails to enlarge photos)
warranty
REFURBISHED / SERVICED
VINTAGE NAD STEREO INTEGRATED AMPLIFIER
NAD 3120
STEREO INTEGRATED AMP
"STABLE DOWN TO 2 Ohms!!!"
#...1893
Circa 1984-86
 4/6/18
SHIPPED TO JEFF IN MICHIGAN

ü  Our technician has completely gone through and 'Certified' this unit.

ü  Following both internal and external visual inspection, the entire unit was cleaned out including all contacts, switches and controls. Switches now clean sounding and performing fine.

ü Silicone heat sink compound inspected for ‘suppleness’

ü We adjusted / set the Output section bias / DC offset to BETTER THAN factory spec (check our results below).

ü All functions tested for perfect operation.

ü All inputs and functions tested.

ü Both amplifier sides produce clean and even sine waves! No power supply hum of any kind. It's dead silent!

ü Following electronic refurbishing, the entire unit was cosmetically detailed

ü Following restoration procedures, the unit was ran continuously at medium volume, as all our amplifier / receivers are, into a 4 Ohm load with "Loudness" on and both Tone Controls at 10 for 48 hours.

While this amp was originally rated at 25 WPC on our test bench the internal amplifiers of this particular unit, #...1893, produced 19 Volts per channel at 8 Ohms for 45 Watts per channel and  16 Volts at 4 Ohms for 64 Watts per channel via discrete, outputs (2x RCA 2N3055 & MJ2955)
Idle current draw .2A
DC offset, while the NAD 3120 service manual specs anything less than "50mV", and we originally measured this one, #...1893 at over 44mV / Channel, following our bench service it's now at only <2.0mV!!! on either side.
Very quiet with Floor noise measured at >-60dBm / 0.1 mVAC.
   ____________________________
   
Great performing and 'classic' looking NAD 3120 Integrated Amplifier. Essentially a more 'pure' version of it's predecessor, the 3120, in that they removed the 'tone control' circuit, and the LED power display.
Amazing sounding integrated power amplifier to provide the heart of a smaller to medium sized Hi-Fi system or 'project recording studio'. Unit looks, works and sounds great!

From the original Brochure,
"Designed for Real-World Performance: Specification tables and magazine test reports confirm that virtually all modern amplifiers measure well in the lab, with impressive figures for parameters such as the power output at 8 Ohms and the S/N with a shorted phono input.  But outside of the lab, amps are not all equal.
At home you don't listen to signal generators, short-circuits or 8-Ohm test resistor loads. you listen to complex and dynamic musical waveforms, generated by phono cartridges and reproduced through loudspeakers whose true impedance is rarely stable at only 8 Ohms.  So, rather than incorporating costly refinements that yield little or no audible benefit, NAD's "real world" approach to product design is focused on obtaining optimum performance under the conditions of everyday use....
Instead of the usual low-cost IC, the phono preamplifier section is a newly designed, discrete transistor circuit whose performance matches that of far more expensive preamp systems.  It interfaces correctly with the 'high impedance' of many magnetic pickup cartridges: it's RIAA equalization is precise: and it is virtually 'distortion-less'- not only with simple 'sine-wave' test tones, but also with dynamic, 'musical waveforms', 30dB above average level.  It's signal / noise ratio is close to the theoretical limit, not only with the short-circuit input that is often used for specifications, but also when a cartridge is connected.  It's total dynamic range is approximately 106dB."

NAD 3120 Features include:
  
- Discrete Output, Class A-B Amplifier design 
- Impedance selector for either 8 or 4 Ohms speakers, which means that you can get 100% of the potential power into just one pair of 8 Ohm speakers. (most amplifiers do not deliver more than 50 to 70% of their 'potential' power unless connected to a 4 Ohm load. This is BIG DEAL!)
- Pre-Out / Main-In loop
- I/O jacks and Speaker output posts feature 'Point to Point' wiring, so connections are 'stress free' on the circuit boards (all gear should be designed like this, but its 'too expensive' for most of the general public now
- 'Speaker / Tweeter Saving' "Soft Clipping" (defeatable if listener desires or to do 'bench testing')
- 'TRUE' Tape monitor (Tape Monitors can be used with Video / CD / DVD / VCR / DAT / MP3 / iPod® / iPad® / iPhone® / iTouch® / iGadget / MP3 / XM® / SIRUS® CDR (CD recorders as well as for inserting signal processors, such as EQ's, Reverbs, Spatial Enhancers / Dynamic Processors, Noise Reduction units, Special Effects units, Time Delays, etc)
- Phono / Turntable input
- 'Moving Coil' or 'Moving Magnet' cartridge selector (which means there is a 'head amp' for MC built-in. That alone is worth quite a lot of $$$)
- Tuner input (can also be used for ( Video / CD / DVD / VCR / DAT / MP3 / iPod® / iPhone® / iTouch® / iGadget / MP3 / XM® / SIRUS® etc. inputs)
- Loudness control. "Loudness" functions to boost Bass and Treble in relationship to Mid frequencies at lower volume levels for a much fuller sound
-  Heavy duty, 'Binding / Banana' post speaker outputs
- 1/4" stereo headphone jack
- Dual AC Convenience outlets (1 switched and 1 un-switched) with a total capacity of 250 Watts

NAD 3120 Specifications:
   
POWER AMP SECTION:
Design type: 2 Channel, discrete output, Class A-B
Dynamic Headroom at 8 Ohms: +3.0dB
Freq Response of power amp section at "LAB" input: 10Hz-70kHz
Damping factor: 45 @ 8Ω full bandwidth (means VERY TIGHT bass response)
Input Impedance: 11kΩ
Input impedance at "LAB" input: 22kOhms
Input Sensitivity (for 1W & rated output @ 8Ohms): 1V / 200mV
Cont 'minimum' rated Power: 2x 25 Watts @ 8 Ohms / 20Hz-20kHz
IHF 'Dynamic' Power (max 'short term' power / channel:
2x 50 Watts @ 8 Ohms
 2x 55 Watts @ 4 Ohms
 2x 70 Watts @ 2 Ohms
THD: 0.02% @ 25 Watts & 8 Ohms from 20-20kHz

PRE-AMP SECTION:
Signal / Noise:  90dB @ Tuner / AUX / Tape 'shorted'
Input Sensitivity Tuner / AUX / Tape @ RCA's (for 1W output): 180mV
THD: 0.020% at rated ouput
Loudness Control: +5dB @ 100Hz & +5dB @ 10kHz(-40dB VOL)
Max Input Signal: >25V
Input impedance (R/C): 47kOhms / 200 pF

PHONO SECTION SPECS:
Freq Response (RIAA curve): 20-20kHz ±0.5dB
S/N  (A-weighted w/ cart connected): >75dB!!! w/ 5mV & >73dB!!! w/ 0.5mV
Input Sensitivity @ 1kHz: 2.7mV MM / 180uV MC
Input impedance (R/C): 47kOhms / 100 pF
 
Again, as stated before, our technician has completely refurb'd this NAD 3120 Stereo Integrated amplifier, cleaning and testing all and it gets our full 'Certification'. All functions test perfectly. Great integrated for just about any stereo system from smaller to medium sized speakers. As there's no tone controls, this would also make a great amplifier for a 'project / home recording studio'. This is a fabulous amp. Sonically superb following our techs work. Very musical. Lots of solid power / punch. Unit looks good and sounds great! Can include a pdf 'e' copy of the NAD 3120 Flyer and / or Service Manual if the new owner so desires. Measures 16.5" wide x 10.25" deep x 4" tall and weighs 12 lbs unpacked. Includes our 90 day limited warranty.
NAD 3120 Stereo Integrated amplifier
Condition 8.5++
(C) R.R.
 4/6/18
SHIPPED TO JEFF IN MICHIGAN

(Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)

 

     

NEW LISTING 4/13/18
 (Click on above thumbnails to enlarge photos)
  warranty
VINTAGE REALISTIC STEREO INTEGRATED AMPLIFIER
REALISTIC SA-2000
 #...1087
Circa 1977
MADE IN JAPAN
(Not Taiwan or Korea like a lot of 'vintage' Realistic gear)
for sale
 5/25/18
SHIPPING TO STEVE IN CONNECTICUT

 ü  Our technician has completely gone through and 'Certified' this unit.

ü Following ext / int visual inspection entire unit was cleaned inside and out

ü All three 'control' PCB's removed to allow cleaning of ALL contacts, switches and control pots.

ü Bias adjusted to correct spec.

ü Switches and controls now clean sounding and performing solidly
(only exception is the 'High Filter'. It's 'lock' is a bit 'finicky' so if you want to 'bypass' the Hi-Filter, you need to engage it rather 'solidly' to get it to lock (stay in) ).

 ü All functions tested for perfect operation.

ü All inputs tested and both side produces clean and even sine waves!

ü No power supply hum of any kind. It's dead silent!

ü Following electronic refurb, entire unit was cosmetically detailed (It's BEAUTIFUL!!!).

This is first and only one Realistic SA-2000 we've had in 23 years. Classic brushed aluminum face plate with the original aluminum knobs.  Following 12+ hours of restoration procedures, the unit was ran continuously at medium volume, as all our amplifier / receivers are, into a 4 Ohm load with "Loudness" on and both Tone Controls at 10 for 48 hours.
Total technician time to restore 8 hours. (Tech noted on work sheet, "VERY nice build quality inside and out. Mint condition")
     
On our test bench the internal amplifiers of this particular unit, #...1087, produced 24 Volts per channel at 8 Ohms for 72 Watts per channel and 20 Volts at 4 Ohms for 100 Watts per channel via discrete, TO-3 / Metal Cased outputs (Toshiba 2SD426) (test at 1kHz, single channel at a time).
Idle current draw 0.425A.
Very quiet with Floor noise measured at <00.0 mVAC /->60dBm.
    ____________________________
 
Probably the best Integrated amp Realistic ever did (certainly was up until 1977, and after 1980, who cares). This is a great looking unit, with a classy 'Champaign' color, brushed aluminum face, and a 'REAL' wood veneer bonnet.
Just the right features & sonically magnificent! Great amp for home or project recording studio use.

Realistic SA-2000 Integrated Amplifier Features and 'Creature Comforts' include:

- Discrete output power amplifier section
- "Perfect Loudness" control couples 'gain' and 'Volume' controls allow you to adjust loudness compensation to your exact preference (similar to Yamaha's Variable Loudness).
- Speaker selector for Main or Remote, A+B or Off 
- Separate Bass, Mid and Treble with high quality de-tented controls
- Selectable Tone Control turnover centers
Low-Freq: 400Hz or 125Hz
Hi-Freq: 3kHz or 7kHz
- "Perfect Loudness" function w/ 'Variable Preset Level' (boosts EQ on Bass and Treble, while cutting mids for a fuller sound at lower volume levels in relationship with the 'Volume' controls)
- Dual Analog, back lit, 'd'Arsonval' movement, VU Power Meters
- 'Stereo / Mono'  selector
- Built-in Low / Subsonic Filter to eliminate excess rumble from sources such as turntables
- Hi filter for reducing tape hiss / electronic hiss & noise- and record static
- Dual Tape Monitor Loops (Tape Monitors can be used with Video / CD / DVD / VCR / DAT / MP3 / iPod® / iPad® / iPhone® / iTouch® / iGadget / MP3 / XM® / SIRUS® CDR (CD recorders as well as for inserting signal processors, such as EQ's, Reverbs, Spatial Enhancers / Dynamic Processors, Noise Reduction units, Special Effects units, Time Delays, etc)
- Dual 'Magnetic' Phono / Turntable inputs w/ 'Built-in' phono pre-amp
- Tuner input (may also be used for Video / CD / DVD / LD / VCR / DAT / MP3 / iPod® / iPad® / iPhone® / iPod® / iTouch® / iGadget / eReader / MP3 / XM® / SIRUS® etc.)
- AUX input (may also be used for Video / CD / DVD / LD / VCR / DAT / MP3 / iPod® / iPhone® / iPod® / iTouch® / iGadget / eReader / MP3 / XM® / SIRUS®, audio mixers, computer sound-cards etc.)
- Front mounted 1/4" stereo headphone jack
- Back panel features full RCA patch bay for all inputs (each 'fastened separately' to the rear panel, and 'point to point' wired internally, instead of being ered directly to the circuit board, which is always a 'failure point').
- 'Screw Type' speaker connectors for A&B speakers (also gives a pair of RCA connectors for speakers)
- 1 Switched and 1 un-switched AC outlets for a maximum load of 300 Watts of external gear.
 
Realistic SA-2000 Original Specifications:
 
 "Continuous Power output of 55 Watts per channel @ 8 Ohms 20Hz to 20kHz @ <0.3%THD. Dynamic Power is much more!!!
 
Design type: 2 Channels, Integrated Pre /
Class AB operation Power Amplifier
Power Output: Continuous power output, 20Hz-20,000Hz:
55 W/Ch THD 0.3% @ 8 Ohms
Freq Response: 20Hz-20kHz at full rated power
S/N: 75dB @ AUX
Lo Filter: 70Hz
Hi Filter: 10kHz
 
Phono Section:
Freq Response: 20Hz-20kHz RIAA EQ
S/N: 60dB @ PHONO
Phono MM Sensitivity: 3mV
Phono Overload: 160mV

Again, as stated before, our technician has completely refurb'd this Realistic SA-2000 Integrated Stereo Amplifier, cleaning and testing all and it gets our full 'Certification'. Entire unit, including the original brushed aluminum, Face and knobs are in beautiful condition. Unit looks beautiful and sounds great with what the restoration tech called "Gutsy" power & punch!
Measures 16" wide x 12.5" deep x 4.75" tall and weighs 21 lbs unpacked. Includes our 90 day limited warranty!
REALISTIC SA-2000 INTEGRATED AMP
Cond. 9+
 (C)
R.R.
 5/25/18
SHIPPING TO STEVE IN CONNECTICUT

(Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)

 

 

     

      NEW ADDITION 10/30/12
(click on above thumbnails to enlarge photos) 
warranty
CLASSIC & VERY EARLY FUKUIN ELECTRIC CO. / PIONEER HI-FI / STEREO SPEAKERS
PIONEER "TITAN IV"? SPEAKER
Circa 1960-61
for sale
Massive and VERY EARLY Pioneer 'Hi-Fi' speakers, direct from Japanese market. These appear to be original, factory built, Pioneer Titan IV speakers. The 1960 driver complement in these were typically offered in the US as 'kit' form (due to impracticality of SHIPPED such voluminous cabinets from Japan) but according to their consignor, these were brought over by a GI on military transport, so economics was not an issue. He purchased them originally in Japan. These are among the first drivers branded 'Pioneer' from the original parent company Fukuin Electric Co. The company changed it's name to Pioneer in 1960 or 61. There are probably less than an 'handful' of these in the US (if that) and probably only a few dozen in the world. If you want the rarest of the rare Pioneer speakers, here you go. These things are MONSTROUS!
"Hey, Go Big or Go Home!"
Their huge drivers are both efficient and seem to be power capable (handled our Hafler P225 well, but as always, be careful with irreplaceable 'vintage speakers).
Our speaker tech has completely gone through and 'Certified' these.
He has completely disassembled them further, testing all drivers independently. No material issues found with any of the drivers. Each was 'swept' with the AF generator while removed. All drivers were re-installed with the addition of gasketing material to further seal and eliminate any ‘flange to baffle’ rattles and buzzes. Attenuators removed and cleaned for ‘static free’ operation. Gasketing added to the attenuator plates prior to re-installation as well. We also 'modernized' the input connectors (gasketing also added to their mounting plates). Gasketing also installed on rear panel, prior to re-installation. He also installed new, height adjustable, leveling, 'glide' feet. Entire speaker system then swept with our AF generator from 20-5,000 Hz and feeding them with the output from our Hafler P-225 Pro Power Amp, looking for any irregular vibrations / anomalies in either the drivers. driver mounting, crossovers or cabinet structure integrity.  Next we auditioned them with our standard, 'abusive' demo / testing CD's / cuts running the gamut from Dire Straits, 'Brothers in Arms', TLC 'Fan Mail', Allison Kraus and Union Station, Nickelback, a digital recording of a cathedral pipe organ, our 'Usher Speaker' demo CD (no not that Usher), 'Friday Night in San Francisco', with Al Dimeola, John McLaughlin and Paco DeLucia, Nickel Creek's, "When in Rome" from the CD, "Why Should the Fire Die", Jennifer Warnes, "Famous Blue Raincoat", and a few others, all digitally recorded and some 'DDD'.
Very 'large' sounding cabs. I did prefer them with an EQ, but I know you 'purists' would 'cringe' at that idea.
 Pioneer Titan IV Speaker Features include:
 
- 3-way, Bass-Reflex design
- 12" Pioneer PW-30C, Cast Aluminum frame, Low Frequency' Driver (woofer) w/ vented Voice Coil and AlNiCo magnet / motor.
- 6" Pioneer PM-16B midrange 16 Ohms & AlNiCo magnet / motor.
- 3" x 2.5" Pioneer PT-6, 16 Ohms Horn Tweeter w/ AlNiCo magnet / motor.
- Infinitely variable L-Pad for Tweeter attenuation
- Pioneer DN-7 2-Way / 3-Way Crossover
- 11.5" x 8" Tuned Port

Pioneer Titan IV Speaker Specifications:

System Design: 3-Way, Bass Reflex
Driver Compliment: PW-30C 12", Cast Frame Woofer, PM-16B midrange / Squawker, PT-6 Horn Tweeter & DN-7 Crossover.
Frequency Response: ~35-20,000Hz
 Nominal Impedance: 16Ω
 Cross-over frequency: Pioneer DN-7 500Hz & 4kHz @ 12dB / Oct
Power rating: likely 25-40 Watts
 
The real wood, Mahogany veneer cabinets in INCREDIBLE shape, as are the original grills. They are virtually blemish / mark free and look like they could still be on the original show room floor. The cabinets have just had a fresh coat Howards 'Restore-a-Finish' and 'Feed-n-Wax' rubbed in to bring out their original luster. Again, our speaker tech has completely refurbished, tested and Certified these speakers performing the previously mentioned processes.
 Great speaker for a lower powered 'vintage' Hi-Fi system, or that low wattage or 'single ended' tube amplifier. They look, work and sound great! Cabinets measure 38" H x 27.25" W x 17.75" D and weighs a hefty 90 lbs each (due to their huge size once packed, the P,S & I on these to much of the lower 48 states of the US would run approx $450-$650. Locations such as North Eastern States, North Western Washington or Southern Fla would run more). Includes our standard 90 day limited warranty (excluding problems due to under / over powering.
Pioneer Titan IV? Vintage Hi-Fi speakers
Cond. 8.5++
$1899. pr. with grills
(Cons.) R.R.


(Due to the dimensions and / or weight of these speakers, Packing / SHIPPED will be somewhat more 'involved' than typical. Custom, double-wall boxes will be manufactured specifically for them. While we order custom built boxes often, this can sometimes delay SHIPPED by 5-10 days)

  (Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)
 

 

 

    

          NEW LISTING 11/19/10
(Click on above thumbnails to enlarge photos)
warranty
RESTORED / REFURBISHED / FULLY SERVICED
VINTAGE ESB STEREO SPEAKERS
ESB 7/08 HOME AUDIO SPEAKERS
#...7400 / 7401
  Circa 1984-86
MADE IN ITALY
  for sale
 There aren't many ESB's in North America, as they were imported in limited quantities from Italy, where they comprised approx 25% of the speaker market!
 ESB (ELECTROACOUSTIC SYSTEMS BUILDING)  They are an impressive speaker in design, build quality, construction and sonics. Their detailed and balanced sonics are accomplished via a couple of design characteristics. One is the 'coupled' Midrange and Tweeter design. The other would be the a radical modification of Horizontal and Vertical alignment. From a 1984 review,
"A key element in the design of all the Series 7 speakers is what ESB calls DSR (for "distributed spectrum radiation"). which is intended to maintain accurate, consistent stereo imaging over a wide listening area. Vertically, this is achieved first by building the mid- and hi-frequency drivers on a single mounting flange, minimizing the distance (and therefore the interference) between them, so that they act as nearly as possible like a single point source... The method ESB uses to stabilize the image horizontally is a refinement of a familiar technique. 'Toeing in' a pair of speakers so that their forward radiating axis cross slightly in front of the listening position usually broadens the area in which you can sit without the stereo image collapsing into the speaker nearer to you."

These are great performing speakers for most any genre of music. We extensively tested them with our barrage of material. They were very balanced and handled power well. Probably not a speaker for every week party's, but for a great 'large' sound, you'll love them. These are in beautiful physical condition as well.
Features include:
  
- 3-Way, Acoustic Suspension / Infinite Baffle cabinet design
- Asymmetrical / Mirror image cabinets w/ angled high-frequency baffle
- 10" Woofer with fresh foam surrounds (were re-foamed prior to their arrival to our shop. The tech utilized 'Cerwin-Vega' surrounds, which are 'red' in color, then 'blackened' them, with questionable success. Sound and perform fine, but noticeable cosmetically)
- 2" Hemispherical 'coated' silk dome midrange w/ heavy duty motor 'coupled' to tweeter plate
- 1" Hemispherical 'coated' silk dome tweeter w/ heavy duty motor 'coupled' to mid plate
- Heavy duty, Banana / Binding Post speaker input terminals
- Externally located, independent, glass fuse protection for all 3 drivers
- Incredibly well built crossover.
- Heavy build, 'acoustically solid' cabinets
  
Specifications:
  
System Design:  3-Way, Infinite Baffle / Acoustic Suspension
Frequency Response:  45Hz- 20kHz ±3dB
Crossover points: 600Hz & 6,000Hz
Sensitivity: 87dB @ 1W, 1m
System impedance: 6 ohm nom / 5 Ohms min.
Recommended Amplifier rating: 40 Watts minimum, and were originally tested when current with 300Hz bursts at 500 Watts

Our speaker tech has completely gone through and 'Certified' these. The surrounds were recently replaced with 'Cerwin Vega' 'Red' foam, that was 'stained' black, prior to arriving to us. We have completely tested them with both recorded material, PN 20-20k and swept them with our AF generator from 20-5,000Hz and feeding them with the output from our Hafler P-225 Pro Power Amp. Then further auditioned with a myriad of our difficult to reproduce 'test' CD's.
 The real wood veneer, cabinets in beautiful shape with no serious 'battle scars'. Have been given a coat of Howards 'Restore a Finish' then buffed w/ 'Feed-n-Wax'. With the exception of one missing logo, the original black knit grills are in great shape and the original frames are structurally sound.
Again, these are great looking and sounding speakers and would be happy coupled with most any medium to large receiver / amp. Cabinets measures 37.5" high x 15" wide x 11" deep and weighs a hefty 55 lbs each. Includes our standard 90 day limited warranty (excluding problems due to under / over powering).
ESB 7/08 STEREO SPEAKERS
  Cond. 8.5
$1199. pr. with grills
(Cons.) M.R.

(Due to the dimensions and / or weight of these speakers, Packing / SHIPPED will be somewhat more 'involved' than typical. Custom, double-wall boxes will be manufactured specifically for them. While we order custom built boxes often, this can sometimes delay SHIPPED by 5-10 days)

  (Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)
 

 

 

 

    

NEW LISTING 12/29/17
 (Click on above thumbnails to enlarge photos)
  warranty
VINTAGE AND FULLY SERVICED
TEAC CASSETTE TAPE DECK
HUGE
TEAC CX-650R
AUTO-REVERSE W/ 'BI-DIRECTIONAL RECORDING'
#...7598
With DOLBY NR
MADE IN JAPAN!
Circa 1980-82
 1/17/18
SHIPPING TO CALIFORNIA

ü Our technician has completely and EXTENSIVELY gone through and 'Certified' this unit which involves complete removal and disassembly of the entire transport (not an easy task on this deck), cleaning inside and out, DISASSEMBLING, cleaning and re-lubricating all internal mechanisms and the balance of efforts listed below.

ü Heads inspected for excessive wear (obviously we do this 'early on' as 'excessive' wear will usually negate any further restoration work).

ü Head rotating gear inspected with a jewelers loop prior to starting any restoration work, and found to be 'hairline' crack free.

ü Capstan motor spindle bushing re-lubed

ü Capstan burnished

ü Internal 23VDC power supply tested to 23.2Volts

ü 2X NEW, Custom made, 'reel drive' tires installed for years of trouble-free service. (These are actually much more important to replace on this deck (and most) than the belts. Without these, the deck won't fast wind very well, and will likely 'eat tapes' as the 'take-up' reel won't turn properly)

ü All new internal Drive and Counter belts installed for trouble-free service.

ü Rubber pinch rollers have been reconditioned

ü Both Flywheel 'belt surfaces' solvent cleaned

ü Bronze Flywheel bushings solvent cleaned

ü Both Flywheel thrust pads cleaned

ü Entire flywheel assemblies re-lubed upon re-assembly

ü Heads have been cleaned and de-magnetized as well as the entire transport.

ü Head alignments and azimuth at both 1kHz and 10kHz adjusted for BOTH directions for 'peak performance' with O-Scope

ü All internal pots, switches and controls cleaned and tested for noise-free function.

ü Both spindles in perfect alignment.

ü FF, REW, & Play transport functions all test perfectly and controls tested for 'positive / accurate' responsive.

ü 'Silicone Damped' Eject door operates smoothly.

ü Tape Counter Function tested

ü Dolby NR circuits / function tested

ü 'Memory / Zero Return' function tested

ü Heads are in great condition

ü Internal playback levels adjusted for even playback w/ alignment tape, Oscilloscope, and mVAC meter

ü Playback meters adjusted for 'playback' zero'd with factory test tone tape.

ü Internal Record amplifier channels adjusted for 'even output'

ü Pinch roller and heads all in GREAT condition!!!

ü Overall floor noise measured at >-60dB.

üSpeed adjusted internally to 100% accuracy BOTH directions, with 1kHz factory calibration tape and frequency counter (meaning 1kHz calibration tape plays back at 1000Hz +/- 1Hz)

ü Cosmetically, the deck and the 'wood grain wrapped' case / cabinet looks NEAR NEW!

ü Plays great and after adjustment, records AMAZINGLY well w/ following results;
With Pink Noise recorded at 0dB w/o Dolby engaged; -2dB on Maxell UDXL-II / High Bias tapes
With 1kHz recorded at 0dB with Dolby engaged; -0.3dB on Maxell UR (normal bias) tapes
With 'ddd' CD recorded at 0dB with Dolby engaged; -2dB on Maxell UDXL-II / High Bias tapes
With 'ddd' CD recorded at 0dB with Dolby engaged; -1.5dB on Maxell UR (normal bias) tapes
With 'ddd' CD recorded at 0dB w/oDolby engaged; -3dB on Maxell UR (normal bias) tapes

Bottom line is this deck sounds amazing for playback or recording (always make sure you're playing back 'good quality' tape recordings)
Total technician time to restore 10+ HOURS!
____________________________

The Teac CX-650R, Auto-Reverse with 'Bi-Directional Recording', Stereo Cassette Tape Deck. Great deck for doing your tape transfers if your tapes were recorded with no NR or with "Dolby B" or for making some awesome 'new' recordings or 'mix tapes' (hey, it's 'the thing' again). This deck is a pleasure to use, and has a great 'feel' due to it's size and transport function. As far as cosmetics, it's BEAUTIFUL. Was taken very good care of before it came to us, and is even more astounding now. The deck and the wood grain case could convince you that time had rolled back almost 40 years, and you were seeing it at the original store's retail display.

Teac CX-650R Features include:
  
- Heavy duty transport featuring 'oversized' capstan motor, and VERY large, 'asymmetrical' flywheels
- Triple-Mode Auto-Reverse, with 'Bi-Directional' Recording (not just 'A' side recording!)
-  "Soft touch-control" tape transport
- Selector for Normal (EX / I), CrO2 (SX / II) & Metal (ZX / IV) Tape Type
- 3-Position Selector for Tape Equalization for Normal (EX / I), CrO2 (SX / II) & Metal (ZX / IV) Tape Type on playback
- Dual Analog VU Level Meters
- Analog counter 
- Built-in MPX filter for killing the 19kHz pilot tone in FM transmissions
- Variable Output Level control (one of the most important features on a deck in our opinion)
- Dolby B NR
- Record Muting
- 'Auto-Space' records a 4-second space prior to 'stop' when engaged.
- Real 'Potentiometer' Record level controls that are 'gear coupled' (meaning when you turn one, the other one responds as well. They can be turned independently for 'fine adjustment' as they're 'clutch coupled' as well)
- Memory Stop / Repeat for counter
- Dual, Front mounted, 1/4", Microphone Jacks
- Front mounted, 1/4", Stereo Headphone jack
- Timer Play / Record function.
- Multi-pin port on rear panel for optional wired remote, TEAC RC-100 (remote not included)

Teac CX-650R Specifications:
 
Track format: 4 track / 2 channel
Motors: 2x 1x DC Coreless 'Reel', & 1x FG Servo Controlled DC 'Capstan'
Freq Response; 30-18,000Hz +/- 3db w/ Metal Tape @ -20dB
30-18,000Hz +/- 3db w/ CrO2 Tape @ -20dB
30-15,000Hz +/- 3db w/ 'Normal' Tape @ -20dB
Wow & Flutter (WRMS): 0.06% wtd
Tape Speed: 1-7/8 ips
Harmonic Distortion / THD: <3.0% @ 1kHz & 0dB (High Bias Tapes)
S/N ratio w/ CrO2 tape: >56db w/ Dolby dis-engaged (and Normal Bias Tapes)
>66db w/ Dolby-B engaged (over 10kHz and High Bias Tapes)
Line Input 'Nominal': 60mV @ 50K Ohms
Line Output 'Nominal': 300mV for a load impedance of 50k Ohms
Headphones Output: 1.0mW @ 8 Ohms
Fast Wind Time: ~80 Seconds for C-60 tape
  
Again, we have completely cleaned, refurbished / serviced and thoroughly tested this Teac CX-650R cassette tape deck.
Great for transferring your no NR or Dolby B NR encoded tape collection to CD, Hard-drive or MP3 especially with the 'Tape EQ' selector for 'fine tuning' older tapes. Built very well! Looks like new, works perfectly and sounds fabulous. Due to it's size, overall feel, the 'input controls' and the 'transport control' this deck really is a blast to use. Comes with an 'e-copy / pdf download' of the TEAC CX-650R cassette tape deck owners / users / instruction manual. Measures 18.5" wide x 13.5" deep x 7" tall and weighs a VERY HEAVY 26 lbs unpacked. Just incase you 'too casually' read past that last little bit,
IT'S A TWENTY-SIX POUND CASSETTE DECK!
Includes our standard 90 day limited warranty. 
TEAC CX-650R
Cond. 8.5+
 1/17/18
SHIPPING TO CALIFORNIA

(tape shown in photos not included. We do ship our decks with a  a 'pre-recorded' tape for playback, made on this 'specific' deck, and a tape to 'practice record' on.) 

(Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)

    

NEW LISTING 4/4/18
 (Click on above thumbnails to enlarge photos) 
  warranty
VINTAGE AND FULLY SERVICED
MARANTZ CASSETTE TAPE DECK
MARANTZ 5220
WITH 4-CHANNEL 'MIXING' CAPABILITY
AND DOLBY NR
FROM THE CLASSIC AND SOUGHT AFTER
'BLUE FACE' MARANTZ
SERIES
USA'S "BICENTENNIAL" YEAR
#...08J4
Circa early 1976-77
Made in Japan
 4/23/18
SHIPPING TO CALIFORNIA

ü Our technician has completely and EXTENSIVELY gone through and 'Certified' this unit which involves complete disassembly of the transport, cleaning inside and out, COMPLETELY DISASSEMBLING, cleaning and re-lubricating all internal mechanisms and the balance of efforts listed below.

ü Heads inspected for excessive wear (obviously we do this 'early on' as 'excessive' wear will usually negate any further restoration work).

ü All drive tires reconditioned for trouble-free service.

ü All new internal rubber belts replaced for trouble-free service. (a note about the 'belt kits' out there. We were out of a couple of the belts we needed, so to make it easy / quick, we thought we'd order a 'belt kit' from an ebay seller (yes, we should know better). We installed them, and went on with the restoration. At the first opportunity to do some testing during it's 'bench time', we noticed 'fast' WOW / 'slow' Flutter when recording test tones (especially prevalent with recording, then playing back 'Piano' music). After spending 'hours' trying to track down the issues, and in the interim we had 're-stocked' our normal belts, changed out the ebay purchased ones for our 'stock' units, and the problem was solved. That seller was selling 'round' belts ("round belts" typically shouldn't be an issue), but the Marantz 5220 deck MUST have 'Square' belts. Just FYI (at our expense).)

ü Rubber pinch roller reconditioned

ü Capstan burnished

ü Missing Capstan thrust screw replaced

ü Heads have been cleaned and de-magnetized as well as the entire transport.

ü Head alignments and azimuth checked and adjusted as necessary for 'peak performance' with O-Scope

ü All internal pots, switches and controls cleaned and tested for noise-free function.

ü All internal light bulbs changed

ü All internal displays and LED's working fine.

ü Both hub spindles in perfect alignment.

ü FF, REW, & Play transport functions all test perfectly and controls tested for 'positive / accurate' responsive.

ü Heads in great shape as well, with many years of performance left in them and head alignment / azimuth has been checked for peak performance.

ü Both Internal playback amplifier channels adjusted for 'even output'

ü Meters adjusted to even zero with symmetric input.

ü Both Internal Record amplifier channels adjusted for 'even output'

ü Pinch roller and heads all in GREAT condition!!!

ü Playback meters zero with factory test tone tape.

ü Tape Counter and 'Memory' Function tested

ü Plays perfectly and records well @ ~0dB (with Maxell UDXL-II tapes @ 1kHz) and @ ~-2.5dB (with TDK D tapes with Pink Noise)( we really put them through the paces, testing both with well mixed, recently recorded CD material and CD recorded / factory test tones looking for correct head Azimuth and speed accuracy).

ü Pinch roller and heads all in GREAT condition!!! -Both level meters playback even.

ü Speed adjusted internally to 100% accuracy with 1kHz factory test tape (meaning 1kHz calibration tape plays back at 1000Hz +/- 1Hz)

Face is made of beautiful brushed aluminum, and overall the deck is in fabulous cosmetic condition. Following the extensive restoration, we did 'test recordings' of a 'ddd' CD on 6 tapes; Sony Normal Bias, Fuji Normal Bias, TDK Normal Bias, Maxell Normal Bias, TDK 'SA' High Bias, and Maxell 'XL-II' High Bias. We found that TDK 'D' / Normal Bias tape performed the best on this particular deck.
 Total technician time to restore ~16 HOURS! (12 Hours Tech time, then another 3-4 hours testing / evaluating)
  ____________________________
  
From Marantz's Classic and always sought after, 'Blue Face' years. This is the first of Marantz cassette deck from this series that we've had make it through our process in over 21 years, and it was a 'long journey'. Marantz only made 3 'vertical' models of cassette decks, with the 'Smoked Plexi' look. The 5020 (lesser model), the 5200 (same as this deck, but without Dolby), and this 'Top of the Line' 2-Track, 5220! Mid-70's cassette deck with classic, Piano-Key transport operation, Dolby, stereo cassette tape deck. Great deck to add to your classic, brushed silver and 'Blue Face' Marantz 'stack or rack'.

Marantz 5220 Features include:
  
- Super Hard, 'Ferrite' heads
- Classic 'Piano Key' transport operation
- 4-Input Channel 'Mixing' capability (Allows both Microphone inputs and both 'Line Level' inputs to be mixed ALL AT ONCE to tape, or simply out to your speakers)
- DC Servo Motor
- Dolby-B noise reduction built-in for recording and playback
- 3-Position Tape Bias Type / EQ selector for Normal, Fe-CO2, & CrO2 tape
- Selectable, Automatic record level 'Limiter' built-in
- Peak LED indicator
- Dual, Blue back-lit, Analog VU signal level meters
- Manual Record Level with independent L&R control + 'Master' Level control
- Separate, L&R, Variable Output Level controls (located on rear panel)
- MPX Filter, for eliminating the 19kHz 'pilot' signal from FM broadcasts. You can use this while recording, or as a ' Listening filter all the time' by putting the deck into 'Record Pause'. (located on rear panel)
- FM Deemphasis for either 'Flat' or 25μSec
- Separate, L&R, Variable Play / FM Calibration (for utilizing this deck as an external 'Dolby' processor for another deck that is lacking Dolby)
- Dual front mounted 1/4" mic input jacks
- Front mounted Stereo Headphone jack
- Analog Tape Counter
- Selectable 'Memory' point

Marantz 5220 Specifications:

Track format: 4 track / 2 channel
Motors: High Torque, DC Servo motor
Freq Response: w/ Ferri-Chrome; 35-17,000 Hz +/- 3dB @ -20dB
w/ Chrome / CrO2; 35-15,000 Hz +/- 3dB @ -20dB
Wow & Flutter (WRMS): 0.08% WRMS
S/N ratio w/ Dolby 'OFF': 50dB w/ 'non-normal bias' tape
                            48dB w/ 'normal bias' tape
Dolby engaged improves S/N by 3%
Harmonic Distortion (THD):  <3% @ 0dB
Line Input Impedance: 100k Ohms
Microphone Input Impedance: 10k Ohms
Output Level: 900mV @ 6k Ohms

There's just something about the feel of 'original piano key' tape transports.
Again, we have completely refurbished and thoroughly tested this deck, with multiple recording tests (as stated previously). Cosmetically, it's in essentially NEW condition! Great deck for just about any system, but especially 'great' for cosmetically matching to an existing, Marantz 'Blue Face' stereo system. Also great for transferring your tape collection to CD, Hard-drive or MP3. Includes original box and packing. Comes with an 'e-copy' / pdf of the Marantz 5220 owners manual.
Measures 17.25" wide x 13" deep x 6" tall and weighs 20 lbs unpacked. Comes with our 90 day limited warranty.
RESTORED / REFURBISHED / SERVICED MARANTZ 5220
Cond. 8.5+++
 4/23/18
SHIPPING TO CALIFORNIA

(tape shown in photos not included. We do ship our decks with a  a 'pre-recorded' tape for playback, made on this 'specific' deck, and a tape to 'practice record' on.) 

(Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)

 

 

    



NEW LISTING 4/13/18
 (Click on above thumbnails to enlarge photos)
  warranty
PRE-OWNED AND FULLY SERVICED
SONY CASSETTE TAPE DECK
SONY TC-K850ES
"It's got a few minor 'battle scars', but following it's full service, makes
up for that in Super-Sonic performance"
3 HEADS / 3 MOTORS
USER BIAS ADJ, AUTO-TAPE CALIBRATION, AND RECORD LEVEL*
and Quartz Locked Speed
#...0168
With HX-PRO & DOLBY B&C NR
MADE IN JAPAN!
Circa early 1990's
for sale
 TO RYAN IN VIRGINIA

ü Our technician has completely and EXTENSIVELY gone through and 'Certified' this unit which involves complete removal and disassembly of the entire tape transport, cleaning inside and out, DISASSEMBLING, cleaning and re-lubricating all internal mechanisms and the balance of efforts listed below (unit actually worked very well prior to disassembly as well).

ü Heads inspected for excessive wear (obviously we do this 'early on' as 'excessive' wear will usually negate any further restoration work).

ü All new internal Capstan Drive belts replaced for trouble-free service.

ü New 'Shift Roller' acquired (from Slovikia) and installed.

ü Left Rubber pinch roller has been reconditioned

ü Capstan 'Thrust Bearings' cleaned and re-lubed w/ silicone based lube

ü Heads have been cleaned and de-magnetized as well as the entire transport.

ü Head alignments and azimuth at 125Hz, 1kHz and 10kHz adjusted for 'peak performance' with O-Scope. Both channels now even w/ 'max' output.

ü All internal pots, switches and controls cleaned and tested for noise-free function.

ü Both spindles in perfect alignment.

ü FF, REW, & Play transport functions all test perfectly and controls tested for 'positive / accurate' responsive.

ü Eject door 'Auto mechanism' operates smoothly.

ü Tape Counter Function tested

ü Dolby B & C NR circuits / function tested

ü HX-Pro tested

ü 'Memory / Zero Return' function tested

ü Heads are in great condition

ü Meters adjusted to even zero with symmetric input.

ü Pinch roller and heads all in GREAT condition!!!

ü Both Internal playback amplifier channels adjusted for 'even output'

ü Meters adjusted to even zero with symmetric input.

ü Both Internal Record amplifier channels adjusted for 'even output'

ü Playback meters zero with factory test tone tape.

ü Speed tests at 100% accuracy (this deck has a 'FG-Servo / Synchronous' motor with a circuit board mounted, 'Comparator' system to maintain perfect speed so is 'always' 'on speed'), with 1kHz factory calibration tape (meaning 1kHz calibration tape plays back at 1000Hz +/- 1Hz)

ü Cosmetics are not great. The sheet metal case has some creases / dents (don't know how they got there), and the originally, optional Rose wood side panels have a few dents (don't know if they were there before someone acquired them, or happened after installation). The wood panels could be removed, and we thought about it, but even with their cosmetic issues, they add to it's overall look being left intact.
ü Plays perfectly and after adjustment, records AMAZINGLY well. Normally we would give a "dB Down or UP" rating / results, but this deck has so many ways to have it's record levels and quality 'tweaked' that there's no 'one number' that can be assigned to it. Yes it can record at 'positive dB's' but with different attributes depending on the tape type and how 'hot' you wish to record. We found the best results with at Maxell UDXL-II tapes. We tried recordings using the 'Calibration' system, but usually found that we liked adjusting the 'Bias' control to suit our ears. Then we discovered the +/-3dB 'Record Level' control (No not the typical "Input Level" control, that is always labeled "Record Level", but a control on the outside that gives you access to the actual 'internal "record level"' normally located on the circuit board and adjustable by a technician via 'pc mounted' pots. This opened up a whole new layer of recording that we normally only get to experiment with while a unit is on the bench.
While doing the test recording's, it became apparent that this decks recording capabilities were AMAZING.
Total technician time to restore 8+ hours.

____________________________

The Sony TC-K850ES, 3-Head / 3-Motor Cassette Tape Deck. Great deck for doing your tape transfers if your tapes were recorded with no NR or with "Dolby B" or "Dolby C", but REALLY SHINES if you want to make new tapes as it's got HX-PRO and 'TONS' of serious recording features. Again, as stated above, records AMAZINGLY well! Also has 'gear driven' reel tables, which means there not 'pesky' idler tire or drive belts to worry about (which takes 'eating tapes' off the table).

SONY TC-K850ES Features include:
  
- 3 Heads (allows instantaneous monitoring of recordings for the best audio results)
- "Laseramorphous Magnetic Alloy" head (wow, that's a mouthful, but means that it's got a super accurately cut gap, and is of a 'really hard, non-magnetic material, which thus means, "it sounds good now and will for a long time")
- *User adjustable RECORD LEVEL control (+/- 3dB, and NO, NOT the same as the typical 'Input (record) Level Control'
- User adjustable BIAS control
- Tape 'Calibration' system
- HX-PRO (HX-PRO is used to 'encode' your tapes as you record. Once a tape is encoded in HX Pro, it will playback on any deck, then exhibiting the benefits of HX-Pro)
- FG Capstan motor with 'Quartz Locked' speed (never needs adjusting and will always be 'speed accurate')
- 'Closed Loop / Dual Capstan' tape transport system
- 3 Motors
- IC logic "touch-control" tape transport
- Motor driven Tape Load and Eject
- Auto Selector for Normal (EX / I), CrO2 (SX / II) & Metal (ZX / IV)Tape Type
- Multi-Functional Fluorescent display window
- Digital, tape counter
- Dolby B&C NR
- Record Muting
- "CD DIRECT" input (bypasses MPX filter, Balance and likely other circuits)
- Built-in MPX filter for killing the 19kHz pilot tone in FM transmissions
- Input level control with L & R balance (balance control sometimes has best meter balance at somewhere between "11:00 and 1:00" depending on tape type and / or Biasing position and  / or 'Record Level' position)
- Memory Stop / Repeat for counter
- AMS (Automatic Music Sensor) system for finding next or previous tracks (must have a min of 4 seconds between tracks / songs)
- Front mounted, 1/4", Stereo Headphone jack
- Timer Play / Record function.

SONY TC-K850ES Specifications:
 
Track format: 4 track / 2 channel
Heads: 3 (Ferrite Erase head, Permalloy PB head and LA Record head)
Motors: 3
Freq Response; 15-21,000Hz +/- 3db w/ Metal Tape @ 0VU (not the typical "-20dB" of every other deck I've come across)
15-19,000Hz +/- 3db w/ CrO2 Tape
15-17,000Hz +/- 3db w/ 'Normal' Tape @ -20dB
(a note on the 'spec'd' "Frequency Response" of this deck. I don't ever recall seeing a deck going below 20Hz. This one specs "15Hz!!!")
Wow & Flutter (WRMS): 0.024% NAB
Tape Speed: 1-7/8 ips
Harmonic Distortion / THD: 1.0% (Metal Bias Tapes)
S/N ratio w/ CrO2 tape: 61db w/ Dolby dis-engaged
70db w/ Dolby-B engaged
76db w/ Dolby-C engaged
Bias Frequency: Adjustable AC Bias
  
Again, we have completely cleaned, refurbished / serviced and thoroughly tested this SONY TC-K850ES cassette tape deck.
It does have a few 'battle scars' (see above photos), but will make up for it in performance, again check the recording results, and the 1kHz = 1kHz speed!
If I didn't already have 'a sufficient number' of cassette decks in my collection, this one wouldn't be leaving, especially after experimenting with the 'Bias and Record Level' controls.
Great for transferring your no NR or Dolby B / C NR / HX-PRO encoded tape collection to CD, Hard-drive or MP3, or BETTER YET, 'making your own tapes' with HX-PRO. Built very well! Looks like new, works and sounds great. Comes with an 'e-copy' / pdf of the Sony TC-K850ES owners manual and the service manual if purchaser desires. Measures 18.25" wide (w/ wood panels installed) x 13.5" deep x 5.2" tall and weighs 16 lbs unpacked. Includes our standard 90 day limited warranty.
SONY TC-K850ES
Cond. 8 (due only to creases on top panel and dings in installed 'originally optional' wood panels. The deck looks much better and way more 'striking' in 'real life' than in the 'washed out photos'. It's hard to accurately depict 'true black'.)

 (Cons.) R.R.
 TO RYAN IN VIRGINIA

(tape shown in photos not included. We do ship our decks with a  a 'pre-recorded' tape for playback, made on this 'specific' deck, and a tape to 'practice record' on.) 

(Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)

 

   

NEW LISTING 12/19/17
 (Click on above thumbnails to enlarge photos)
  warranty
PRE-APPRECIATED
FULLY SERVICED
DENON CASSETTE DECK
DENON DRR-730
AUTO-REVERSE
STEREO CASSETTE TAPE DECK
With DOLBY B & C
& HX PRO
Circa 1992-97
Made in Japan
 2/5/18
SHIPPING TO NEW MEXICO

ü Our technician has completely and EXTENSIVELY gone through and 'Certified' this unit which involves complete removal and partial disassembly of the entire transport, cleaning inside and out, DISASSEMBLING, cleaning and re-lubricating all internal mechanisms and the balance of efforts listed below.

ü Heads inspected for excessive wear (obviously we do this 'early on' as 'excessive' wear will usually negate any further restoration work).

ü Head rotating gear inspected with a jewelers loop prior to starting any restoration work, and found to be 'hairline' crack free.

ü All 'reel drive' tires reconditioned for years of trouble-free service.

ü All new internal Drive and Counter belts replaced for years of trouble-free service.

ü Rubber pinch roller has been reconditioned

ü Capstan burnished

ü Heads have been cleaned and de-magnetized as well as the entire transport.

ü Head alignments and azimuth at both 1kHz and 10kHz adjusted for BOTH directions for 'peak performance' with O-Scope

ü All internal pots, switches and controls cleaned and tested for noise-free function.

ü Both spindles in perfect alignment.

ü Heads are in great condition

ü Internal playback levels adjusted for even playback w/ alignment tape, Oscilloscope, and mVAC meter

ü Playback meters adjusted for 'playback' zero'd with factory test tone tape.

ü Internal Record amplifier channels adjusted for 'even output'

ü Pinch roller and heads all in GREAT condition!!!

ü Speed adjusted to 100% accuracy BOTH directions, with 1kHz factory calibration tape (meaning 1kHz calibration tape plays back at 1000Hz +/- 1Hz)

ü FF, REW, & Play transport functions all test perfectly and controls tested for 'positive / accurate' responsive.

ü Eject door operates smoothly.

ü ALL Tape Counter Functions tested

ü Dolby B & C NR circuits / function tested

ü 'Memory / Zero Return' function tested

ü Cosmetics are LIKE NEW!

ü Plays perfectly and after adjustment, records very well at -1dB! on about any formulation of tape. We did 'test recordings' of Pink Noise and 'ddd' CD's on 6 tapes; Sony Normal Bias, Fuji Normal Bias, TDK Normal Bias, Maxell Normal Bias, TDK 'SA' High Bias, and Maxell 'XL-II' High Bias. We found that they all performed VERY well on this particular deck. We did however find that the deck likes to record at about -10dB on the meters, for 'smoother saturation' of tape. Again, we really didn't have a favorite, plus the deck has adjustable Bias (although we left it 'centered' for our tests).
Total technician time to restore 8+ HOURS!
  ____________________________

Great performing deck. The Denon DRR-730. Following the above mentioned service / refurb, it's now reliable for playing, recording or if you need to burn some tapes to CD. Looks and runs great! 

Denon DRR-730 Features:
 
- IC Logic Touch Tape Transport controls
- 2 Motor Transport (1 Cap motor and 1x 'Reel' motor)
 - Dual power supplies (one for transport and one for audio circuits) makes for more stable operation
- HX Pro circuitry
 - "Amorphous" Head for super long life
- Tri-mode Auto-Reverse
- Auto tape type selector for Normal / Chrome & Metal tapes
- Dolby B & C Noise Reduction
 - Built-in MPX filter for killing the 19kHz pilot tone in FM transmissions
- Fine Bias adjustment
- Variable Output Level control (one of the most important features on a deck in our opinion)
- Front-mounted 1/4" stereo headphone jack
- Record Mute
- Next song search
- 'Record Return' function
- Digital Fluorescent tape counter
- Dual, fluorescent level meters
- Memory tied to the counter
- Optional infrared remote control (not included)

Denon DRR-730 Specifications:
 
Track format: 4 track / 2 channel
Motors: 2
Freq Response; 25-19,000Hz +/- 3db w/ Metal Tape @ -20dB
Wow & Flutter (WRMS): 0.055% wtd
Tape Speed: 1-7/8 ips
Harmonic Distortion / THD: <3.0% @ 1kHz & 0dB (High Bias Tapes)
S/N ratio w/ CrO2 tape: >74db w/ Dolby C engaged (and High Bias Tapes)
Bias Frequency: 105kHz w/ control centered
Separation: >40dB @ 1kHz, 0dB
Crosstalk: >65dB @ 1kHz, 0dB
Recording Level: 200 nWb/m & 0dB
Headphones Output: 1.2mW @ 8 Ohms
Fast Wind Time: ~110 Seconds for C-60 tape
 
Again, as mentioned above, our tech has gone through it completely cleaning all parts, controls and tape mechanism. We also checked, cleaned, reconditioned and / or replaced rubber components. We completely de-magnetized the heads and transport. Capstan motor speed adjusted to exact spec! Tape speed re-adjusted to 100% accuracy, ie; 1 kHz = 1 kHz! Test records incredibly well and plays back at -1 dB down!  Looks NEW and sounds great! Great for transferring your tape collection to CD, Hard-drive or MP3. Test plays and Records extremely well. Very clean deck and usable deck! Measures 17.25" w X 11" d X 5" h and unpacked weight is 10 lbs. Comes with our 90 day limited warranty.
DENON DRR-730
 Cond. 9
 2/5/18
SHIPPING TO NEW MEXICO

(tape shown in photos not included. We do ship our decks with a  a 'pre-recorded' tape for playback, made on this 'specific' deck, and a tape to 'practice record' on.) 

(Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)